Katarina Leppänen – författare

This book analyses the ideas of the Swedish journalist, feminist, and literary author Elin Wägner (1882-1949), as conveyed in her book Väckarklocka (1941), in a European feminist context. This context is presented in terms of three elements. Firstly, the German sociologist/educationalist Mathilde Vaerting and her sociology of power played an important role in Wägner's development of a theory of matriarchy. Secondly, the influence of the Austrian feminist Rosa Mayreder and her theory of masculine civilization and feminine culture are analyzed in relation to Wägner's development of what might be called an early ecological feminism. Thirdly, the mainly unknown Women's Organization for World Order (WOWO) is presented.0s and 1930s, which wanted to strengthen women's position and confidence as political citizens by providing them with a historical past where women ruled (matriarchy). Thereby they not only reinvented a past, but also revitalized the emergence or eternity of patriarchy. These women discussed the possibility of women offering an alternative to the prevailing order. A special analysis is made of Mayreder's and Wägner's way of discussing what woman is and in what ways she can challenge the system. Both argued that women ought to have the same rights and duties as men, but that this should not require them to adapt to the distorted male system. This study argues that this position, easily characterized as "essentialist" in modern feminist terms, is in fact functional and strongly emancipatory in its time and context.In this reevaluation of Väckarklocka Katarina Leppänen has established this important Swedish novel as a text central to the development of the feminist movement. Elin Wägner's Alarm Clock is a book suitable for students of Swedish Literature and European Feminism.

How do writers and artists represent the climate catastrophe so that their works stir audiences to political action or at least raise their environmental awareness without, however, appearing didactic? Storying the Ecocatastrophe attempts to answer this question while interrogating the potential of narrative to become a viable political force. The collection of essays achieves this by examining the representational strategies and ideological goals of contemporary cultural productions about climate change. These productions have been created across different genres, such as the traditional novel, dance performance, solarpunk, economic report, collage, and space opera, as well as across different languages and cultures. The volume’s twelve chapters demonstrate that rising temperatures, erratic weather, extinction of species, depletion of resources, and coastal erosion and flooding are an effect of our abusive relationship with nature. They also show that our use of nuclear power, extraction of natural resources and extensive farming, including heavy reliance on pesticides, intersect with intrahuman violence, as fleshed out by heteropatriarchy, racism, (neo)colonialism, and capitalism. They finally argue that human activity has indirectly contributed to other contemporary crises, namely the migrant crisis and the spread of contagious diseases such as Covid-19.Chapter 8 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

How do writers and artists represent the climate catastrophe so that their works stir audiences to political action or at least raise their environmental awareness without, however, appearing didactic? Storying the Ecocatastrophe attempts to answer this question while interrogating the potential of narrative to become a viable political force. The collection of essays achieves this by examining the representational strategies and ideological goals of contemporary cultural productions about climate change. These productions have been created across different genres, such as the traditional novel, dance performance, solarpunk, economic report, collage, and space opera, as well as across different languages and cultures. The volume’s twelve chapters demonstrate that rising temperatures, erratic weather, extinction of species, depletion of resources, and coastal erosion and flooding are an effect of our abusive relationship with nature. They also show that our use of nuclear power, extraction of natural resources and extensive farming, including heavy reliance on pesticides, intersect with intrahuman violence, as fleshed out by heteropatriarchy, racism, (neo)colonialism, and capitalism. They finally argue that human activity has indirectly contributed to other contemporary crises, namely the migrant crisis and the spread of contagious diseases such as Covid-19.Chapter 8 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

Creative Responses to Environmental Crises and Aesthetics in Nordic Art and Literature gives a broad perspective on artistic responses to climate change and other environmental crises in the Nordic countries. Showcasing examples of environmental literature, visual art and entertainment from Sweden, Norway, Denmark, Finland, Iceland and the Faroe Islands, the chapters of the volume reflect the complex interplay of the local, regional and global in environmental art and activism. Authored by established and notable scholars in the field of Nordic ecocriticism, the volume highlights the complex and vital role art, literature, and other creative activities assume in times of crisis.

Vad är en person och vad kan en person säga om samhälls­villkoren nu och i det förflutna? I Personligt talat. Biografiska perspektiv i humaniora utforskar vi ett antal personer och deras livshistorier. Resultatet är en historisk resa: olika rum och tider skapar varierande former för mänskligt liv. Men det är också en klassresa, för vilka personer har haft förutsättningar att göra avtryck i historien? Det är även en resa i definitionerna av kvinnligt och manligt; flera av bokens bidrag bekräftar att kvinnors livsvillkor har varit och fortfarande är andra än mäns. Här samlas historiker, litteraturvetare, konstvetare, religions­historiker, etnologer, språkvetare, antikvetare och arkeologer kring människors livsvillkor. Genom alla dessa livsberättelser kan vi få kunskap om historien och livets skiftande förutsättningar. Samtidigt ges en provkarta på utforskandets prövningar. Hur kan vi veta något om det förflutnas människor då det saknas skriftligt vittnesbörd? Även då det finns skrift tillstöter svårigheter: vem har skrivit och i vilket syfte? I boken möter resonemang om idéernas och källornas betydelse för vad vi kan veta, vad varierande metoder och perspektiv innebär, på vad sätt platser och ting kan knytas till det mänskligt levda samt hur utsagornas form påverkar innehållet, i det förflutnas såväl som i våra berättelser.