Visar resultat för..."Odysseus"

*1:a på Modern Librarys lista över 1900-talets 100 viktigaste engelskspråkiga romaner*»Det är boken vi alla står i tacksamhetsskuld till och som ingen av oss kan undkomma.« | T. S. EliotHur kan en roman från 1922 fortfarande kännas modernare än nästan allt som trycks i dag?Handlingen i James Joyces Odysseus utspelar sig under ett och samma dygn, 16 juni 1904. Dublins alla hem, gator, offentliga platser; stadens minnen, känslor, begär - allt ville författaren fånga. Varje episod, och dess centrala karaktärer, korresponderar också med motsvarande i det mest kända litterära verket från vår civilisations gryning, Homeros Odysséen. Språkets roller i verkligheten är fler än den direkt kommunikativa, menade Joyce. Vi har kontroll över språket och samtidigt ingen som helst kontroll över dess havsliknande flöde genom oss. Romanens alla röst- och stilskiften - festglädje, högtidlighet, andlighet, kåthet, hunger, oro, extatisk uppsluppenhet - rymmer män och kvinnor, unga och gamla. Inre monolog blir spirituell dialog och klipp- och klistra med litteraturhistorien och vardagsspråken. Genom hälsningen till Homeros kopplas allt till ett mytiskt kretslopp.James Joyces Odysseus [Ulysses, 1922] - en av världslitteraturens absolut största klassiker, utges här i Thomas Warburtons svenska översättning.JAMES JOYCE [1882-1941], irländsk författare, är en av den modernistiska litteraturens portalfigurer. Romanen Odysseus [Ulysses, 1922] brukar betraktas som den modernistiska erans mest inflytelserika verk.

'CLAIRE NORTH BRINGS A POWERFUL, FRESH AND UNFLINCHING VOICE TO ANCIENT MYTH' Jennifer Saint, author of Sunday Times bestseller AriadneFrom the author of the critically acclaimed Ithaca - A Sunday Times Historical Fiction Book of the Year - comes an exquisite and gripping new tale that breathes life into ancient myth. This is the story of Penelope of Ithaca, famed wife of Odysseus, as it has never been told before.On the isle of Ithaca, Queen Penelope maintains a delicate balance of power. Many years ago, her husband, Odysseus, sailed to war with Troy and never came home. In his absence, Penelope uses all her cunning to keep the peace - but this is shattered by the arrival of Orestes, king of Mycenae, and his sister Elektra.Orestes's hands are stained with his mother's blood. Not so long ago, the son of Agamemnon took Queen Clytemnestra's life on Ithaca's sands. Now, racked with guilt, he is slowly losing his mind.Penelope knows destruction will follow in his wake as surely as the Furies circle him. His uncle, Menelaus, the battle-hungry king of Sparta, longs for Orestes's throne - and if he can seize it, no one will be safe from his violent whims.Trapped between two mad kings, Penelope fights to keep war from Ithaca's shores. Her only allies are Elektra and Helen of Troy, Menelaus's enigmatic wife. And watching over them all is the goddess Aphrodite, who has plans of her own.Each woman has a secret. And their secrets will shape the world.Praise for the Songs of Penelope series:'Darkly fascinating, raw and breathtaking' Jennifer Saint, author of Sunday Times bestseller Ariadne'Richly poetic . . . This is an impassioned plea for the lost, disenfranchised queens of ancient Greece, a love letter to the silenced women of history' Booklist'Penelope is proving to be an outstanding epic hero in her own right. A sensational retelling' Elodie Harper, Sunday Times bestselling author of The Wolf Den'Everything I've wanted in a retelling: a vibrant cast, full of suspense, told with a phenomenal narrative voice - this is an absolute masterpiece' Sarah Bonner, author of Her Perfect Twin'Conjures up a world in which women, abandoned by their men, must weave their own destinies' The Times'Claire North has set a new standard for Ancient Greek retellings. Absolutely sublime' Hannah Lynn, author of Athena's ChildThe Songs of Penelope series:Ithaca House of OdysseusThe Last Song of Penelope

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.This vivid new translation—the first by a woman—matches the number of lines in the Greek original, striding at Homer’s sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting “rhythm and rumble” that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new voice that allows contemporary readers to luxuriate in Homer’s descriptions and similes and to thrill at the tension and excitement of its hero’s adventures, Wilson recaptures what is “epic” about this wellspring of world literature.Specially bound paperback edition, with deckle-edging (rough-cut) pages and French flaps.

