SUNY series in Contemporary Italian Philosophy – Serie

Leading Italian philosophers engage issues in ethics, politics, and religion.Italian philosophy provides a long-overdue and much-needed supplement to continental thinking. This book offers some living and lively examples, some for the first time in English, of original thought from the Italian philosophical scene. The contributors-seventeen leading Italian philosophers-offer perspectives from many areas, particularly ethics, politics, and religion. Contemporary Italian Philosophy includes a primarily historical introduction and is composed of three parts, corresponding with the unfolding of past, present, and futural thinking.

Leading Italian philosophers engage issues in ethics, politics, and religion.Italian philosophy provides a long-overdue and much-needed supplement to continental thinking. This book offers some living and lively examples, some for the first time in English, of original thought from the Italian philosophical scene. The contributors-seventeen leading Italian philosophers-offer perspectives from many areas, particularly ethics, politics, and religion. Contemporary Italian Philosophy includes a primarily historical introduction and is composed of three parts, corresponding with the unfolding of past, present, and futural thinking.

First English translation of Sini's important work on the influence of writing and the alphabet on Western rationality.In this groundbreaking work, Carlo Sini, one of Italy's leading contemporary philosophers, brings American pragmatism to the Milan school of phenomenology. Appearing in English for the first time, this book explores the constitutive role of alphabetic writing in the emergence of dominant forms of knowledge in the Western world (philosophy, mathematics, science, and historiography). Taking stock of the contingent nature of what are held as logical truths, he offers an ethical framework for considering different ways of thinking about writing, focusing on possibilities involving "practice" as a basis for a renewal of theoretical philosophy. Such a framework, Sini argues, opens the door for more productive and ethical communication with non-Western cultures, and indeed for a reconsideration of forms of knowledge beyond mere writing.

First English translation of Sini's important work on the influence of writing and the alphabet on Western rationality.In this groundbreaking work, Carlo Sini, one of Italy's leading contemporary philosophers, brings American pragmatism to the Milan school of phenomenology. Appearing in English for the first time, this book explores the constitutive role of alphabetic writing in the emergence of dominant forms of knowledge in the Western world (philosophy, mathematics, science, and historiography). Taking stock of the contingent nature of what are held as logical truths, he offers an ethical framework for considering different ways of thinking about writing, focusing on possibilities involving "practice" as a basis for a renewal of theoretical philosophy. Such a framework, Sini argues, opens the door for more productive and ethical communication with non-Western cultures, and indeed for a reconsideration of forms of knowledge beyond mere writing.

Philosophical interpretation of Proust based on the work of Merleau-Ponty and Deleuze.French novelist Marcel Proust made famous "involuntary memory," a peculiar kind of memory that works whether one is willing or not and that gives a transformed recollection of past experience. More than a century later, the Proustian notion of involuntary memory has not been fully explored nor its implications understood. By providing clarifying examples taken from Proust's novel and by commenting on them using the work of French philosophers Maurice Merleau-Ponty and Gilles Deleuze, Italian philosopher Mauro Carbone interprets involuntary memory as the human faculty providing the involuntary creation of our ideas through the transformation of past experience. This rethinking of the traditional way of conceiving ideas and their genesis as separated from sensible experience-as has been done in Western thought since Plato-allows the author to promote a new theory of knowledge, one which is best exemplified via literature and art much more than philosophy.

Essays describe Italian philosopher Gianni Vattimo's unique and radical hermeneutic philosophy.This is the first collection of essays in English that deals directly with the philosophy of Gianni Vattimo from a purely critical perspective, further establishing his rightful place in contemporary European philosophy. Vattimo, who first came to prominence as the translator of Gadamer's Truth and Method into Italian, is now considered to be more than a philosopher and prolific author. As a former member of the European Parliament (1999–2004), he is also a public intellectual. This book takes up his call to advance the crucial active and affirmative engagement with thinking and society. More than just interpretations of Vattimo's thinking, these essays are expressions of the new impetus given to hermeneutic philosophy by "weak thought," the term he coined for how we think now in the wake of Nietzsche, Heidegger, and Gadamer. The development of Vattimo's thinking is reflected in the organization of the volume, divided into three main parts: Hermeneutics and Nihilism, Metaphysics and Religion, and Politics and Technology.

