Granta Publications Ltd – förlag

When Xiao Hai turned fifteen, his family paid a vocational-school teacher 1,200 yuan to find him a factory job in Shenzhen. So began fifteen years spent moving between the garment mills and electronics factories of China's fast-growing southern cities.Adrift in the South is a memoir of life as a migrant labourer in the twenty-first century, making iPhones and baby clothes, hand-stitching football shirts and cutting plastic into radios. Here, Xiao Hai reveals the alienation and tedium of factory life, the small indignities and indifference of the larger system. And he tells the story of how poetry led him somewhere unexpected: to join a small community of artists living, working, and studying together on the outskirts of Beijing.This memoir is a landmark text from China's migrant worker literature movement, a grassroots group of writers providing an unvarnished account of what life is like for the 300 million migrant workers powering the world's second-biggest economy.

"Normality is the creepiest madness there is..."From the author of the bestselling literary sensations Convenience Store Woman and Earthlings comes a surprising and highly imaginative story set in a version of Japan where sex between married couples has vanished and all children are born by artificial insemination. Sayaka Murata has proven herself to be one of the most exciting chroniclers of the strangeness of society, x-raying our contemporary world to bizarre and troubling effect. Her depictions of a happily unmarried retail worker in Convenience Store Woman and a young woman convinced she is an alien in Earthlings have endeared her to millions of readers worldwide. Vanishing World takes Murata's universe to a bold new level, imagining an alternative Japan where attitudes to sex and procreation are wildly different to our own. As a girl, Amane realizes with horror that her parents "copulated" in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange "system" by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable. As an adult in an appropriately sexless marriage-sex between married couples is now considered as taboo as incest-Amane and her husband Saku decide to go and live in a mysterious new town called Experiment City or Paradise-Eden, where all children are raised communally, and every person is considered a Mother to all children. Men are beginning to become pregnant using artificial wombs that sit outside of their bodies like balloons, and children are nameless, called only "Kodomo-chan." Is this the new world that will purify Amane of her strangeness once and for all?

Tanja and Jerome are navigating a long-distance relationship in a world of constant communication and emotional hyper-reflection. Whether they're texting one another trip updates from midday raves or debating the best trainers in the own-brand aisle of Decathlon, every gesture is controlled and self-aware. This is love in the therapeutic age. Written with crackling insight, dry humour, and deep emotional intelligence, Allegro Pastel proclaims Leif Randt as the premiere German stylist of his generation.

Four female friends navigate the political turbulence of North Belfast in the late 80s in this extraordinary, evocative verse novelWe Play Here is a collection of four poem-stories, taking place in an underdeveloped area of Protestant North Belfast in the summer of 1988, against a background of political turbulence during the Troubles. Written from the perspectives of four female friends in the months between finishing primary school and starting high school, the girls inhabit an eerie, elemental landscape of normalised violence, poverty and neglect.This is a lyrical and graceful evocation of working-class childhood, and a radical approach to girlhood and girl-friendships,in the years before the trappings of gender make themselves strongly known.

A provincial ambulance drives through the night in search of a hospital, a fifth-rate actor goes method as a hitman on a sweltering rooftop, a legendary knife fighter is found working on the factory floor of a northern village. Hunter's stories of deceptive, brutal realism play with myth and history, offering sketches of ordinary life that take a magic realist turn.Filled with dark humour and written with a tinge of noir, these stories grapple with the realities of life in contemporary China.

'I love this book. Put your life on hold while you finish it' Maggie O'FarrellA suspenseful and chilling novel of haunted landscapes and a teenage girl in danger.Seventeen-year-old Silvie is camping in rural Northumberland with her father and a group of archaeologists, who are attempting to uncover evidence of human sacrifice. As Silvie glimpses the possibility of freedom with the students - new female friendships and a sexual awakening - her difficult relationship with her overbearing father begins to deteriorate. As the feelings of dread build the haunting rites of the past begin to bleed into the present...'This book ratcheted the breath out of me so skilfully, that as soon as I'd finished, the only thing I wanted was to read it again' Jessie Burton 'An instant classic' Emma Donoghue 'I loved it' Bernadine Evaristo