Gottfried Grunewalds översättning av Nikos Kazantzakis Odysseia tjugoandra sången.

The poetry of Odysseus Elytis owes as much to the ancients and Byzantium, as to the surrealists of the 1930s and the architecture of the Cyclades, bringing romantic modernism and structural experimentation to Greece. Collected here are the two speeches Elytis gave on his acceptance of the 1979 Nobel Prize for Literature, which are still strikingly relevant today. He addresses a hypertrophic and atrophic Europe in moral chaos, with as many coexisting values as languages-and to this he offers the "common language" that is found in poetry, in art, and in their base materials of sense, aesthetic, intuition. Ultimately, his is a powerful ode to beauty amid utilitarianism, and the need for poetry as "the art of approaching that which surpasses us" and "puts us at the threshold of the deepest truth".

Most people have heard of Odysseus from Homer's Odyssey, but few know who he was or where he came from, or what part he played in the Trojan War. In this sixth Put it in Your Pocket booklet his cunning and heroism are described, as are the adventures he experienced on his homeward journey, each one testing his strength and endurance to their limit

Odysseus: The Oath is the first book in Valerio Massimo Manfredi's Odysseus epic. An epic retelling of the story of Odysseus; a must read for fans of Simon Scarrow, Ben Kane and Conn Iggulden.A man becomes a hero . . .The hero becomes a legend.As a young boy in Ithaca, Odysseus listens in wonder to his grandfather Autolykos, a man feared by many across the land as a ruthless fighter. He learns of his heritage and a lifelong passion is sparked: to become an adventurer and warrior.In Mycenae, he meets King Eurystheus and learns the terrible story of Hercules – the man with god-like strength who slaughtered his family and punished by the King to undertake impossible tasks to earn absolution. But is Eurystheus the man he says he is? When a child comes to Odysseus in the middle of the night, with another, very disturbing, version of what happened that fateful night, Odysseus embarks on the first of his extraordinary quests . . .So begins the epic story of Odysseus, the first of two volumes: an adventure of love, war, courage and heroism, weaving from a small rocky island in Greece, to the mighty fall of Troy.

The extraordinary story of a legendary hero continues . . .An epic retelling of the story of Odysseus; a must read for fans of Simon Scarrow, Ben Kane and Conn Iggulden.After ten years of uninterrupted war, blood and agony, the Trojans have finally been defeated. Odysseus and his men begin the epic journey of returning to Ithaca. Along the way, terrifying enemies await them: the cyclops Polyphemus, the lotus eaters who feast on narcotic flowers that give only oblivion, the sorceress who turns men into swine, and the deadly, enthralling sirens.Odysseus is determined to make his way home to Ithaca, where his beloved family have awaited him for many long years. But his journey will present him with new, terrible perils - ones that he could not have dreamed of even in his wildest nightmares.In Odysseus: The Return, the second in his Odysseus epic, Valerio Massimo Manfredi gives a new voice to one of the most adventurous and fascinating heroes of all time.

Before they were heroes…‘Rescue? Is that what you call it? Throw a rock and then run? And I bet that’s as far ahead as you’d planned.’ Penelope made a face. ‘Boys! Always thinking about heroics and never about what needs to happen day to day.’Odysseus, Prince of Ithaca, has always been safe, sheltered, protected – and bored! The Age of Heroes is past. The wars are over. The monsters have all been slain. Or so he believes. Are there any adventures left for a thirteen-year-old boy who wants, more than anything, to be a hero?His time comes when Odysseus, his best friend Mentor, a spoiled princess named Helen and her outspoken cousin Penelope are kidnapped by pirates. It is the start of an adventure-filled journey that leads them to the ancient island of Crete. There, Odysseus must face the deadly secret in the Labyrinth, where the Minotaur once devoured all who were unfortunate enough to enter. Now another, more deadly monster roams the maze.There the boy destined to fight in the Trojan War and survive the perilous voyage of the Odyssey discovers the hardest part of being a hero: living long enough to tell the tale.

