Toronto Studies in Semiotics and Communication – serie

Theatre is composed of a multitude of signifying systems that have a dual function: as literary practice and as performance practice. Fernando de Toro carefully considers the multiple and complex components which constitute the relationships between a text, its concretization as performance, and its reception by the audience in this translation and revision of his Semi3/4tica del teatro: Del texto a la puesta en escena. He focuses on discourse, textuality, semiosis, reception, actantial functions, and history; this comprehensive overview of the various semiotic approaches is placed in the context of modern European, North American, and Latin American theatre. De Toro begins with an examination of theatre discourse as linguistic expression and as semiosis, and differentiates theatre discourse from other forms of literary discourse and performance. He then thoroughly explores the relationship between the dramatic text and the performance text. A chapter devoted to theatre semiotics establishes how signification functions in drama and performance, in terms of Charles Sanders Peirce's trichotomy (icon, index, symbol).Final chapters focus on theatre reception (the emitter and receptor); the actantial model, and how it has evolved; and a semiological reflection on the history of the theatre. Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.

The image of restless, apathetic, mopish, awkward teenagers who listen to loud, screeching music when they are not on the phone, and who insist on dressing, wearing their hair, and behaving exactly like the friends they cannot seem to live without, has become a fixture of the modern social landscape.The emergence of certain behaviours (facial expressions, linguistic styles, dress codes, musical preferences, etc.) on the developmental timetable of children is a sign that they have entered a transitional period. The dramatic changes in physical appearance that occur during adolescence, and the emotional changes that accompany them, are traumatic. Teenagers naturally become inordinately concerned about their appearance and behaviour, and they believe that everyone is constantly observing them. This is why they talk all the time about how others act, behave, and appear. Language, dress, musical tastes, and other symbolic systems become the concrete means for identifying with peers. Teenagerhood is a socially constructed time-frame that channels the physiological and emotional changes that occur at puberty into patterns of symbolic behavior. These patterns are then reinforced by the media.This book represents both a synthesis of Marcel Danesi's research on the semiotics of modern adolescence, and his own interpretation of the significance and implications of our teenage culture. It constitutes a semiotic portrait of the teenager and of the factors that have led to the construction of the teenage persona and culture.Danesi makes a distinction between adolescence as psychobiological period of human growth and development and teenagerhood as a socially induced mindset that accompanies it. He focuses on the central behavioral trait of teenagerhood -- coolness; he defines it and discusses its emergence at or around puberty, and draws up an 'anatomy' of the behaviors associated with it. He discusses the language of teenagers, which he calls 'pubilect,' and concludes with observations on the etiology, evolution, and future course of teenagerhood. Cool is intended not only for semioticians, as a documentation of a specific form of social semiosis, but also for parents and educators, and for teenagers themselves.

Theatre is composed of a multitude of signifying systems that have a dual function: as literary practice and as performance practice. Fernando de Toro carefully considers the multiple and complex components which constitute the relationships between a text, its concretization as performance, and its reception by the audience in this translation and revision of his Semi3/4tica del teatro: Del texto a la puesta en escena. He focuses on discourse, textuality, semiosis, reception, actantial functions, and history; this comprehensive overview of the various semiotic approaches is placed in the context of modern European, North American, and Latin American theatre. De Toro begins with an examination of theatre discourse as linguistic expression and as semiosis, and differentiates theatre discourse from other forms of literary discourse and performance. He then thoroughly explores the relationship between the dramatic text and the performance text. A chapter devoted to theatre semiotics establishes how signification functions in drama and performance, in terms of Charles Sanders Peirce's trichotomy (icon, index, symbol).Final chapters focus on theatre reception (the emitter and receptor); the actantial model, and how it has evolved; and a semiological reflection on the history of the theatre. Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.