Essays describe Italian philosopher Gianni Vattimo's unique and radical hermeneutic philosophy.This is the first collection of essays in English that deals directly with the philosophy of Gianni Vattimo from a purely critical perspective, further establishing his rightful place in contemporary European philosophy. Vattimo, who first came to prominence as the translator of Gadamer's Truth and Method into Italian, is now considered to be more than a philosopher and prolific author. As a former member of the European Parliament (1999–2004), he is also a public intellectual. This book takes up his call to advance the crucial active and affirmative engagement with thinking and society. More than just interpretations of Vattimo's thinking, these essays are expressions of the new impetus given to hermeneutic philosophy by "weak thought," the term he coined for how we think now in the wake of Nietzsche, Heidegger, and Gadamer. The development of Vattimo's thinking is reflected in the organization of the volume, divided into three main parts: Hermeneutics and Nihilism, Metaphysics and Religion, and Politics and Technology.

A practical hermeneutics of time.The Possible Present unfolds from within a freely reinterpreted hermeneutic perspective and provides an original theoretical proposal on the topic of time. In dialogue especially with the philosophies of Husserl and Heidegger, but resorting also to suggestions coming from a theological background (Barth and Bonhoeffer), the work proposes a personal and original theory of time centered on a conception of the present that does not reduce temporality to a succession of mere instants. When one claims that time is ungraspable, one refers neither to the past (which is rather irretrievable) nor to the future (which is rather uncertain) but to the present. The present in which we are is in fact what fades from our hands without break. The present is a decisive threshold for finite existence. It is the threshold where past and future meet and can give birth to a livable horizon of meaning. Dilating the present and giving it a meaningful chance to be is a task for philosophy. It is the attempt of giving time to time and also giving it shape, place, and space. To succeed at this task while rediscovering the sources of a narrative way of thinking that in truth it has never abandoned, philosophy must go back and turn time into the primary object of discourse, like in stories, which are precisely the attempt at disposing the temporal flow of events according to a meaning. Perone argues that in time, however, what passes is not simply decline, but rather something irreducible, an exteriority that must be said.

A practical hermeneutics of time.The Possible Present unfolds from within a freely reinterpreted hermeneutic perspective and provides an original theoretical proposal on the topic of time. In dialogue especially with the philosophies of Husserl and Heidegger, but resorting also to suggestions coming from a theological background (Barth and Bonhoeffer), the work proposes a personal and original theory of time centered on a conception of the present that does not reduce temporality to a succession of mere instants. When one claims that time is ungraspable, one refers neither to the past (which is rather irretrievable) nor to the future (which is rather uncertain) but to the present. The present in which we are is in fact what fades from our hands without break. The present is a decisive threshold for finite existence. It is the threshold where past and future meet and can give birth to a livable horizon of meaning. Dilating the present and giving it a meaningful chance to be is a task for philosophy. It is the attempt of giving time to time and also giving it shape, place, and space. To succeed at this task while rediscovering the sources of a narrative way of thinking that in truth it has never abandoned, philosophy must go back and turn time into the primary object of discourse, like in stories, which are precisely the attempt at disposing the temporal flow of events according to a meaning. Perone argues that in time, however, what passes is not simply decline, but rather something irreducible, an exteriority that must be said.

Foundational collection on one of the most influential concepts to emerge from contemporary Italian philosophy.Heralding the beginning of the philosophical dialogue on the concept for which Gianni Vattimo would become best known (and coining its name), this groundbreaking 1983 collection includes foundational essays by Vattimo and Pier Aldo Rovatti, along with original contributions by nine other Italian philosophers influenced by and working within the authors' framework. Dissatisfied with the responses to nineteenth- and twentieth-century European philosophy offered by Marxism, deconstruction, and poststructuralism, Vattimo found in the nihilism of Friedrich Nietzsche an important context within which to take up the hermeneutics of Martin Heidegger and Hans-Georg Gadamer. The idea of weak thought sketched by Vattimo and Rovatti emphasizes a way of understanding the role of philosophy based on language, interpretation, and limits rather than on metaphysical and epistemological certainties-without falling into relativism. To the first English-language edition of this volume, translator Peter Carravetta adds an extensive critical introduction, providing an overview of weak thought and taking stock of its philosophical trajectory over more than a quarter century.