'The funniest book I've read in a long time: its deadpan, dry humour and its accumulation of absurdities will leave you rolling on your floor with laughter' The Times She thought she was a lover of the great classics of Russian literature - until she met the superfans...Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Tolstoy to Dostoevsky with the sad and funny stories of the lives they continue to influence, The Possessed is comic, humane, charming, poignant and full of an infectious love for literature. 'Dazzlingly good ... very bookish, very clever and very funny... a preposterously engaging volume' Jane Shilling, Sunday Telegraph 'The highest compliment you can pay such a book is that it sends you back to the original authors refreshed. I can go one higher - I found myself simply wanting to read more from Elif Batuman' Evening Standard 'An intoxicating mix of travel memoir, autobiography, literary criticism and philosophy... Charming and hilarious' Daily Telegraph

This title contains: Richard Ford interviewed by Tim Adams: the aftermath of Dirty Realism; Owen Sheers on the consequences of Christmas Island's nuclear past; Chimamanda Ngozi Adichie on the death of her high-school sweetheart; Katya Krausova on the survivors of the Slovakian Holocaust; Roberto Saviano on the streets of Naples; and Kitty Hauser on OGS Crawford: pioneering aerial photographer, utopian socialist and English eccentric. It also contains fiction by Josh Weil, Gemini Wahhaj and Helon Habila; Photo essays in colour: Joel Sternfeld's New York street scenes and in B/w: Dayanita Singh on an unusual pioneering Indian photographer - her mother.

An extraordinary and playful debut collection by one of Granta's Best of Young British Novelists, exploring the joy and fluidity of queer love.An interrogation of the erotic and romantic becomes refracted, as though through a prism, towards beings, lovers, states, objects, landscapes, systems, in K Patrick's ground-breaking debut book of poems. These are notes towards a contemporary queer experience that emerge from the body, dodging and playing with logic to create a brand new poetics. Patrick's subversive and distinct poetic manoeuvres through a marriage and a subsequent divorce, nature writing and 20th Century literary figures with agility, delicacy, candour, and humour.By turns both innovative and empathetic, Three Births documents the absurdity of obsessive desires, giving room to states of flux and flow in the body, relationships, ecology and place. George Michael, the history of inches, the ache that lives behind a 'rigid seam': a high-wire linguistic utopia is put forward in Patrick's easy-going, cool and ironic tone, which zaps with syntactic-synaptic wildness. Three Births culminates in the subtle but powerful message that we should be able to inhabit the body we want to inhabit and love freely within this.

Martin Amis, Kazuo Ishiguro, Salman Rushdie, Ian McEwan and Julian Barnes were relatively unknown names in literature when Granta published its first Best of Young British Novelists list in 1983. They did not remain unknown for long. These writers -- along with Pat Barker, Rose Tremain, A.N. Wilson and Adam Mars-Jones -- became the most celebrated voices of their generation. In this anthology, now newly reissued in paperback, allows readers to experience the emerging voices of today's most established writers.

This work includes dispatches from the world of conflict, in the battlefield and in the home, including: James Buchan on Iran's nuclear weapons programme; Jasmina Tesanovic on the death squads of Serbia; Hugh Raffles on cricket-fighting in Shanghai; and new fiction by Tahmima Anam and Edmund White. It also contains: Britain's hidden defence bases, and photographs by Simon Norfolk, words by Neal Ascherson.

A little over a decade ago Granta devoted an issue to new fiction by twenty writers it judged to be the 'Best of Young American Novelists'. The writers then included Sherman Alexie, Edwidge Danticat, Jeffrey Eugenides, Jonathan Franzen and Lorrie Moore.Who are their equivalents as writers of promise and achievement today? Over the course of a year, six judges read and deliberated and eventually chose twenty-one, all of them under the age of thirty-five.This issue is devoted to their new work - a revealing insight into a new generation of American writing which shows, beside its talent, what bothers and inspires the imagination of modern America.

This issue of Granta is by people, and about people, whose experience of life suggests they have something to tell us about survival.

In a series of three interconnected stories, Judith Hermann weaves together themes of psychology and friendship, unconventional childhoods, summers on the North German seashore and the act of writing itself. This is a literary narrative reflecting on when life becomes fiction, how dependable memory can be, and how close one's dreams can come to reality.