C.S. Peirce was the founder of pragmatism and a pioneer in the field of semiotics. His work investigated the problem of meaning, which is the core aspect of semiosis as well as a significant issue in many academic fields. Floyd Merrell demonstrates throughout Peirce, Signs, and Meaning that Peirce's views remain dynamically relevant to the analysis of subsequent work in the philosophy of language.Merrell discusses Peirce's thought in relation to that of early twentieth-century philosophers such as Frege, Russell, and Quine, and contemporaries such as Goodman, Putnam, Davidson, and Rorty. In doing so, Merrell demonstrates how quests for meaning inevitably fall victim to vagueness in pursuit of generality, and how vagueness manifests an inevitable tinge of inconsistency, just as generalities always remain incomplete. He suggests that vagueness and incompleteness/generality, overdetermination and underdetermination, and Peirce's phenomenological categories of Firstness, Secondness, and Thirdness must be incorporated into notions of sign structure for a proper treatment of meaning. He also argues that the twentieth-century search for meaning has placed overbearing stress on language while ignoring nonlinguistic sign modes and means.Peirce, Signs, and Meaning is an important sequel to Merrell's trilogy, Signs Becoming Signs', Semiosis in the Postmodern Age, and Signs Grow. This book is not only a significant contribution to the field of semiotics, it has much to offer scholars in literature, philosophy, linguistics, cultural studies, and other academic disciplines in which meaning is a central concern.

In traditional semantics, the human body tends to be ignored in the process of constructing meaning. Horst Ruthrof argues, by contrast, that the body is an integral part of this hermeneutic activity. Strictly language-based theories, and theories which conflate formal and natural languages, run into problems when they describe how we communicate in cultural settings. Semantics and the Body proposes that language is no more than a symbolic grid which does not signify at all unless it is brought to life by non-linguistic signs.Ruthrof reviews and analyses various 'orthodox' theories of meaning, from the views of Gottlob Frege at the beginning of the twentieth century to those of theorists in the postmodern period, then offers an alternative approach of his own. His theory features 'corporeal semantics,' and holds that meaning has ultimately to do with the body and that the meaning of linguistic expressions is indeterminate without the aid of visual, tactile, olfactory, and other bodily signs. This approach also remedies what Ruthrof sees also as a loss of interpretive will in the postmodern era.Pedagogy in many fields could be enriched by a systemic integration of non-verbal semiosis into the linguistically dominated syllabus. Those involved in discourse analysis, literature, art criticism, film theory, pedagogy, and philosophy will find the implications of Ruthrof's study considerable.

Semiotics, Media Studies and Communication Studies are three closely interlinked fields. Briefly stated, Semiotics, the science of signs, looks at how humans search for and construct meaning; Communication Studies is concerned with how meaning is conveyed; and Media Studies considers the ways in which messages are transmitted and received. This dictionary is designed to help students and general readers unlock the significance of the terminology and jargon commonly used in these fields.Being interdisciplinary in nature, Semiotics, Media, and Communication Studies are cluttered with notions derived from other disciplines. Hence, this dictionary also encompasses basic concepts from the fields of anthropology, archaeology, psychology, psychoanalysis, linguistics, philosophy, artificial intelligence, computer science, and biology. Collected here are the terms, concepts, personages, schools of thought, and historical movements that appear frequently in the relevant literature.The basis of each entry is a simple definition, which often includes the term's origin. Illustrations are provided where necessary, along with historical sketches of movements or schools of thought. The commentary on personages consists of brief statements about their contribution and relevance. Thus, the dictionary not only defines what a term means, but often goes into its history, applications, and broad implications. Terms are cross-referenced and their etymology is given where possible. This is a compact, practical research manual that will relieve much tension for students in semiotics and related fields. Because of its interdisciplinary approach, it will also provide a range of scholars with a handy reference to disciplines distinct from but related to their own.

The interpretive science of semiotics offers powerful analytical tools for the application of many disciplines to the study of perception. Semiotics is the study of signs, and as such, is of relevance to a wide spectrum of scholars and professionals, including social scientists, psychologists, artists, graphic designers, and students of literature. Semiosis – the production and interpretation of linguistic and visual signs – is innate to human beings of all societies. From the simplest of hand gestures to the most complex diagrams and charts, the sign is key to the communication of ideas. Thomas A. Sebeok examines, in an engaging, readable style, how the sign mediates between bodily experience and abstract thought.This updated second edition of Signs combines some of Sebeok's most important essays with a new general introduction, introductory passages at the outset of each chapter, a glossary, and brief biographies of the major semioticians. From an overview of the discipline to a more detailed exploration of sign categories, the author powerfully demonstrates the co-dependency of verbal and non-verbal communication.Aimed primarily at undergraduate and graduate students, this engaging book also has plenty to offer any general reader who is interested in exploring and analyzing the complex sign systems we so often take for granted.