Foundational collection on one of the most influential concepts to emerge from contemporary Italian philosophy.Heralding the beginning of the philosophical dialogue on the concept for which Gianni Vattimo would become best known (and coining its name), this groundbreaking 1983 collection includes foundational essays by Vattimo and Pier Aldo Rovatti, along with original contributions by nine other Italian philosophers influenced by and working within the authors' framework. Dissatisfied with the responses to nineteenth- and twentieth-century European philosophy offered by Marxism, deconstruction, and poststructuralism, Vattimo found in the nihilism of Friedrich Nietzsche an important context within which to take up the hermeneutics of Martin Heidegger and Hans-Georg Gadamer. The idea of weak thought sketched by Vattimo and Rovatti emphasizes a way of understanding the role of philosophy based on language, interpretation, and limits rather than on metaphysical and epistemological certainties-without falling into relativism. To the first English-language edition of this volume, translator Peter Carravetta adds an extensive critical introduction, providing an overview of weak thought and taking stock of its philosophical trajectory over more than a quarter century.

Reconfigures classic aesthetic concepts in relation to the novelty introduced by virtual bodies.Arguing that the virtual body is something new-namely, an entity that from an ontological perspective has only recently entered the world-Roberto Diodato considers the implications of this kind of body for aesthetics. Virtual bodies insert themselves into the space opened up by the famous distinction in Aristotle's Physics between natural and artificial beings-they are both. They are beings that are simultaneously events; they are images that are at once internal and external; they are ontological hybrids that exist only in the interaction between logical-computational text and human bodies endowed with technological prostheses. Pursuing this line of thought, Diodato reconfigures classic aesthetic concepts such as mimesis, representation, the relation between illusion and reality, the nature of images and imagination, and the theory of sensory knowledge.

Reconfigures classic aesthetic concepts in relation to the novelty introduced by virtual bodies.Arguing that the virtual body is something new-namely, an entity that from an ontological perspective has only recently entered the world-Roberto Diodato considers the implications of this kind of body for aesthetics. Virtual bodies insert themselves into the space opened up by the famous distinction in Aristotle's Physics between natural and artificial beings-they are both. They are beings that are simultaneously events; they are images that are at once internal and external; they are ontological hybrids that exist only in the interaction between logical-computational text and human bodies endowed with technological prostheses. Pursuing this line of thought, Diodato reconfigures classic aesthetic concepts such as mimesis, representation, the relation between illusion and reality, the nature of images and imagination, and the theory of sensory knowledge.

A resolute defense of philosophy and hermeneutics against the threats of dogmatism and relativism.Luigi Pareyson (1918–1991) was one of the most important Italian philosophers to emerge after World War II and stands shoulder to shoulder with fellow hermeneutic thinkers Hans-Georg Gadamer and Paul Ricoeur. The product of a well-developed theory of interpretation that stretches back to the late 1940s, his 1971 masterpiece Truth and Interpretation provides the historical impetus and theoretical framework for the questions of existence, art, and politics that would motivate his most famous students, Umberto Eco and Gianni Vattimo. In a time when the meaning of truth as an interpretation is challenged by the chaotic din of media on the one side and the violent force of absolute claims from science, religion, and political economy on the other, Pareyson's meditation on the value of thinking that is shaped by the traditions of philosophy and yet responds to contemporary demands remains timely and pressing more than forty years after its initial publication.