WINNER OF THE WOMEN'S PRIZE FOR FICTION 'Reads like a brilliant miniseries ... has the narrative intensity of Jonathan Franzen's The Corrections and the emotional punch of Siri Hustvedt's What I Loved.' Observer Harold Silver has spent a lifetime watching his taller, smarter, and more successful younger brother George acquire a covetable wife, two kids, and a beautiful home in New York City. But Harry also knows his brother has a murderous temper. When George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.Suddenly Harry finds himself playing parent to his brother's two adolescent children, tumbling down a rabbit hole of online sex, and dealing with aging parents who move through life like travellers on a fantastic voyage. And he is forced to confront the ways in which our histories can either compel us to repeat our mistakes - or become the catalyst for change.May We Be Forgiven is a darkly funny tale exploring how one deeply fractured family might begin to put itself back together. 'An unflinching account of a catastrophic, violent, black-comic, transformative year in the history of one broken American family. Flat-out amazing' Salman Rushdie

Sister Perpetue is not to move. She is not to fall asleep. She is to sit, keeping guard over the patient's room. She has heard the stories of his hunger, which defy belief: that he has eaten all manner of creatures and objects. A child even, if the rumours are to be believed. But it is hard to believe that this slender, frail man is the one they once called The Great Tarare, The Glutton of Lyon.Before, he was just Tarare. Well-meaning and hopelessly curious, born into a world of brawling and sweet cider, to a bereaved mother and a life of slender means. The 18th Century is drawing to a close, unrest grips the heart of France and life in the village is soon shaken. When a sudden act of violence sees Tarare cast out and left for dead, his ferocious appetite is ignited, and it's not long before his extraordinary abilities to eat make him a marvel throughout the land.

Which nations have launched which animals into space?Which countries have no sea views? Where were our planet's now-extinct species last sighted?Who is behind the great avocado boom? Where can you hug the world's oldest trees?With infographic maps covering the entire globe, Wild Maps will delight cartography fans and nature lovers, as well as anyone with an interest in all that is fascinating and awe-inspiring on Planet Earth - and beyond. Beautifully designed and illustrated, Wild Maps is an eye-opening celebration of our world, and the plants and animals with whom we share it.

'There is a sense throughout Athill's work that you are making a new friend as much as reading a new story ... a delight to read' Observer WINNER OF THE COSTA BIOGRAPHY PRIZE, the moving and witty memoir on what it means to grow old. Written in her nineties, when she was free from any inhibitions she may have once had, Diana Athill reflects frankly on the losses and occasionally the gains that old age can bring, and on the wisdom and fortitude required to face death. Lively, fearless and humorous, Somewhere Towards the End encapsulates the vibrant final decades of Athill's life. Filled with events, love and friendships, this is a memoir about maintaining hope, joy and vigour in later life, resisting regret, and questioning the beliefs and customs of your own generation. 'Informative, honest and lacking in the usual sorrow over old age. A remarkable woman' Beryl Bainbridge'An honest joy to read' Alice Munro'The book is a moving and humorous account of old age, unsparing about its indignities, unflinching from the inevitability that the end can not be many years away, but full of joy at the way life keeps on, at the most unexpected moments, renewing itself' Irish Times 'Her brilliant book is entirely lacking in the usual regrets, nostalgia and Hovis-ad recollections of old-timers. It is a little literary gem, penned by a marvellous, feisty old character ... What a treasure' Daily Mail

A luminous novel from the New York Times bestselling author of City on Fire, plunging us deep into the lives of a teenage girl and her father as they navigate love, grief, addiction, redemption and connection.When 13-year-old Jolie Aspern drops her phone onto the subway tracks in 2011, her estranged dad, Ethan, seems like the furthest thing from her mind. A convicted felon and recovering addict, Ethan has always struggled to see past himself. But then a call from his ex makes him fear their daughter's in deeper trouble than anyone realises. Believing he's the only one who can save her, he decides to return to New York with a gift: the whole of his life, its hard-won triumphs and harrowing mistakes... So begins the intimate epic of Jolie and Ethan: child and adult, apart and together, different yet the same. Their journey toward each other will face opposition from grandparents and siblings and friends. It will strain connections with roommates and benefactors and a probation officer desperate to help. It will push Jolie out past her depth with a mysterious admirer, and Ethan in over his head with his first love, Jolie's mom. But as father and daughter struggle to find their footing, new vistas beckon: from a surf break in mid-'90s Delaware to group therapy during the Great Recession, from an encampment at Occupy Wall Street to a HoJo on Maryland's Eastern Shore, from the heights of the Brooklyn Bridge to horizons seldom seen in fiction. The Second Coming is at once an incandescent feat of storytelling and an exploration of an enduring mystery: can we ever really outrun the past, stay true to ourselves while still chasing something new? Full of music and pathos and passion, this beautifully attuned work of fiction makes good Garth Risk Hallberg's extraordinary promise.