Build your child’s reading confidence at home with books at the right levelFollow Odysseus on his remarkable journey home, and find out whether he and his crew will survive the perils of the cyclops, Poseidon’s revenge, the bewitching sirens, Scylla, and the deadly whirlpool, the cruel heat and a dramatic shipwreck. Finally, will Penelope, his long-lost wife be waiting for him?Emerald/Band 15 books provide a widening range of genres including science fiction and biography, prompting more ways to respond to texts.Text type: A traditional tale from another cultureCurriculum links: English: fairy stories, myths and legendsThis book has been quizzed for Accelerated Reader.

The Raft of Odysseus looks at the fascinating intersection of traditional myth with an enthnographically-viewed Homeric world. Carol Dougherty argues that the resourcefulness of Odysseus as an adventurer on perilous seas served as an example to Homer's society which also had to adjust in inventive ways to turbulent conditions. The fantastic adventures of Odysseus act as a prism for the experiences of Homer's own listeners--traders, seafarers, storytellers, soldiers--and give us a glimpse into their own world of hopes and fears, 500 years after the Iliadic events were supposed to have happened. In the course of her argument, Dougherty makes liberal use of what we know about Mycenean and archaic artifacts, comparing the realities of historical shipbuilding or weaving, for example, with the often magnificently inflated account of the epics.

The hero Odysseus will need all of his skill and courage to get home to Ithaca in The Journey of Odysseus. All kinds of monsters and magical creatures are lurking in the seas and islands on his way, including the one-eyed Cyclops, the Sirens and the enchantress Circe. Will he ever manage to get home?Captivating versions of some of the best myths and legends from around the world. TreeTops Myths and Legends are fascinating and action-packed stories that will motivate and inspire readers. These are some of the oldest and most enduring stories in the world, retold by leading contemporary children's authors to bring out all of the action, drama, humour and depth of the original stories in a way that makes them as exciting and meaningful today as ever. The stories are beautifully illustrated in a range of styles to bring each tale to life.Books contain inside cover notes to support children in their reading. Help with children's reading development also available at www.oxfordowl.co.uk.The books are finely levelled, making it easy to match every child to the right book.

The Choice of Odysseus demonstrates how the Odyssey provided Renaissance authors and readers with a poetic ethics—tools for living developed in poetry—to navigate the challenges of their age. As they endured schisms, ruptures, and failures of ideals, readers and poets turned to the Odyssey for narratives of recovery and aftermath. Sarah Van der Laan reconstructs Renaissance readings of the Odyssey from myriad sources. Situating major works by Petrarch, Poliziano, Ariosto, Tasso, Spenser, Monteverdi, and Milton in these Odyssean contexts, she recovers a powerful Renaissance tradition of Odyssean epic. Renaisance poets adopted the Odyssey as an epic model that supplements and even opposes the Virgilian epic model of conquest and imperial foundation. For Renaissance readers and authors, the Odyssey renders heroic other kinds of lived experience: the necessity of facing the world and its challenges with only human wisdom and reason; the ability to integrate traumatic detours and reversals into a vision of a successful and accomplished self; the recovery of a private life and personal desires painfully suspended for public service. Emphasizing marriage, reconciliation, homecoming, and the return to private life and private desires as suitably heroic matter for epic and powerful conventions for narrative and poetic closure, the Renaissance Odyssey and the epics and operas it inspired confer a uniquely heroic status on experience for men and women alike.

The Travels of Odysseus employs the theme of travel to explore the Odyssey and its contexts. After an introductory chapter, Chapter 2 provides analysis of the “wanderings” or Apologos of Odysseus, Chapter 3 explores the “lying tales” told by Odysseus in disguise upon his return to Ithaca, and Chapter 44 discusses a variety of stories about Odysseus leaving Ithaca again (including Teiresias' prediction of an “inland journey” and the Telegony of the Epic Cycle). The introductory chapter explores various contexts of Odysseus' travels: the Epic Cycle (notably the Nostoi (“Returns”) and the Telegony), comparable travelers of myth (Gilgamesh, Heracles, Perseus), the genre of travel writing, ancient and modern, and the characterization of Odysseus within Homer and outside of Homer. Chapter 2 explores the hero's account of his wanderings to the Phaeacians in Books 9-12 by exploring the poem's explanation of the hero's nostos (“return”) in the proem, the spatial and temporal aspects of the wanderings, the Phaeacian context of the Odysseus' stories, the implications of the ancient term apologos for Odysseus' “wanderings,” the patterns, causality, and plot of the Apologos, and the socio-economic aspects of the “wanderings.” Chapter 3 explores the actions of Odysseus upon his return to Ithaca. Topics include the Homeric and non-Homeric aspects of Ithaca, the motif of “lying travelers at Ithaca,” the themes of the false travel tales that Odysseus tells while in disguise, the function of these “lying tales” to “test” suitors, slaves, and family, and an extensive comparison of the “lying tales” to the “wanderings.” Chapter 4 first discusses issues arising at the end of the Odyssey, which are described as indicative of existing or potential further adventures of Odysseus. These post-nostos travels include Teiresias' prediction of the need to take an “inland journey,” Odysseus' travel to Thesprotia in the Telegony, and other lost tales about Odysseus traveling to northwest Greece or the Italian world. Many tales involve locations linking themselves to the hero through genealogy or burial place.