A resolute defense of philosophy and hermeneutics against the threats of dogmatism and relativism.Luigi Pareyson (1918–1991) was one of the most important Italian philosophers to emerge after World War II and stands shoulder to shoulder with fellow hermeneutic thinkers Hans-Georg Gadamer and Paul Ricoeur. The product of a well-developed theory of interpretation that stretches back to the late 1940s, his 1971 masterpiece Truth and Interpretation provides the historical impetus and theoretical framework for the questions of existence, art, and politics that would motivate his most famous students, Umberto Eco and Gianni Vattimo. In a time when the meaning of truth as an interpretation is challenged by the chaotic din of media on the one side and the violent force of absolute claims from science, religion, and political economy on the other, Pareyson's meditation on the value of thinking that is shaped by the traditions of philosophy and yet responds to contemporary demands remains timely and pressing more than forty years after its initial publication.

A penetrating and freewheeling evaluation of Kant's magnum opus.A best seller in Italy, Maurizio Ferraris's Goodbye, Kant! delivers a nontechnical, entertaining, and occasionally irreverent overview of Immanuel Kant's Critique of Pure Reason. He borrows his title from Wolfgang Becker's Goodbye Lenin!, the 2003 film about East Germany after the fall of the Berlin Wall, which depicts both relief at the passing of the Soviet era and affection for the ideals it embodied. Ferraris approaches Kant in similar spirits, demonstrating how the structure that Kant elaborates for the understanding of human knowledge can generate nostalgia for lost aspirations, while still leaving room for constructive criticism. Isolating key themes and concerns in the work, Ferraris evaluates Kant's claims relative to what science and philosophy have come to regard as the conditions for knowledge and experience in the intervening two centuries. He remains attentive to the historical context and ideals from which Kant's Critique emerged but also resolute in identifying what he sees as the limits and blind spots in the work. The result is an accessible account of a notoriously difficult book that will both provoke experts and introduce students to the work and to these important philosophical debates about the relations of experience to science.

A penetrating and freewheeling evaluation of Kant's magnum opus.A best seller in Italy, Maurizio Ferraris's Goodbye, Kant! delivers a nontechnical, entertaining, and occasionally irreverent overview of Immanuel Kant's Critique of Pure Reason. He borrows his title from Wolfgang Becker's Goodbye Lenin!, the 2003 film about East Germany after the fall of the Berlin Wall, which depicts both relief at the passing of the Soviet era and affection for the ideals it embodied. Ferraris approaches Kant in similar spirits, demonstrating how the structure that Kant elaborates for the understanding of human knowledge can generate nostalgia for lost aspirations, while still leaving room for constructive criticism. Isolating key themes and concerns in the work, Ferraris evaluates Kant's claims relative to what science and philosophy have come to regard as the conditions for knowledge and experience in the intervening two centuries. He remains attentive to the historical context and ideals from which Kant's Critique emerged but also resolute in identifying what he sees as the limits and blind spots in the work. The result is an accessible account of a notoriously difficult book that will both provoke experts and introduce students to the work and to these important philosophical debates about the relations of experience to science.

An assessment and reevaluation of nihilism's ascendency over metaphysics.Challenging the idea that nihilism has supplanted metaphysics, Vittorio Possenti finds in this philosophical turn the grounds for a mature renewal of metaphysics. Possenti takes the reader on a "third voyage" that goes beyond the "second voyage" indicated by Plato in the Phaedo. He traces the ascendancy of nihilism in philosophy, offering critical examinations of Nietzsche, Gentile, Heidegger, Habermas, Husserl, Gadamer, Ricoeur, and Vattimo. With penetrating accounts of philosophical movements such as hermeneutics and logical empiricism, rich with both historical and theoretical insights, Possenti provides a compelling defense of the power of human reason to apprehend the most obvious but also the most profound aspect of things: that they exist. By exploring the ubiquity of nihilism and probing its philosophical roots, Possenti clears the way for a fresh reformulation of metaphysics.

An assessment and reevaluation of nihilism's ascendency over metaphysics.Challenging the idea that nihilism has supplanted metaphysics, Vittorio Possenti finds in this philosophical turn the grounds for a mature renewal of metaphysics. Possenti takes the reader on a "third voyage" that goes beyond the "second voyage" indicated by Plato in the Phaedo. He traces the ascendancy of nihilism in philosophy, offering critical examinations of Nietzsche, Gentile, Heidegger, Habermas, Husserl, Gadamer, Ricoeur, and Vattimo. With penetrating accounts of philosophical movements such as hermeneutics and logical empiricism, rich with both historical and theoretical insights, Possenti provides a compelling defense of the power of human reason to apprehend the most obvious but also the most profound aspect of things: that they exist. By exploring the ubiquity of nihilism and probing its philosophical roots, Possenti clears the way for a fresh reformulation of metaphysics.

