Trends in Classics – Pathways of Reception – serie
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19 produkter
19 produkter
1 706 kr
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The distinction between ancient and modern modes of historical thought is characterized by the growing complexity of the discipline of history in modernity. Consequently, the epistemological and methodological standard of ancient historiography is typically held as inferior against the modern ideal. This book serves to address this apparent deficit. Its scope is three-fold. Firstly, it aims at encountering ancient modes of historical and historiographical thought within the province of their own horizon. Secondly, this book considers the possibility of a dialogue between ancient and modern philosophies of history concerning the influence of ancient historical thought on the development of modern philosophy of history and the utility of modern philosophy of history in the interpretation of ancient historiography. Thirdly, this book explores the continuities and discontinuities in historical method and thought from antiquity to modernity. Ultimately, this volume demonstrates the necessity of re-evaluating our assumptions about the relation of ancient and modern historical thought and lays the groundwork for a more fruitful dialogue in the future.
1 973 kr
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Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text.Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
Hellenizing Muse
A European Anthology of Poetry in Ancient Greek from the Renaissance to the Present
Inbunden, Engelska, 2021
2 319 kr
Skickas inom 5-8 vardagar
Traditionally, the history of Ancient Greek literature ends with Antiquity: after the fall of Rome, the literary works in ancient Greek generally belong to the domain of the Byzantine Empire. However, after the Byzantine refugees restored the knowledge of Ancient Greek in the west during the early humanistic period (15th century), Italian scholars (and later their French, German, Spanish colleagues) started to use Greek, a purely literary language that no one spoke, for their own texts and poems. This habit persisted with various ups and downs throughout the centuries, according to the development of Greek studies in each country. The aim of this anthology - the first one of this kind - is to give a selective overview of this kind of humanistic poetry in Ancient Greek, embracing all major regions of Europe and trying to concentrate on remarkable pieces of important poets. The ultimate goal of the book is to shed light on an important and so far mostly neglected aspect of the European heritage.
Del 2 - Trends in Classics – Pathways of Reception
Masons and the Mysteries in 18th Century Drama
Three Masonic Comedies: Pierre Clément, Les Fri-maçons; Carlo Goldoni, Le Donne Curiose; Francesco Griselini, I Liberi Muratori
Inbunden, Engelska, 2019
1 948 kr
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The fathers of modern freemasonry sought a classical pedigree for their rituals and forms of association. This volume offers the first academic study of how freemasons writing in the first half of the 18th century deployed their knowledge of antiquity to bolster this claim and how the creative literature of the period reflected their ideas. The scholarly investigation of freemasonry is a relatively new phenomenon. The writings of active freemasons tend either to generate new masonic myths or to focus on the minutiae of insignia, rank, and ritual. Only in the last 50 years have non-masons given serious thought to freemasonry as a social practice and to its place within the intellectual and political life of Enlightenment Europe and beyond. Study of masonic elements in literary texts lags much further behind. This volume offers the first English translations of three mid-18th century comedies on female curiosity about this exclusively male order and shows how they reflect contemporary attempts to forge a link with ancient mystery cult. The theatrical aspect of masonic ritual and the ancient mysteries is examined in depth. This volume opens up important new ground in classical reception and 18th century theatre history.
Del 4 - Trends in Classics – Pathways of Reception
Imitative Series and Clusters from Classical to Early Modern Literature
Inbunden, Engelska, 2020
1 804 kr
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This volume shows the pervasiveness over a millennium and a half of the little-studied phenomenon of multi-tier intertextuality, whether as ‘linear’ window reference – where author C simultaneously imitates or alludes to a text by author A and its imitation by author B – or as multi-directional imitative clusters. It begins with essays on classical literature from Homer to the high Roman empire, where the feature first becomes prominent; then comes late antiquity, a lively area of research at present; and, after a series of essays on European neo-Latin literature from Petrarch to 1600, another area where developments are moving rapidly, the volume concludes with early modern vernacular literatures (Italian, French, Portuguese and English). Most papers concern verse, but prose is not ignored. The introduction to the volume discusses the relevant methodological issues. An Afterword outlines the critical history of ‘window reference’ and includes a short essay by Professor Richard Thomas, of Harvard University, who coined the term in the 1980s.