From the multi award-winning Claire North comes the second book in a trilogy of stories retelling of the classic Greek myth of Penelope. It's time for the women of Ithaca to tell their tale . . .

'CLAIRE NORTH BRINGS A POWERFUL, FRESH AND UNFLINCHING VOICE TO ANCIENT MYTH' Jennifer Saint, author of Sunday Times bestseller AriadneFrom the author of the critically acclaimed Ithaca - A Sunday Times Historical Fiction Book of the Year - comes an exquisite and gripping new tale that breathes life into ancient myth. This is the story of Penelope of Ithaca, famed wife of Odysseus, as it has never been told before.On the isle of Ithaca, Queen Penelope maintains a delicate balance of power. Many years ago, her husband, Odysseus, sailed to war with Troy and never came home. In his absence, Penelope uses all her cunning to keep the peace - but this is shattered by the arrival of Orestes, king of Mycenae, and his sister Elektra.Orestes's hands are stained with his mother's blood. Not so long ago, the son of Agamemnon took Queen Clytemnestra's life on Ithaca's sands. Now, racked with guilt, he is slowly losing his mind.Penelope knows destruction will follow in his wake as surely as the Furies circle him. His uncle, Menelaus, the battle-hungry king of Sparta, longs for Orestes's throne - and if he can seize it, no one will be safe from his violent whims.Trapped between two mad kings, Penelope fights to keep war from Ithaca's shores. Her only allies are Elektra and Helen of Troy, Menelaus's enigmatic wife. And watching over them all is the goddess Aphrodite, who has plans of her own.Each woman has a secret. And their secrets will shape the world.Praise for the Songs of Penelope series:'Darkly fascinating, raw and breathtaking' Jennifer Saint, author of Sunday Times bestseller Ariadne'Richly poetic . . . This is an impassioned plea for the lost, disenfranchised queens of ancient Greece, a love letter to the silenced women of history' Booklist'Penelope is proving to be an outstanding epic hero in her own right. A sensational retelling' Elodie Harper, Sunday Times bestselling author of The Wolf Den'Everything I've wanted in a retelling: a vibrant cast, full of suspense, told with a phenomenal narrative voice - this is an absolute masterpiece' Sarah Bonner, author of Her Perfect Twin'Conjures up a world in which women, abandoned by their men, must weave their own destinies' The Times'Claire North has set a new standard for Ancient Greek retellings. Absolutely sublime' Hannah Lynn, author of Athena's ChildThe Songs of Penelope series:Ithaca House of OdysseusThe Last Song of Penelope