Retraces the history of postmodern philosophy and proposes solutions to overcome its impasses.Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris's Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris's manifesto-which sparked lively debate in Italy and beyond-offers a wiser realism with social and political relevance.

Retraces the history of postmodern philosophy and proposes solutions to overcome its impasses.Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris's Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris's manifesto-which sparked lively debate in Italy and beyond-offers a wiser realism with social and political relevance.

Demonstrates how the ethical underpinning of Hegel's political and social philosophy has relevance for contemporary democratic life.The legal regulations and formal rules of democracy alone are not enough to hold a society together and govern its processes. Yet the irreducible ethical pluralism that characterizes contemporary society seems to make it impossible to impose a single system of values as a source of social cohesion and identity reference. In this book, Lucio Cortella argues that Hegel's theory of ethical life can provide such a grounding and makes the case through an analysis of Hegel's central political work, the Philosophy of Right. Although Hegel did not support democratic political ends and wrote in a historical and cultural context far removed from the current liberal-democratic scene, Cortella maintains that the Hegelian theory of ethical life, with its emphasis on securing a framework conducive to human freedom, nevertheless offers a convincing response to the problem of the ethical uprootedness of contemporary democracy.

Demonstrates how the ethical underpinning of Hegel's political and social philosophy has relevance for contemporary democratic life.The legal regulations and formal rules of democracy alone are not enough to hold a society together and govern its processes. Yet the irreducible ethical pluralism that characterizes contemporary society seems to make it impossible to impose a single system of values as a source of social cohesion and identity reference. In this book, Lucio Cortella argues that Hegel's theory of ethical life can provide such a grounding and makes the case through an analysis of Hegel's central political work, the Philosophy of Right. Although Hegel did not support democratic political ends and wrote in a historical and cultural context far removed from the current liberal-democratic scene, Cortella maintains that the Hegelian theory of ethical life, with its emphasis on securing a framework conducive to human freedom, nevertheless offers a convincing response to the problem of the ethical uprootedness of contemporary democracy.

A profound meditation on Leopardi's art and thought as well as a reframing and reassertion of Negri's own philosophical and political project of liberation.Antonio Negri, one of Italy's most influential and controversial contemporary philosophers, offers in this book a radical new interpretation of the nineteenth-century Italian poet Giacomo Leopardi. For Negri, Leopardi is not the bitter, idealistic individualist of conventional literary history, but rather a profoundly materialist thinker who sees human solidarity as the only possible solution to the catastrophes of history and politics. Negri traces Leopardi's resistance to the transcendental idealism of Kant and Hegel, with its emphasis on reason's power to resolve real antagonisms into abstract syntheses, and his gradual development of a sophisticated poetic materialism focused on the constructive power of the imagination and its "true illusions." Like Nietzsche (who admired him), Leopardi provides an alternative to modernity within modernity, expressing a force of rupture and recomposition-a uniquely Italian one-that is as relevant now as it was in the nineteenth century, and which connects to the theory of Empire as the political constitution of the present that Negri has elaborated in collaboration with Michael Hardt.

A profound meditation on Leopardi's art and thought as well as a reframing and reassertion of Negri's own philosophical and political project of liberation.Antonio Negri, one of Italy's most influential and controversial contemporary philosophers, offers in this book a radical new interpretation of the nineteenth-century Italian poet Giacomo Leopardi. For Negri, Leopardi is not the bitter, idealistic individualist of conventional literary history, but rather a profoundly materialist thinker who sees human solidarity as the only possible solution to the catastrophes of history and politics. Negri traces Leopardi's resistance to the transcendental idealism of Kant and Hegel, with its emphasis on reason's power to resolve real antagonisms into abstract syntheses, and his gradual development of a sophisticated poetic materialism focused on the constructive power of the imagination and its "true illusions." Like Nietzsche (who admired him), Leopardi provides an alternative to modernity within modernity, expressing a force of rupture and recomposition-a uniquely Italian one-that is as relevant now as it was in the nineteenth century, and which connects to the theory of Empire as the political constitution of the present that Negri has elaborated in collaboration with Michael Hardt.