1 931 kr
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Key aspects of philhellenism – political self-determination, freedom, beauty, individual greatness – originate in antiquity and present a complex reception history. The force of European philhellenism derives from ancient Roman idealizations, which have been drawn on by European movements since the Enlightenment. How is philhellenism able to transcend national, cultural and epochal limits? The articles collected in this volume deal with (1) the ancient conceptualization of philhellenism, (2) the actualization and politicization of the term at the time of the European Restoration (1815–30), and (3) the transformation of philhellenism into a pan-European movement. During the Greek struggle for independence the different receptions of philhellenism regain a common focus; philhellenism becomes an inextricable element in the creation of a pan-European identity and a starting point for the regeneration and modernization of Greece. – It is easy to criticize the tradition of philhellenism as being simplistic, naïve, and self-serving, but there is an irreducibly utopian element in later philhellenic idealizations of ancient Greece.
Translating Ancient Greek Drama in Early Modern Europe
Theory and Practice (15th–16th Centuries)
Inbunden, Engelska, 2023
1 931 kr
Skickas inom 5-8 vardagar
The volume brings together contributions on 15th and 16th century translation throughout Europe (in particular Italy, France, Spain, Portugal, Germany, and England).Whilst studies of the reception of ancient Greek drama in this period have generally focused on one national tradition, this book widens the geographical and linguistic scope so as to approach it as a European phenomenon. Latin translations are particularly emblematic of this broader scope: translators from all over Europe latinised Greek drama and, as they did so, developed networks of translators and practices of translation that could transcend national borders. The chapters collected here demonstrate that translation theory and practice did not develop in national isolation, but were part of a larger European phenomenon, nourished by common references to Biblical and Greco-Roman antiquities, and honed by common religious and scholarly controversies. In addition to situating these texts in the wider context of the reception of Greek drama in the early modern period, this volume opens avenues for theoretical debate about translation practices and discourses on translation, and on how they map on to twenty-first-century terminology.
Nationalism, Racism, and Ancient History
Historiography and Uses of the Past in Interwar Europe (1918–1939)
Inbunden, Engelska, 2027
2 801 kr
Kommande
Between the two World Wars, many European countries propagated nationalist and racist narratives based on idealized images of a distant past. The role of ancient history (both as a scientific discipline and as a repository of figures, places, people) in the elaboration of these narratives in Fascist Italy and Nazi Germany is well-documented, whereas significantly less is known about how ancient history was studied and mobilized in other national contexts during the Interwar period. The comparative approach of this study is invited by the substantial agreement among contemporary historians about the international nature of Fascism as a nationalism longing for a palingenetic and modernist refoundation of the nation in the contemporary age. The racist and nationalist use of the past is functional to this project of constructing a national and racial identity that, originated in antiquity, projects itself into the future. In this edited volume, the authors aim to contribute to the discussion on the study and use of ancient history by exploring historiographical traditions and historical narratives on the ancient world from a transnational and interdisciplinary perspective including studies on underinvestigated geographical areas.
2 950 kr
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In a time of acute crisis when our societies face a complex series of challenges (race, gender, inclusivity, changing pedagogical needs and a global pandemic) we urgently need to re-access the nature of our engagement with the Classical World. This edited collection argues that we need to discover new ways to draw on our discipline and the material it studies to engage in meaningful ways with these new academic and societal challenges. The chapters included in the collection interrogate the very processes of reception and continue the work of destabilising the concept of a pure source text or point of origin. Our aim is to break through the boundaries that still divide our ancient texts and material culture from their reception, and interpretive communities. Our contributors engage with these questions theoretically and/or through the close examination of cultural artefacts. They problematise the concept of a Western, elitist canon and actively push the geographical boundaries of reception as both a local and a global phenomenon. Individually and cumulatively, they actively engage with the question of how to marshal the classical past in our efforts to respond to the challenges of our mutable contemporary world.
407 kr
Skickas inom 5-8 vardagar
Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text.Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
Wisdom from Rome
Reading Roman Society and European Education in the Distichs of Cato
Inbunden, Engelska, 2022
1 703 kr
Skickas inom 5-8 vardagar
For about one thousand years, the Distichs of Cato were the first Latin text of every student across Europe and latterly the New World. Chaucer, Cervantes, and Shakespeare assumed their audiences knew them well—and they almost certainly did. Yet most Classicists today have either never heard of them or mistakenly attribute them to Cato the Elder. The Distichs are a collection of approximately 150 two-line maxims in hexameters that offer instructions about or reflections on topics such as friendship, money, reputation, justice, and self-control. Wisdom from Rome argues that Classicists (and others) should read the Distichs: they provide important insights into the ancient Roman literate masses’ conceptions of society and their views of relationships between the individual, family, community, and state. Newly dated to the first century CE, they are an important addition and often corrective to more familiar contemporary texts that treat the same topics. Moreover, as the field of Classics increasingly acknowledges the intellectual importance of exploring the reception of Classical texts, an introduction to one of the most widely read ancient texts for many centuries is timely and important.
