Scriptural Traces – serie
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30 produkter
30 produkter
Häftad, Engelska, 2015
534 kr
Skickas inom 10-15 vardagar
The Bible, Gender, and Reception History: The Case of Job's Wife investigates the fleeting appearance in the Bible of Job's wife and its impact on the imaginations of readers throughout history. It begins by presenting key interpretive gaps in the biblical text concerning Job and his wife, explaining the way gender studies offers guiding principles with which the author engages a reception history of their marriage. After analyzing Job and his wife within medieval Christian theology of Eden, the author identifies ways in which Job's wife visually aligns with medieval images of Satan. The volume explores portrayals of Job and his wife in publications on marriage and gender roles in the sixteenth and seventeenth centuries, moving onto an investigation of William Blake's sharp artistic divergence from the common tradition in his representation of Job's wife as a shrew. In the exploration of societal portrayals of Job and his Wife throughout history, this book discovers how arguments about marriage intertwine with not only gender roles, but also, with political, social, and historical movements.
Häftad, Engelska, 2016
534 kr
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This study seeks to make a contribution to current debates about the nature of Wirkungsgeschichte or reception history and its place in contemporary Biblical Studies. The author addresses three crucial questions: the relationship between reception history and historical-critical exegesis; the form of reception history itself, with a focus on the issue of which acts of reception are selected and valorized; and the role of tradition, pre-judgements and theology in relation to reception history. Disagreements about these matters contribute to what many characterise as the fragmentation of the discipline of biblical studies.The study champions the hermeneutics of Hans-Georg Gadamer as a theoretical resource for understanding biblical interpretation, and a way of holding together with integrity the varied activities undertaken within the discipline. Each aspect of the argument is illustrated, tested and further explored with reference to the post-history of exhortations in the New Testament to ‘be subject’. These have been widely cited and applied for 2,000 years – in literature, law and politics as well as in theological traditions. In this way the study makes a contribution not just to the theory but also the practice of reception history.
Häftad, Engelska, 2016
534 kr
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This study centers on the question: how do particular readers read a biblical passage? What factors govern each reading? DeLapp here attempts to set up a test case for observing how both socio-historical and textual factors play a part in how a person reads a biblical text. Using a reception-historical methodology, he surveys five Reformed authors and their readings of the David and Saul story (primarily 1 Sam 24 and 26). From this survey two interrelated phenomena emerge. First, all the authors find in David an ideal model for civic praxis—a “Davidic social imaginary” (Charles Taylor). Second, despite this primary agreement, the authors display two different reading trajectories when discussing David’s relationship with Saul. Some read the story as showing a persecuted exile, who refuses to offer active resistance against a tyrannical monarch. Others read the story as exemplifying active defensive resistance against a tyrant. To account for this convergence and divergence in the readings, DeLapp argues for a two-fold conclusion. The authors are influenced both by their socio-historical contexts and by the shape of the biblical text itself. Given a Deuteronomic frame conducive to the social imaginary, the paradigmatic narratives of 1 Sam 24 and 26 offer a narrative gap never resolved. The story never makes explicit to the reader what David is doing in the wilderness in relation to King Saul. As a result, the authors fill in the “gap” in ways that accord with their own socio-historical experiences.
Häftad, Engelska, 2016
399 kr
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This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Harnessing Chaos: The Bible in English Political Discourse Since 1968 (2014) looked at the shifts in political understandings of the Bible in the aftermath of the social and economic changes of the 1960s. The book examined the decline of the Radical bible (i.e. the Bible roughly equated with socialism) in parliamentary politics and the victory of (a modified form of) Thatcher's re-reading of the Liberal Bible tradition, which equated the Bible with rule of law, democracy and tolerance. This showed how Thatcher's Bible was developed by politicians and the significance of Tony Blair's socially liberal qualifications, as well as the Radical Bible's survival outside Parliament and against the backdrop of emerging Thatcherism.The new, revised edition of Harnessing Chaos includes an additional chapter/postscript on some of the remarkable and unexpected uses of the Bible that happened since 2014. These include David Cameron giving a number of key speeches which intensified Thatcher's Bible, particularly in his justification of his most controversial policy decisions surrounding foodbanks, austerity and ISIS, Ed Miliband engaging with Russell Brand's Radical Bible, and the unpredicted emergence of Jeremy Corbyn, which has seen him and his close allies explicitly use the Radical Bible, in direct disagreement with Thatcher, in his first major speeches. These developments have been, in varying degrees, unpredictable but also vital to understanding the fate of the Bible in contemporary English politics.