In the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of the Mothers. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings - but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world. Unfolding over geological eons, Under the Eye of the Big Bird is at once an astonishing vision of the end of our species as we know it and a meditation on the qualities that, for better and worse, make us human.

Emigrating alone from Paris to New York after World War II, a young girl Gazala befriends two spirited sisters, Anne and Alma. When Gazala's beloved brother Samir joins her in Manhattan, this inseparable foursome becomes the beating heart of an untraditional, multigenerational family.The decades are marked by erupting passions within everyday life. Gazala and Samir make a home together, Alma loses a baby, Anne leaves her husband for his sister and her restless daughter grows up to raise a child on her own. The four friends stand by one another through it all, steadfastly unapologetic about their authentic desires and the unorthodox family they have created. Compassionate and full of warmth and humour, I'll Be Right Here embraces the complexity and richness of humanity and the mysterious ways we evolve as we love - and the ways we hope to be loved in return.

To be humiliated is to be put to the ground, brought back down to earth. The root of the word 'humiliation' comes from the Latin 'humus', the soil. In the Christian centuries, the ideal of the crucified and humiliated Jesus reversed the meaning of humiliation for many societies. It has never been in short supply in the modern world, but remains one of the hardest subjects to report about accurately. Our finest psychologists - from Dostoevsky to Mary Gaitskill - have teased out its extreme possibilities: how humiliation can be actively pursued or converted into pleasure.The 'Humiliation' issue of Granta examines the phenomenon via a wide angle and in different forms, from the most personal as explored in fiction, memoir and poetry, to humiliation in national and world history.

WINNER OF THE RSL ONDAATJE PRIZE 2023What does it mean to have heritage, and how do we perform or undo it?In these daring and sonorous poems, Anaxagorou conducts a researched unpacking of two countries whose dividing lines of a colonial past are still visible and felt. Uniquely engaged with the complexities of Cyprus and the diasporic experience, these poems map both an island's public history alongside a person's private reckoning. They offer a ferocious and uncompromising look towards the damaging historical structures that have led to now. Fearless, intensely honest and hopeful, Heritage Aesthetics merges Anthony's gift for performance and his brilliant experimentation with form to create a vivid insistence to communicate a self in the world.

A speculative-poetic work from the Forward Prize-winning, T.S. Eliot shortlisted author of RENDANG.At the heart of Brother Poem is a sequence addressed to a fictional brother. Through these fragments, Will Harris attempts to reckon with the past while mourning what never existed.The text moves, cloud-like, through states of consciousness, beings and geographies, to create a moving portrait of contemporary anxieties around language and the need to communicate. With pronominal shifts, broken dialogisms, and obsessive feedback loops, it reflects on the fictions we tell ourselves, and in our attempts to live up to the demands of others.From a dimension uncannily like our own, intuited through signs, whispers, and glitches, Brother Poem is shadowed by the loss of what can't be seen. Telling stories of bizarre familial reckonings and difficult relationships, about love and living with others, it is a deeply sensitive coming-of-age poetics.

From the celebrated author of The Topeka School, a collection of poetry that is dazzlingly intelligent, moving and speaks directly to our complex times.The Lights is a constellation of verse and prose, voice memos and vignettes, songs and silences, that brings the personal and the collective into startling relation. These are poems at once alive to the forces that shape human society and to the rhythms of the natural world, to the power of new technologies and the wonder of our timeless planet. Sometimes the scale is intimate and quiet and sometimes the poems are sweeping, Orphic experiments in the "collectivization of feeling": "I want everybody out there to sing along, even the stones."Written over a span of fifteen years, The Lights records the pleasures, risks, and absurdities of making art and family and meaning against a backdrop of interlocking, accelerating crises. And, even while alert to the darkness, it is the light in the book that remains, in dusk, in images from space, in old poems, in power cuts, in the flickering connections between people. From one of the most celebrated writers of his generation, the poems in this collection come to us as beacons, illuminating new possibilities of thought and feeling.

Fantasia hazards a listening walk through seashells, telecommunication networks, and cosmic vibrations, to learn something new about how we sound. Alice Coltrane's experiments in jazz and spiritual community guide these poems that hum and glitch, that leap across space-time, landing in and reflecting the discordant music of life on earth.