362 kr
Skickas inom 5-8 vardagar
The distinction between ancient and modern modes of historical thought is characterized by the growing complexity of the discipline of history in modernity. Consequently, the epistemological and methodological standard of ancient historiography is typically held as inferior against the modern ideal. This book serves to address this apparent deficit. Its scope is three-fold. Firstly, it aims at encountering ancient modes of historical and historiographical thought within the province of their own horizon. Secondly, this book considers the possibility of a dialogue between ancient and modern philosophies of history concerning the influence of ancient historical thought on the development of modern philosophy of history and the utility of modern philosophy of history in the interpretation of ancient historiography. Thirdly, this book explores the continuities and discontinuities in historical method and thought from antiquity to modernity. Ultimately, this volume demonstrates the necessity of re-evaluating our assumptions about the relation of ancient and modern historical thought and lays the groundwork for a more fruitful dialogue in the future.
Tools, Techniques, and Technologies
Essays on Ancient Science and its Reception in Honour of Liba Taub
Inbunden, Engelska, 2025
2 312 kr
Skickas inom 3-6 vardagar
Ancient scholars deployed innovative tools and techniques, both material (e.g., sundials and astrolabes) and literary or rhetorical, to interrogate and communicate knowledge of the natural world in fields such as astronomy, botany, medicine. Exploring these tools and techniques of ancient science as well as their legacies, this volume brings together scholarship from diverse subjects and periods to celebrate the eminent historian of science Liba Taub, Professor of History and Philosophy of Science at the University of Cambridge and Director and Curator of the Whipple Museum of the History of Science. Building on Liba Taub’s diverse interests in ancient science and mathematics as well as scientific instruments and genres, the papers in this volume explore the ways in which practitioners in the ancient world utilised diverse strategies, techniques, and technologies to develop natural knowledge and procure authority, contributing to the legacies of ancient science into the modern world. With its attention to both abstract historiographical concepts and concrete examples of tools and techniques, this volume will appeal to those interested in the cultural transmission of ideas – across time, space, and genre.
Del 6 - Trends in Classics – Pathways of Reception
Hellenizing Muse
A European Anthology of Poetry in Ancient Greek from the Renaissance to the Present
Häftad, Engelska, 2023
441 kr
Skickas inom 3-6 vardagar
Traditionally, the history of Ancient Greek literature ends with Antiquity: after the fall of Rome, the literary works in ancient Greek generally belong to the domain of the Byzantine Empire. However, after the Byzantine refugees restored the knowledge of Ancient Greek in the west during the early humanistic period (15th century), Italian scholars (and later their French, German, Spanish colleagues) started to use Greek, a purely literary language that no one spoke, for their own texts and poems. This habit persisted with various ups and downs throughout the centuries, according to the development of Greek studies in each country. The aim of this anthology - the first one of this kind - is to give a selective overview of this kind of humanistic poetry in Ancient Greek, embracing all major regions of Europe and trying to concentrate on remarkable pieces of important poets. The ultimate goal of the book is to shed light on an important and so far mostly neglected aspect of the European heritage.
Del 8 - Trends in Classics – Pathways of Reception
Wisdom from Rome
Reading Roman Society and European Education in the Distichs of Cato
Häftad, Engelska, 2024
287 kr
Skickas inom 3-6 vardagar
For about one thousand years, the Distichs of Cato were the first Latin text of every student across Europe and latterly the New World. Chaucer, Cervantes, and Shakespeare assumed their audiences knew them well—and they almost certainly did. Yet most Classicists today have either never heard of them or mistakenly attribute them to Cato the Elder. The Distichs are a collection of approximately 150 two-line maxims in hexameters that offer instructions about or reflections on topics such as friendship, money, reputation, justice, and self-control. Wisdom from Rome argues that Classicists (and others) should read the Distichs: they provide important insights into the ancient Roman literate masses’ conceptions of society and their views of relationships between the individual, family, community, and state. Newly dated to the first century CE, they are an important addition and often corrective to more familiar contemporary texts that treat the same topics. Moreover, as the field of Classics increasingly acknowledges the intellectual importance of exploring the reception of Classical texts, an introduction to one of the most widely read ancient texts for many centuries is timely and important.