Häftad, Engelska, 2018
440 kr
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How do we begin to carry out such a vast task—the examination of three millennia of diverse uses and influences of the biblical texts? Where can the interested scholar find information on methods and techniques applicable to the many and varied ways in which these have happened?Through a series of examples of reception history practitioners at work and of their reflections this volume sets the agenda for biblical reception, as it begins to chart the near-infinite series of complex interpretive ‘events’ that have been generated by the journey of the biblical texts down through the centuries. The chapters consider aspects as diverse as political and economic factors, cultural location, the discipline of biblical studies, and the impact of scholarly preconceptions, upon reception history. Topics covered include biblical figures and concepts, contemporary music, paintings, children’s Bibles, and interpreters as diverse as Calvin, Lenin, and Nick Cave.
Inbunden, Engelska, 2017
1 900 kr
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Even when he was a prototype of European identity, Paul transgressed the limits of Europe. It is not clear whether he was conformist or rebellious, orthodox or liberal, sexist, or egalitarian. Instead of pushing the Apostle into the arbitrary categories of modern European identity, Fatima Tofighi takes into account the challenge that Paul brings to normative conceptions of political theology (Rom 13), 'religion' (Gal 2.12-14), and women's veiling (1 Cor 11. 5-16). Alternative interpretations of these passages, with the help of postmodern theory, both solve the major problems of biblical exegesis and offer a critique of the allegedly well-defined European categories.
Inbunden, Engelska, 2017
1 900 kr
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This volume takes readers on a fascinating journey through the visual arts of Aotearoa New Zealand, Australia and the Pacific Islands, contemplating the multivocal dialogues that occur between these artistic media and the texts and traditions of the Bible. With their distinctively antipodean perspectives, contributors explore the innovative ways that both creators and beholders of Oceanic arts draw upon their contexts and cultures in order to open up creative engagements with the stories, themes and theologies of the biblical traditions. Various motifs weave their way throughout the volume, including antipodean landscapes and ecology, (post)colonialism, philosophy, Oceanic spiritualities and the often contested engagements between western and indigenous cultures. Within this weaving process, each essay invites readers to contemplate these various forms of visual culture through Oceanic eyes, and to appreciate the fresh insights that this process can bring to reading and interpreting the biblical traditions. The result is a rich and interdisciplinary array of conversations that will capture the attention of readers within the fields of biblical reception studies, cultural studies, theology and art history.
Inbunden, Engelska, 2018
1 765 kr
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Alan Cadwallader explores the intricate tensions and conflicts that infused the work of revision of the Authorised Version of the Bible between 1870 and 1885. The Promethean aspirations of the venture actually generated one of the most bitter instances of the political manoeuvres involved in the translation of a sacred book. Cadwallader reveals how the public avowal of unity and fraternal harmony that accompanied the public release and marketing of the New Testament revision in 1881 and the Old Testament revision in 1885, masks fraught historical realities that threatened the realization of the project from the beginning.Through a thorough examination of private correspondence, notebooks kept by various members of the New Testament Revision Companies in England and the United States, and other previously unstudied primary sources, Cadwallader examines and presents the complexities of the political situation surrounding the translation. He exposes the competing interests of an imperial, sovereign nation and a seriously divided Established Church floundering over its continued relevance; the ambitions and significance of Nonconformity in a nation’s highly contested religious environment; the agonistic conflicts that erupted from assertions of national and international prestige and responsibilities; and the ultimate control exercised by publishing houses that fundamentally flawed the process of revision and the public acceptance of the final product.
Inbunden, Engelska, 2020
1 494 kr
Skickas inom 10-15 vardagar
This volume examines and discusses selected Bible documentaries and academically informed dramatizations of the Bible. With a major focus on recent productions in UK mainline television within the past 15 years, the contributors also engage with productions from the USA.After a critical introduction by Helen K. Bond, charting and reflecting on the use of the Bible on television in recent years, the book falls into three sections. First, a number of influential filmmakers and producers, including Ray Bruce and Jean- Claude Bragard, discuss their work in relation to the context and constraints oftelevision - especially religious television - programming. The volume then moves to reflections of various academics who have acted as ‘talking heads’, historical consultants and presenters, allowing discussion of different aspects of the process, including the extent to which they had influence and how their contributions were used. Finally, a number of scholars assess the finished products, discussing what they tell us about the modern reception of the Bible, with additional consideration of how these productions influence biblical scholars and contribute to the scholarly agenda.
