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    1. Kultur
    2. Scenkonst och film
    3. Film

    The Oxford Handbook of Communist Visual Cultures

    AvAga Skrodzka,Xiaoning Lu

    Inbunden, Engelska, 2020

    Del i serien Oxford Handbooks

    2 413 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

    Produktinformation

    • Utgivningsdatum:2020-09-03
    • Mått:249 x 183 x 55 mm
    • Vikt:1 719 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Oxford Handbooks
    • Antal sidor:800
    • Förlag:OUP USA
    • ISBN:9780190885533

    Utforska kategorier

    • Film inom Kultur
    • Filosofiska discipliner inom Filosofi och religion
    • Television inom Kultur

    Mer om författaren

    Aga Skrodzka is Associate Professor of Film and Media Studies at Clemson University, where she spearheaded the creation of the World Cinema Program. She is the author of Magic Realist Cinema in East Central Europe and a forthcoming book on the figure of the sex slave in visual culture.Xiaoning Lu is Lecturer in East Asian Languages & Cultures at SOAS, University of London. Her research, which focuses on Chinese socialist cinema and culture, has appeared in journals and edited collections including the Journal of Chinese Cinemas, Journal of Contemporary China, Maoist Laughter, and Words and Their Stories: Essays on Chinese Revolutionary Discourse.Katarzyna Marciniak is Professor of Transnational Studies at Ohio University, where she specializes in the discourses of immigration and foreignness. She is the author of Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland and co-editor of Teaching Transnational Cinema: Politics and Pedagogy and Transnational Feminism in Film and Media.

    Recensioner i media

    Opens our eyes to the visual cultures produced by communist societies in new and unexpected ways, raising vital questions about collective endeavour, soft power, freedom of expression, cultural exchange, identity construction and the power of imagination.

    Innehållsförteckning

    • Introduction Aga Skrodzka Part I. Material Cultures, Technologies, Industries 1. Socialist Domestic Infrastructures and the Politics of the Body: Bucharest and Havana Iulia St&atic&a 2. Architecture in Series: Housing and Communist Idealism Kimberly Zarecor 3. Restating Classicist Monumentalism in Soviet Architecture, 1930s-early 1950s William C. Brumfield 4. Esfir Shub's KShE (1932) and the Movement of Energy Joshua Malitsky 5. Soviet Wall Newspapers: Social(ist) Media of an Analog Age Birgitte Beck Pristed 6. Red Stars, Biorhythms, and Circuit Boards: Do-It-Yourself Aesthetics of Computing and Computer Games in Late Socialist Czechoslovakia Jaroslav %Svelch 7. Machines, Nations, and Faciality: Cultivating Mental Eyes in Soviet Books for Children Serguei Alex. Oushakine Part II. Institutional Discourses, Communist Visions, Theory 8. Who Doesn't Like Aleksander Kobzdej? State Artist's Career in the People's Republic of Poland Magdalena Moskalewicz 9. "How To" Make Art in Communist China Vivian Li 10. Visions and Visualization of Sustainability: Leningrad Designers in Search of Soviet Recycling System, 1981-84 Yulia Karpova 11. Shaping the Avant-garde: The Reception of Soviet Constructivism by the American Art Journal October Pablo Müller 12. A Time Lag of defa-futurum: A Socialist Cine-futurism from East GermanyDoreen Mende 13. The Visitation of the Idea: Badiou on Film and Communism Rohan Kalyan Part III. International and Intercultural Dimensions 14. In the Name of Internationalism: The Cinematic Memorialization of Norman Bethune in Socialist China Xiaoning Lu 15. Listening Between the Images: African Filmmakers' Take on the Soviet Union, Soviet Filmmakers' Take on Africa Lindiwe Dovey 16. Brothers at War: The Images of Prison S-21 (Tuol Sleng) in the Framework of Intra-Communist Conflicts Vicente Sánchez-Biosca 17. The Constructivist Sartorial Utopia and Its Revolutionary Potential: Then and Now Djurdja Bartlett 18. "Socialist Realist" Critiques of Neoliberal Shock Therapy: East German Artists Respond to the 1973 Putsch in Chile April A. Eisman Part IV. Visual Production and Strategic Spectacles 19. Beauty and Quality for All: A Vision of Fashion under Cuban Socialism María A. Cabrera Arús 20. Disappearing from the Picture? Female Figures in Pattern Books of the Mao Years Antonia Finnane 21. The Subject Who Knows: Photographers and Photographed in a Late East Germany Sara Blaylock 22. Two Worlds: Boris Efimov, Soviet Political Caricature, and the Construction of the Long Cold War Stephen M. Norris 23. The Lyrical Subversions of Socialist Realism in Dang Nhât Minh's New Wave Cinema Dana Healy 24. The Montage Connection between John Heartfield and László Lakner: Artistic Dissidence and a New Leftism in Sixties Europe Cristina Cuevas-Wolf 25. Visual Regimes of Juche Ideology in North Korea's The Country I Saw Travis Workman Part V. After-images, Memory, Legacy 26. Television and The Good Times of Socialism Anikó Imre 27. Futures Remembered: Kosmonauts, the GDR, and the Retrospective Impulse Nick Hodgin 28. Contesting the Cuban Soviet Visual Rhetoric for the Present Jacqueline Loss 29. Komunistki: Visual Memory of Female Communist Agency Aga Skrodzka 30. Specters of Europe and Anti-communist Visual Rhetoric in the Romanian Film of the Early 1990s Constantin Parvulescu and Claudiu Turcu,s 31. Lenin in Los Angeles: Counter-Memories, Recycling Socialism Katarzyna Marciniak Coda: Flashes of Arab Communism Laura Marks