Del 5 - Trends in Classics – Pathways of Reception
Translating Ancient Greek Drama in Early Modern Europe
Theory and Practice (15th–16th Centuries)
Häftad, Engelska, 2024
263 kr
Skickas inom 3-6 vardagar
The volume brings together contributions on 15th and 16th century translation throughout Europe (in particular Italy, France, Spain, Portugal, Germany, and England).Whilst studies of the reception of ancient Greek drama in this period have generally focused on one national tradition, this book widens the geographical and linguistic scope so as to approach it as a European phenomenon. Latin translations are particularly emblematic of this broader scope: translators from all over Europe latinised Greek drama and, as they did so, developed networks of translators and practices of translation that could transcend national borders. The chapters collected here demonstrate that translation theory and practice did not develop in national isolation, but were part of a larger European phenomenon, nourished by common references to Biblical and Greco-Roman antiquities, and honed by common religious and scholarly controversies. In addition to situating these texts in the wider context of the reception of Greek drama in the early modern period, this volume opens avenues for theoretical debate about translation practices and discourses on translation, and on how they map on to twenty-first-century terminology.
2 026 kr
Skickas inom 5-8 vardagar
This book traces lineages of intertextuality and reception between Latin poets of the first century BC with prose authors of the second century BC and their later reception in English literature. The authors of each chapter explore how writers like Catullus or Vergil, Horace or Apuleius engage intertextually with each other and are themselves subject to the reception of later periods. Recurring strands like a focus on philosophy (notably Epicureanism) and history (notably Roman history and gender politics) can be traced into more modern periods, where authors as distinctive as Alexander Pope, Italian fascists or queer adaptors of Latin poetry continue to explore the same challenges as their Roman ancestors by returning again and again to these ancient texts and similar themes of reception. Its readers will be able to track recurring themes through Latin authors who read their predecessors and are themselves objects of reception from antiquity to the modern world. While each chapter is a standalone study of a specific Latin author, the book showcases the shapes and forms in which reception can be studied, ranging from close intertextual readings and learned allusions to playful creative engagements with and homages to these Roman authors.
- Nyhet
1 882 kr
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Since ancient times, land has had a defining influence on human culture, from the political and the social to the agricultural, the metaphysical and the creative. In both Augustan Rome and contemporary Southern Africa, the land question is ever present in the art and literature which engage with the issues of the day. Throughout Vergil’s oeuvre land ownership and occupation rights, but also care and love for the land and the question of belonging permeate his poetry. This collection considers all things Vergil and land, whether this relates to soil, geography or politics, and takes a variety of approaches – from ecocriticism, philosophy, nation-state theory, to translation and reception – but always with an eye on the contemporary world and the challenges faced both in Southern Africa and in the world at large at a time when conversations about land, environment and sustainability have never been more central.
1 540 kr
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Giraldi, in his trend-setting tragedy, Orbecche, first produced in 1541, sought to create a stage-worthy play while honouring the conventions of Seneca and well as the principles of Aristotle and Horace. Yet he found himself defending his choices in his Discorso through novel interpretations of these authorities to accommodate the needs of “modern” audiences. He modified the medieval inclination to concentrate solely upon the moralizing fall of tyrants through Fortuna's dark forces by introducing a victimized heroine seeking her own domestic tranquillity in a secret marriage, thereby drawing the wrath of a tyrant to express his rage upon his own daughter. Hence, the play becomes a domestic tragedy that exchanges political horrors for household violence. In the process, Giraldi considers his options concerning the character of his heroine and the ambiguity of her choices, while preferring a more intimate employment of the chorus, and a less ornamented rhetorical style. Even so, his play falls short of the increased action on stage promised in his Discorso, still relying on language in the place of visible action, the legacy of the Senecan style. Nevertheless, the play becomes a model for all such stage worthy revenge tragedy in the Renaissance, as well as a workshop for dispute among academicians. The Introduction exposes in brief these many historical impingements upon Giraldi from Seneca’s practices, Aristotle's descriptive “prescriptions,” and Horace’s sense of moral utility to the needs of the court audiences in Ferrara for which the play was written.Meanwhile, as a theatrical experience, despite these tick-box conventions, Giraldi builds characters we come to care about, encourages suspense through their moral dilemmas and, in the end, reveals a generic contest between a chieftain father ready to barter his daughter in a marriage of political convenience, and a daughter determined to exercise her right to choose for love—a combat arguably embedded in the genes and as “archetypal” as any theme can be.