Inbunden, Engelska, 2019
1 874 kr
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The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce – cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell’s Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text – its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.
Inbunden, Engelska, 2018
1 900 kr
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Drawing on the work of leading figures in biblical, religious, historical, and cultural studies in Ireland and beyond, this volume explores the reception of the Bible in Ireland, focusing on the social and cultural dimensions of such use of the Bible. This includes the transmission of the Bible, the Bible and identity formation, engagement beyond Ireland, and cultural and artistic appropriation of the Bible. The chapters collected here are particularly useful and insightful for those researching the use and reception of the Bible, as well as those with broader interests in social and cultural dimensions of Irish history and Irish studies.The chapters challenge the perception in the minds of many that the Bible is a static book with a fixed place in the world that can be relegated to ecclesial contexts and perhaps academic study. Rather, as this book shows, the role of the Bible in the world is much more complex. Nowhere is this clearer than in Ireland, with its rich and complex religious, cultural, and social history. This volume examines these very issues, highlighting the varied ways in which the Bible has impacted Irish life and society, as well as the ways in which the cultural specificity of Ireland has impacted the use and development of the Bible both in Ireland and further afield.
Inbunden, Engelska, 2020
1 494 kr
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This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses. Mariamic traditions are often interconnected, as seen in the portrayal of these women as community leaders, prophets, apostles and priests. These traditions also are often inter-religious, echoing themes back to Miriam in the Hebrew Bible as well as forward to Maryam in the Qur’an. The chapters explore questions such as: which biblical Mary did the author of the Gospel of Mary intend to portray—Magdalene, Mother, or neither? Why did some writers depict Mary of Nazareth as a priest? Were extracanonical scriptures featuring Mary more influential than the canonical gospels on the depiction of Maryam in the Qur’an?Contributors dig deep into literature, iconography, and archaeology to offer cutting edge research under three overarching topics. The first section examines the question of "which Mary?" and illustrates how some ancient authors (and contemporary scholars) may have conflated the biblical Marys. The second section focuses on Mary of Nazareth, and includes research related to the portrayal of Mary the Mother of Jesus as a Eucharistic priest. The final section, “Recovering Receptions of Mary in Art, Archeology, and Literature,” explores how artists and authors have engaged with one or more of the Marys, from the early Christian era through to medieval and modern times.
Häftad, Engelska, 2018
494 kr
Skickas inom 10-15 vardagar
Even when he was a prototype of European identity, Paul transgressed the limits of Europe. It is not clear whether he was conformist or rebellious, orthodox or liberal, sexist, or egalitarian. Instead of pushing the Apostle into the arbitrary categories of modern European identity, Fatima Tofighi takes into account the challenge that Paul brings to normative conceptions of political theology (Rom 13), 'religion' (Gal 2.12-14), and women's veiling (1 Cor 11. 5-16). Alternative interpretations of these passages, with the help of postmodern theory, both solve the major problems of biblical exegesis and offer a critique of the allegedly well-defined European categories.
Inbunden, Engelska, 2020
1 494 kr
Skickas inom 10-15 vardagar
This volume offers an examination of Brecht’s largely forgotten theatrical fragments of a life of David, written just after the Great War but prior to Brecht winning the Kleist Prize in 1922 and the acclaim that would launch hisextraordinary career. David J. Shepherd and Nicholas E. Johnson take as their starting point Brecht’s own diaries from the time, which offer a vivid picture of the young Brecht shuttling between Munich and the family home in Augsburg, surrounded by friends, torn between women, desperate for success, and all the while with ‘David on the brain’.The analysis of Brecht’s David, along with his notebooks and diaries, reveals significant connections between the reception of the Biblical David and one of Germany’s most tumultuous cultural periods. Drawing on theatrical experiments conducted with an ensemble from Trinity College Dublin, this volume includes the first ever translation of the David fragments in English, an extensive discussion of the theatrical afterlife of David in the early twentieth century as well as new interdisciplinary insights into the early Brecht: a writer entranced by the biblical David and utterly committed to translating the biblical tradition into his own evolving theatrical idiom.
Inbunden, Engelska, 2020
1 494 kr
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This volume draws together eleven essays by scholars of the Hebrew Bible, New Testament, Greco-Roman religion and early Judaism, to address the ways that conceptions of identity and otherness shape the interpretation of biblical and other religiously authoritative texts.The contributions explore how interpreters of scriptural texts regularly assume or assert an identification between their own communities and those described in the text, while ignoring the cultural, social, and religious differences between themselves and the text’s earliest audiences. Comparing a range of examples, these essays address varying ways in which social identity has shaped the historical contexts, implied audiences, rhetorical shaping, redactional development, literary appropriation, and reception history of particular texts over time. Together, they open up new avenues for studying the relations between social identity, scriptural interpretation, and religious authority.
