Laurence King Publishing – förlag

Since its first publication this book has been hailed as the most comprehensive history of art ever published in a single volume. Presenting art history as an essential part of the development of humankind, it offers an authoritative, balanced and enlightening account, ranging from a statuette carved in central Europe some 30,000 years ago to the digital, video and installation art of the new millennium. The volume covers painting, mosaic, drawing, printmaking, sculpture, architecture and photography. Textiles, coins, pottery, enamels, gold and silver are also included. The scope is international, encompassing the arts of Asia, Africa and Oceania as well as Europe and the Americas. This Revised Seventh Edition expands the original coverage by embracing new developments in archaeology and art historical research, and in particular contemporary art historian Michael Archer has greatly expanded the authors’ discussion of the art world over the past two decades, providing a new perspective on the latest developments shaping our cultural history. The insight, elegance and fluency that the authors bring to their text are complemented by 1459 superb illustrations, many of which are now in colour.

Updated with expanded coverage of twenty-first century architecture, this new edition uniquely comprises a detailed survey of Western architecture as well as architecture from the Middle East, Africa, Central and South America, India, Russia, China and Japan. Significant revision also includes photographs and textual discussion of around 50 new buildings. Written in a clear and engaging style, the text encourages readers to examine the pragmatic, innovative and aesthetic attributes of buildings. Artistic, economic, environmental, political, social and technological contexts are discussed. The global reach of the text is matched by a rich assortment of photographs from around the world and a greater array of detailed line drawings than in any architectural survey. The authors have created a formidable body of work that ranges over much of the world’s architectural heritage and testifies to some of the greatest achievements of the human spirit.

Designers from Denmark, Sweden, Finland, Norway and Iceland have long pursued the shared goal of social equality through design, believing that well-designed everyday goods not only enhance daily life, but should also be the birthright of all. Modern Scandinavian Design is the ultimate guide to the distinctive design tradition arising out of these five Nordic countries since 1925. Bestselling design authors Charlotte and Peter Fiell have extensively explored all aspects of the aesthetic, along with additional research provided by Magnus Englund of SkandiumWith sections on architecture, furniture, lighting, glass, ceramics, metalwork, woodenware, plastics, textiles, jewellery and graphic design, this will be an indispensable resource for any design enthusiast, collector or casual reader seeking inspiration for their home.

A product can be manufactured in many ways, but most designers know a handful of techniques only. With specially commissioned diagrams, case studies and photographs of the manufacturing process, Making It uses contemporary design as a vehicle to describe over 120 production processes. Each process is also evaluated in terms of sustainability and its effects on the environment.Making It appeals to product, interior, furniture and graphic designers who need access to a range of production methods, as well as to all students of design. The expanded edition includes six new processes and a new section on joining.

This comprehensive guide to type design is hailed as a 'must-have' for typographers, graphic designers and students and has been fully refreshed and updated with the introduction of more contemporary typefaces, more explanatory diagrams and a closer connection between text and corresponding image.The new edition of Designing Type also features more in-depth discussion of the processes behind developing typefaces and the basic issues that need to be taken into consideration such as visual principles and letter construction, optical compensation and legibility, and the relationships between letters and shapes in a font. This is a valuable reference for both experienced professionals and novice designers.

The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of key characteristics of the typeface.This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students. It will also be a significant resource for professional type designers and students of type.Reviews"A mind-blowing catalogue of typefaces and type history... a fantastic, heavyweight compendium of letterforms that's a firm WIRED art department favourite." - WIRED magazine"The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing...This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students." - Against The Grain"Accessible, highly readable and, moreover, a type book to pore over and simply enjoy as the history of the medium evolves chronologically from page to page." - Creative Review"This exquisitely produced, extensively researched and extraordinarily comprehensive work is a definitive study of the history of type." - New Design"The Visual History of Type is a beautiful book. Its arranged into hundreds of short chapters invites one to peruse it haphazardly for pleasure. Beneath its coffee-table appearance lies a genuine reference work." - The Times Literary Supplement