Highlights and critically assesses the work of contemporary Italian political philosophers.Italy has a rich philosophical legacy, and recent developments and movements in its political philosophy have produced a significant body of thought by internationally renowned philosophers working on questions and themes such as the critique of neoliberalism, statehood, politics and culture, feminism, community, the stranger, and the relationship between politics and action. This volume brings this conversation to English-language readers, considering well-known Italian philosophers such as Vattimo, Agamben, Esposito, and Negri, as well as philosophers with whom English-language readers are less acquainted, such as Luce Fabbri, Adriana Cavarero, and Lea Melandri. In addition, the essays extend the conversation beyond the realm of Italian philosophy, bringing its thinkers into dialogue with philosophical figures including Badiou, Marx, Merleau-Ponty, Deleuze and Guattari, Adorno, Arendt, Foucault, Wittgenstein, and the Peruvian historian and sociologist Anibal Quijano.

Highlights and critically assesses the work of contemporary Italian political philosophers.Italy has a rich philosophical legacy, and recent developments and movements in its political philosophy have produced a significant body of thought by internationally renowned philosophers working on questions and themes such as the critique of neoliberalism, statehood, politics and culture, feminism, community, the stranger, and the relationship between politics and action. This volume brings this conversation to English-language readers, considering well-known Italian philosophers such as Vattimo, Agamben, Esposito, and Negri, as well as philosophers with whom English-language readers are less acquainted, such as Luce Fabbri, Adriana Cavarero, and Lea Melandri. In addition, the essays extend the conversation beyond the realm of Italian philosophy, bringing its thinkers into dialogue with philosophical figures including Badiou, Marx, Merleau-Ponty, Deleuze and Guattari, Adorno, Arendt, Foucault, Wittgenstein, and the Peruvian historian and sociologist Anibal Quijano.

Analyzes the role of community in the writings of Giorgio Agamben, Roberto Esposito, and Jean-Luc Nancy.Winner of the 2017 Symposium Book Award presented by Symposium: Canadian Journal of Continental Philosophy Community has been both celebrated and demonized as a fortress that shelters and defends its members from being exposed to difference. Instead of abandoning community as an antiquated model of relationships that is ill suited for our globalized world, this book turns to the writings of Giorgio Agamben, Roberto Esposito, and Jean-Luc Nancy in search for ways to rethink community in an open and inclusive manner. Greg Bird argues that a central piece of this task is found in how each philosopher rearticulates community not as something that is proper to those who belong and improper to those who are excluded or where inclusion is based on one's share in common property. We must return to the forgotten dimension of sharing, not as a sharing of things that we can contain and own, but as a process that divides us up and shares us out in community with one another. This book traces this problem through a wide array of fields ranging from biopolitics, communitarianism, existentialism, phenomenology, political economy, radical philosophy, and social theory.

Analyzes the role of community in the writings of Giorgio Agamben, Roberto Esposito, and Jean-Luc Nancy.Winner of the 2017 Symposium Book Award presented by Symposium: Canadian Journal of Continental Philosophy Community has been both celebrated and demonized as a fortress that shelters and defends its members from being exposed to difference. Instead of abandoning community as an antiquated model of relationships that is ill suited for our globalized world, this book turns to the writings of Giorgio Agamben, Roberto Esposito, and Jean-Luc Nancy in search for ways to rethink community in an open and inclusive manner. Greg Bird argues that a central piece of this task is found in how each philosopher rearticulates community not as something that is proper to those who belong and improper to those who are excluded or where inclusion is based on one's share in common property. We must return to the forgotten dimension of sharing, not as a sharing of things that we can contain and own, but as a process that divides us up and shares us out in community with one another. This book traces this problem through a wide array of fields ranging from biopolitics, communitarianism, existentialism, phenomenology, political economy, radical philosophy, and social theory.