Inbunden, Engelska, 2023
1 224 kr
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This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format, and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations.
Häftad, Engelska, 2019
480 kr
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This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible’s most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text.Leneman first discusses how Eve’s inner thoughts are explored by noted French composers Jules Massenet and Gabriel Fauré. The text then enters the deep waters of Noah’s flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saëns and Donizetti. Two major 19th century oratorio settings of Abraham’s story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca’s story are found in works by César Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Célanie Carissan. Finally, Leneman shows how Joseph’s story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Méhul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.
Inbunden, Engelska, 2020
1 494 kr
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Seeking to build upon recent scholarship based on Biblical women, Joseph McDonald uses a character-centered literary approach to read the story of Sarah as it was told and retold in the Second Temple period. McDonald offers an alternative to the usual approaches to “rewritten Bible” narratives, which often emphasize near-context, synoptic comparison of retold stories and their scriptural precursors, arguing that examination of retold narratives as narratives reveals important aspects of their internal literary effects, that may otherwise go unnoticed.Taken together, McDonald suggests that such readings reveal one of Sarah’s trans-narrative or “deep traits,” as a curious, multi-faceted resemblance to the character of Abraham. The richness of her images, however, shows that this resemblance is not the ultimate distillation of Sarah, but a symptom of the kind of restriction that she consistently faces in this literature. McDonald concludes that creative readings of the narratives featuring Sarah in the Hebrew Bible, the Septuagint, the Genesis Apocryphon, and the Jewish Antiquities of Josephus illuminate Sarah as a complex and sometimes contradictory figure, whose individuality and agency often struggle to escape limitations placed upon her – both by other characters, such as Abraham and God, and by the narrators of her tales.
Inbunden, Engelska, 2020
1 494 kr
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This book approaches the holiday of Purim as profane, freed to human use and ends, in order to consider the political legacy of the biblical story of Esther in festival and art works. Jo Carruthers explores carnival and synagogue practices, the purimshpil (Purim’s own dramatic genre), illuminated Esther scrolls, as well as artworks by Botticelli, Millais and Jan Steen. The complex and astute interrogation of political life in such festival and artworks is analysed through theories of sovereignty, law, precarity and hospitality by key political thinkers such as Giorgio Agamben, Hannah Arendt, Walter Benjamin, Judith Butler, Jacques Derrida, and Jacques Rancière. Carruthers considers different motifs of boundary conservation and dissolution, as a means of contemplating the political implications of Purim and the Esther story for diaspora politics. How is sovereignty aspired to and attained by marginalized and threatened communities? How can one respond to the ethical call of hospitality to relax sovereign boundaries whilst protecting and celebrating that which is exceptional? The practice of giving gifts, mishloach manos, offers a model of hospitality that together with Purim’s profane impulse is epitomized in the final chapter’s discussion of a 2018 Brooklyn purimshpil, that offers a riotous ridiculing of white supremacist rhetoric, norms of domination, capitalist inequalities, modern slavery and ablest identities and assumptions.
Häftad, Engelska, 2020
467 kr
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Alan Cadwallader explores the intricate tensions and conflicts that infused the work of revision of the Authorised Version of the Bible between 1870 and 1885. The Promethean aspirations of the venture actually generated one of the most bitter instances of the political manoeuvres involved in the translation of a sacred book. Cadwallader reveals how the public avowal of unity and fraternal harmony that accompanied the public release and marketing of the New Testament revision in 1881 and the Old Testament revision in 1885, masks fraught historical realities that threatened the realization of the project from the beginning.Through a thorough examination of private correspondence, notebooks kept by various members of the New Testament Revision Companies in England and the United States, and other previously unstudied primary sources, Cadwallader examines and presents the complexities of the political situation surrounding the translation. He exposes the competing interests of an imperial, sovereign nation and a seriously divided Established Church floundering over its continued relevance; the ambitions and significance of Nonconformity in a nation’s highly contested religious environment; the agonistic conflicts that erupted from assertions of national and international prestige and responsibilities; and the ultimate control exercised by publishing houses that fundamentally flawed the process of revision and the public acceptance of the final product.