The more human knowledge increases, the more signs grow and, with this expansion, the more the boundaries of the science that studies signs also grows. In Semiotics Unbounded, Susan Petrilli and Augusto Ponzio explain the explosion of the sign network in the era of global communication and discuss the important theoretical responses offered by semiotics. Providing a much-needed introductory guide to the subject, Petrilli and Ponzio explore the ever-growing frontiers of semiotics through the thought of prominent sign scholars such as Charles Peirce, Victoria Welby, Mikhail Bakhtin, Charles Morris, and Thomas Sebeok. In an era of global communication, a global approach is necessary, and what may seem to be the whole, is only a part – a view being at once globalizing and open. Each and every sign is never self-sufficient and closed but exists always in a relation of otherness. This is true of the signs forming animals and human beings, individuals and communities, and involves the implication of all living beings in the life of all others. Semiotics Unbounded offers a new and original survey of the science of signs, evaluating it in relation to the problems of our time, not only of a scientific order, but also the problems concerning everyday social life.

An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader.Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.

Covering major developments from post-war cybernetics and telegraphy to the Internet and our networked society, Remodelling Communication explores the critical literature from across disciplines and eras on the models used for studying communications and culture.Proceeding model-by-model, Genosko provides detailed explanations of mathematical, semiotic, and reception theory's encoding/decoding models, as well as Baudrillard's critique of models and general models that bring together a variety of disciplinary perspectives. Providing a dynamic, forward-looking reorientation towards a new universe of reference, Remodelling Communication makes a significant, productive contribution to communication theory.

A growing field of inquiry, biosemiotics is a theory of cognition and communication that unites the living and the cultural world. What is missing from this theory, however, is the unification of the information and computational realms of the non-living natural and technical world. Cybersemiotics provides such a framework.By integrating cybernetic information theory into the unique semiotic framework of C.S. Peirce, Søren Brier attempts to find a unified conceptual framework that encompasses the complex area of information, cognition, and communication science. This integration is performed through Niklas Luhmann's autopoietic systems theory of social communication. The link between cybernetics and semiotics is, further, an ethological and evolutionary theory of embodiment combined with Lakoff and Johnson's 'philosophy in the flesh.' This demands the development of a transdisciplinary philosophy of knowledge as much common sense as it is cultured in the humanities and the sciences. Such an epistemological and ontological framework is also developed in this volume.Cybersemiotics not only builds a bridge between science and culture, it provides a framework that encompasses them both. The cybersemiotic framework offers a platform for a new level of global dialogue between knowledge systems, including a view of science that does not compete with religion but offers the possibility for mutual and fruitful exchange.

The first major work in Sino-Western comparative semiotics, Parallels, Interactions, and Illuminations is a trans-disciplinary and intercultural effort that makes intellectual connections not only across such diverse academic fields as epistemology, anthropology, linguistics, sociology, and cultural studies but also between Chinese and Western theories of the sign in the conviction that they can shed light on one another.In this groundbreaking work, Ersu Ding studies two traditions of semiotic realism, represented by Plato and Husserl in the West and by Mo Zi and Ouyang Jian in China. They share two fundamental assumptions with regard to meaning: that there exist ultimate qualities of things and states of affairs in the extrasemiotic world and that the meanings of words or other types of sign are derivatives of these essentials. A pioneering work that remains extraordinarily accessible, Parallels, Interactions, and Illuminations explores a wide range of issues, including inter-subjective negotiation of meaning, the relationship between metaphor and culture, and the production and dissemination of myths.

Are there events that are inherently scandalous? Power of Scandal finds that the very idea of 'scandal' is derived not from an event, but from public opinion - which, in turn, is construed by media narratives. Scandal is powerful because of its ability to challenge institutions by destabilizing their legitimacy. The media plays an integral role in the creation of scandal because it interprets real events as purposeful actions for the public. Examining the ubiquity of scandals in today's mass media, Johannes Ehrat's conclusions are fresh and surprising.Ehrat applies classic semiotic and pragmatic thought to contemporary media issues, mainly moralist discourse from sex abuse cases to the phenomenon of televangelism. Arguing that sociological and communications studies of scandal have ignored the media's constructed nature, Ehrat focuses on how meaningful public narrative is produced. By examining the parallel worlds of media and public opinion, Power of Scandal uses an alternative heuristic for understanding mass communication that is both rigorous and sophisticated.