The Unknown Odysseus is a study of how Homer creates two versions of his hero, one who is the triumphant protagonist of the revenge plot and another, more subversive, anonymous figure whose various personae exemplify an entirely different set of assumptions about the world through which each hero moves and about the shape and meaning of human life. Separating the two perspectives allows us to see more clearly how the poem's dual focus can begin to explain some of the notorious difficulties readers have encountered in thinking about the Odyssey. In The Unknown Odysseus, Thomas Van Nortwick offers the most complete exploration to date of the implications of Odysseus' divided nature, showing how it allows Homer to explore the riddles of human identity in a profound way that is not usually recognized by studies focusing on only one "real" hero in the narrative. This new perspective on the epic enriches the world of the poem in a way that will interest both general readers and classical scholars.". . .an elegant and lucid critical study that is also a good introduction to the poem."---David Quint, London Review of Books"Thomas Van Nortwick's eloquently written book will give the neophyte a clear interpretive path through the epic while reminding experienced readers why they should still care about the Odyssey's unresolved interpretive cruces. The Unknown Odysseus is not merely accessible, but a true pleasure to read."---Lillian Doherty, University of Maryland"Contributing to an important new perspective on understanding the epic, Thomas Van Nortwick wishes to resist the dominant, even imperial narrative that tries so hard to trick, beguile, and even bully its listeners into accepting the inevitability of Odysseus' heroism."---Victoria Pedrick, Georgetown UniversityThomas Van Nortwick is Nathan A. Greenberg Professor of Classics at Oberlin College and author of Somewhere I Have Never Travelled: The Second Self and the Hero's Journey in Ancient Epic (1992) and Oedipus: The Meaning of a Masculine Life (1998).Jacket art: Head of Odysseus from a sculptural group representing Odysseus killing Polyphemus in the Museo Archeologico Nazionale in Sperlonga, Italy. Photograph by Marie-Lan Nguyen.

This remarkably rich and multifaceted study of early Greek exploration makes an original contribution to current discussions of the encounters between Greeks and non-Greeks. Focusing in particular on myths about Odysseus and other heroes who visited foreign lands on their mythical voyages homeward after the Trojan War, Irad Malkin shows how these stories functioned to mediate encounters and conceptualize ethnicity and identity during the Archaic and Classical periods. Synthesizing a wide range of archaeological, mythological, and literary sources, this exceptionally learned book strengthens our understanding of early Greek exploration and city-founding along the coasts of the Western Mediterranean, reconceptualizes the role of myth in ancient societies, and revitalizes our understanding of ethnicity in antiquity. Malkin shows how the figure of Odysseus became a proto-colonial hero whose influence transcended the Greek-speaking world. The return-myths constituted a generative mythology, giving rise to oral poems, stories, iconographic imagery, rituals, historiographical interpretation, and the articulation of ethnic identities.Reassessing the role of Homer and alternative return-myths, the book argues for the active historical function of myth and collective representations and traces their changing roles through a spectrum of colonial perceptions--from the proto-colonial, through justifications of expansion and annexation, and up to decolonization.

The idea of reliving youth is a common fantasy, but who among us is actually courageous enough to try it? After surviving a deadly cancer against tremendous odds, college president Roger H. Martin did just that - he enrolled at St. John's College, the Great Books school in Annapolis, Maryland, as a sixty-one-year-old freshman. This engaging, often humorous memoir of his semester at St. John's tells of his journey of discovery as he falls in love again with Plato, Socrates, and Homer, improbably joins the college crew team, and negotiates friendships across generational divides. Along the way, Martin ponders one of the most pressing questions facing education today: do the liberal arts still have a role to play in a society that seems to value professional, vocational, and career training above all else? Elegantly weaving together the themes of the great works he reads with events that transpire on the water, in the coffee shop, and in the classroom, Martin finds that a liberal arts education may be more vital today than ever before. This is the moving story of a man who faces his fears, fully embraces his second chance, and in turn rediscovers the gifts of life and learning.

The Triumph of Odysseus is part of the highly successful Reading Greek series. It presents the complete Greek text of Books 21 and 22 of Homer's Odyssey, faced with a running vocabulary with notes, and followed at the back of the book by a learning vocabulary. It is modelled on the two existing readers: A World of Heroes (1979) and The Intellectual Revolution (1980), and like them is fully illustrated. It makes an excellent introduction to Homer for those new to him, and provides accessible and confidence-building follow-up reading for others. The book can be used by anyone who has completed Reading Greek or is at an intermediate or advanced stage of ancient Greek, and it is ideal for use with students in the upper forms of schools, at university and in summer schools and weekend courses.

'Delightfully witty . . . Luminously intelligent . . . Odysseus Abroad has placed itself, with erudition and playfulness, on the map of modernism.' Guardian1985: twenty-two year old Ananda is a student adrift in Thatcher's Britain, homesick and isolated. His eccentric uncle, Radhesh, is a magnificent failure and an eccentric virgin who has lived in genteel impoverishment in Hampstead for nearly three decades. Over the course of one day, Odysseus Abroad follows the two isolated men on one of their weekly forays, gradually revealing the background to the two men's lives with deft precision and humour as they traverse London together, circling around their respective pasts and futures, and finding in one another an unspoken solace.