Häftad, Engelska, 2020
537 kr
Skickas inom 10-15 vardagar
The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce – cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell’s Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text – its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.
Inbunden, Engelska, 2022
1 292 kr
Skickas inom 10-15 vardagar
Peter Anthony explores how visionary elements in Luke’s Gospel had a particular influence on early interpretation of the Transfiguration, by examining the rich hermeneutical traditions that emerged — particularly in the Latin West — as the Transfiguration was first depicted visually in art.Anthony begins by comparing the visual and visionary culture of antiquity with that of the present, and their differing interpretations of the Transfiguration. He then examines the Transfiguration texts in the synoptic gospels and their interpretation in modern scholarship, and the reception of the Transfiguration in 2 Peter, the Apocalypse of Peter and the Acts of Peter, Tertullian and Origen. Proceeding to look at interpretations found in the Greek East and the Latin West, Anthony finally discusses the earliest visual depictions of the Transfiguration from the sixth century onward, drawn from a wealth of different art forms. Anthony concludes that early commentators’ and artists’ understanding of how we see and visualise, and therefore, how the Transfiguration was apprehended, is closer to that of the writers of the New Testament than many modern interpreters’ is.
Häftad, Engelska, 2023
413 kr
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Peter Anthony explores how visionary elements in Luke’s Gospel had a particular influence on early interpretation of the Transfiguration, by examining the rich hermeneutical traditions that emerged — particularly in the Latin West — as the Transfiguration was first depicted visually in art.Anthony begins by comparing the visual and visionary culture of antiquity with that of the present, and their differing interpretations of the Transfiguration. He then examines the Transfiguration texts in the synoptic gospels and their interpretation in modern scholarship, and the reception of the Transfiguration in 2 Peter, the Apocalypse of Peter and the Acts of Peter, Tertullian and Origen. Proceeding to look at interpretations found in the Greek East and the Latin West, Anthony finally discusses the earliest visual depictions of the Transfiguration from the sixth century onward, drawn from a wealth of different art forms. Anthony concludes that early commentators’ and artists’ understanding of how we see and visualise, and therefore, how the Transfiguration was apprehended, is closer to that of the writers of the New Testament than many modern interpreters’ is.
Häftad, Engelska, 2021
453 kr
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This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses. Mariamic traditions are often interconnected, as seen in the portrayal of these women as community leaders, prophets, apostles and priests. These traditions also are often inter-religious, echoing themes back to Miriam in the Hebrew Bible as well as forward to Maryam in the Qur’an. The chapters explore questions such as: which biblical Mary did the author of the Gospel of Mary intend to portray—Magdalene, Mother, or neither? Why did some writers depict Mary of Nazareth as a priest? Were extracanonical scriptures featuring Mary more influential than the canonical gospels on the depiction of Maryam in the Qur’an?Contributors dig deep into literature, iconography, and archaeology to offer cutting edge research under three overarching topics. The first section examines the question of "which Mary?" and illustrates how some ancient authors (and contemporary scholars) may have conflated the biblical Marys. The second section focuses on Mary of Nazareth, and includes research related to the portrayal of Mary the Mother of Jesus as a Eucharistic priest. The final section, “Recovering Receptions of Mary in Art, Archeology, and Literature,” explores how artists and authors have engaged with one or more of the Marys, from the early Christian era through to medieval and modern times.
Inbunden, Engelska, 2024
1 156 kr
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Supporting the theory that there is no singular ‘Bible’, and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple ‘Bibles’ coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified whichvariously perpetuate, challenge or subvert biblical narratives and motifs.The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.
Inbunden, Engelska, 2022
1 292 kr
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The Hebrew Bible and art reside at the core of this book, which analyzes the iconographic representation of several women of the Bible. The contributors consider the ways in which the biblical texts regarding these women had been read and understood throughout time and the means by which they were represented. Each study also explores the different values associated with these representations according to the problems, worries and concerns of each period. Drawing upon disciplines such as theology, philology or history of art, the essays within this volume provide a cross-sectional, plural and rich approach. In focusing upon iconographic representation, numerous visual cultures of the last millennium are explored, and special emphasis is placed upon several integral biblical women such as Bathsheba, Moses' mother, the Pharaoh's Daughter, Ruth, Naomi and Deborah, and their lasting influence upon Western art and culture. This book pursues an understanding of the history of the transmission and reception of the Bible in general, and of the women of the Old Testament in particular.
Häftad, Engelska, 2024
413 kr
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The Hebrew Bible and art reside at the core of this book, which analyzes the iconographic representation of several women of the Bible. The contributors consider the ways in which the biblical texts regarding these women had been read and understood throughout time and the means by which they were represented. Each study also explores the different values associated with these representations according to the problems, worries and concerns of each period. Drawing upon disciplines such as theology, philology or history of art, the essays within this volume provide a cross-sectional, plural and rich approach. In focusing upon iconographic representation, numerous visual cultures of the last millennium are explored, and special emphasis is placed upon several integral biblical women such as Bathsheba, Moses' mother, the Pharaoh's Daughter, Ruth, Naomi and Deborah, and their lasting influence upon Western art and culture. This book pursues an understanding of the history of the transmission and reception of the Bible in general, and of the women of the Old Testament in particular.
Häftad, Engelska, 2021
440 kr
Skickas inom 10-15 vardagar
This volume offers an examination of Brecht’s largely forgotten theatrical fragments of a life of David, written just after the Great War but prior to Brecht winning the Kleist Prize in 1922 and the acclaim that would launch hisextraordinary career. David J. Shepherd and Nicholas E. Johnson take as their starting point Brecht’s own diaries from the time, which offer a vivid picture of the young Brecht shuttling between Munich and the family home in Augsburg, surrounded by friends, torn between women, desperate for success, and all the while with ‘David on the brain’.The analysis of Brecht’s David, along with his notebooks and diaries, reveals significant connections between the reception of the Biblical David and one of Germany’s most tumultuous cultural periods. Drawing on theatrical experiments conducted with an ensemble from Trinity College Dublin, this volume includes the first ever translation of the David fragments in English, an extensive discussion of the theatrical afterlife of David in the early twentieth century as well as new interdisciplinary insights into the early Brecht: a writer entranced by the biblical David and utterly committed to translating the biblical tradition into his own evolving theatrical idiom.
Inbunden, Engelska, 2024
1 224 kr
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What can contemporary media fandoms, like Anne Rice, Star Wars, Batman, or Sherlock Holmes, tell us about ancient Christianity? Tom de Bruin demonstrates how fandom and fan fiction are both analogous and incongruous with Christian derivative works. The often-disparaging terms applied to Christian apocrypha and pseudepigrapha, such as fakes, forgeries or corruptions, are not sufficient to capture the production, consumption, and value of these writings. De Bruin reimagines a range of early Christian works as fan practices. Exploring these ancient texts in new ways, he takes the reader on a journey from the ‘fix-it fic’ endings of the Gospel of Mark to the subversive fan fictions of the Testaments of the Twelve Patriarchs, and from the densely populated storyworld of early Christian art to the gatekeeping of Christian orthodoxy.Using theory developed in fan studies, De Bruin revisits fundamental questions about ancient derivative texts: Why where they written? How do they interact with more established texts? In what ways does the consumption of derivative works influence the reception of existing traditions? And how does the community react to these works? This book sheds exciting and new light on ancient Christian literary production, consumption and transmission.
Inbunden, Engelska, 2024
1 224 kr
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Daniel L. Smith-Christopher focuses on the life and efforts of Keir Hardie, one of the founders of the UK Labour Party and one of the foremost figureheads of trade unionism. Drawing upon the work of two contemporary and significant American theorists—Herbert Gutman’s classic essay on “Working-Class Religion” and Michael Gold's call for “Proletarian Literature”—Smith-Christopher marries British and American historical and theoretical debates to argue that Hardie's work is surely the quintessential example of a “proletarian exegesis” of the Bible.Beginning with a summary of the major events in Hardie's life, Smith-Christopher draws both upon existing biographies and more recent historical discussions that question assumption of British social history. He then reviews previous debates upon the influence of Hardie's own Christian faith upon his journalistic output, and assesses three Christian Socialists whose work was advertised and reviewed by Hardie himself: Dennis Hird, John Morrison Davidson, and Caroline Martyn. Smith-Christopher proceeds to Hardie's copious writings, both for The Labour Leader and separately published lectures, pamphlets, and somewhat longer works of autobiography and comment. Highlighting Hardie’s tendency to cite favorite texts (heavily from the Gospels and James, but also some notable Old Testament discussions), Smith-Christopher proves Hardie's serious discussion of these texts beyond mere political rhetoric; concluding by comparing a selection of Hardie’s favorite Biblical arguments with contemporary research in Biblical Studies about these same passages, evaluating the problems and possibilities of proposing a “Proletarian Exegesis”.