Writing Wales in English – serie
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39 produkter
39 produkter
130 kr
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This volume offers a section of the most important essays published by Emyr Humphreys over a 30-year period. The essays are prefaced by a series of discusssions which explore some of the intellectual concerns and motifs that have recurred throughout Humphreys' work.
110 kr
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A Hundred Years of Fiction is the first in-depth exploration and analysis of the Anglophone fiction of Wales in the twentieth century. It covers the major periods, genres and authors, from Allen Raine to Christopher Meredith. Stephen Knight considers Welsh fiction from a sociocultural viewpoint, relating the authors and texts to the determining forces of their period and contexts, such as economy, politics, religion, gender issues, concepts of Welsh identity and the varying pressures of a colonial situation. He uses the techniques of modern post-colonial (and colonial) criticism, paying special attention to the role of Welsh-language culture in the formation of the authors and their texts. Beginning with early responses to colonialism, the book then moves on to map Wales's varying representations of the politics of industry, as well as the ways in which Welsh writing in English responded to the metropolitan influence of modernism. In the latter half of the century, the question of women's writing in Wales has become increasingly important, and is examined in detail, as is the decline of industry and the concurrent rise of a postmodern Anglophone literature. A Hundred Years of Fiction will be essential reading for anyone interested in the multiple articulations of Welsh identity and culture in twentieth-century English-language fictions of Wales.
93 kr
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The writing of good autobiography requires an encounter with oneself that can involve the need to wrestle with potent elements from one's past. This work on 20th-century Welsh autobiography in English traces the psychological influences which have shaped the consciousness and world views of seven authors, all by birth, or by adoption, Welsh
130 kr
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Postcolonialism Revisited is a ground-breaking book, the first to explore and analyse Anglophone Welsh writing, both literary and otherwise, in the context of contemporary thinking about colonial and post-colonial cultures. Kirsti Bohata considers how far the paradigms of postcolonial theory may be usefully adopted and adapted to provide an illuminating exploration of Welsh writing in English, while simultaneously considering the challenges that such writing might offer to the field of postcolonial theory. In addition to dealing with a range of theorists in the field, including Frantz Fanon, Albert Memmi, Charlotte Williams and Homi Bhabha, the book looks at how Wales has been constructed as a colonized nation in nineteenth- and twentieth-century writing. Themed chapters include the treatment of place in English- and Welsh-language writing of the 1950s and 1960s; hybridity and assimilation; the position of the Welsh as 'outsiders inside'; the women's movement in Wales during the fin de siecle; and postcolonial understanding of linguistic power struggles. A variety of forgotten writers have been unearthed in this study and are considered alongside more famous names such as R. Thomas, Margiad Evans, Arthur Machen, Christopher Meredith and Rhys Davies. Written in an accessible style, Postcolonialism Revisited will be required reading for those involved in the study of Welsh writing in English.
Modernism from the Margins
The 1930's Poetry of Louis MacNeice and Dylan Thomas
Häftad, Engelska, 2007
124 kr
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"Modernism from the Margins" is an accessible and challenging account of the 1930s writing of two of the most popular authors of the time. Locating the work of Louis MacNeice and Dylan Thomas historically, the book questions standard accounts of the period as Auden-dominated and offers an inclusive and theoretical account of the engagement of both writers with the varieties of Modernism. It is the first reading at length of either MacNeice's or Thomas's work in the light of literary theory, and one of only a handful of texts to look at the writing of the 1930s in these terms. This book is an important contribution to contemporary discussions of both of these writers, and of the general issues of modernism, postmodernism, literary identity, and cultural identity it raises.
226 kr
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Williams analyses and compares the ways in which African Americans and the Welsh have defined themselves as minorities within larger nation states (the UK and US). The study is grounded in examples of actual friendships and cultural exchanges between African Americans and the Welsh, such as Paul Robeson's connections with the socialists of the Welsh mining communities, and novelist Ralph Ellison's stories about his experiences as a GI stationed in wartime Swansea. This wide ranging book draws on literary, historical, visual and musical sources to open up new avenues of research in Welsh and African American studies.
93 kr
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Presents a comparative study of fiction by late twentieth and twenty-first century women writers from Ireland, Northern Ireland and Wales. This work is of interest to students interested in women's studies, gender studies, and cultural studies as well as Welsh, Irish and Celtic studies.
174 kr
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Examines Welsh writing in English in the context of critical debates concerning the rise of cultural nationalism and the 'invention' of Great Britain as a nation in the eighteenth century. This study investigates the ways in which Anglophone literature from and about Wales imagines the nation and its culture in a range of genres
130 kr
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Welsh Environments in Contemporary Poetry' examines the question of how recent English-language poetry from Wales has responded to the diverse physical environments of Wales. The first volume to offer a sustained assessment of Welsh poetry in English within the context of recent developments in environmental literary criticism, this book also draws on aspects of human geography to explore the rich contemporary poetics of Welsh space and place. Opening with an examination of poets from the 1960s as well as the early work of R.S. Thomas, 'Welsh Environments in Contemporary Poetry' subsequently concentrates on the poetry of writers who have come to prominence since the 1970s: Gillian Clarke, Ruth Bidgood, Robert Minhinnick, Mike Jenkins, Christine Evans, and Ian Davidson.Close reading of key texts reveals the way in which these writers variously create Welsh places, landscapes, and environments - fashioning rural and urban spaces into poetic geographies that are both abundantly physical and inescapably cultural. Far from reducing Wales to mere scenery, the poetry that emerges from this book engages with the environments of Wales, not just for their own sake, but as a crucial way of exploring key issues in Welsh culture - from the negotiation of female identity in a land of masculine myths to the exploration of Welsh space in a global context.
166 kr
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An introduction to the work of one of Wales's leading writers, highlighting his importance to contemporary critical and cultural agendas such as issues of identity, nation, environment and religious conflict.
166 kr
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This book is an examination of the novels of Emyr Humphreys in the light of his ideas on Wales: Welsh history, Welsh culture and the importance of a separate Welsh identity. It explores Humphreys' practice in the light both of his own theories of culture and fiction and of a variety of models derived from postcolonial theory. Its main conclusions are that there are two particular techniques, the use of Welsh history and of Celtic myth, that have proved particularly central to Humphreys' purposes throughout his career. These have consistently been the principal ways in which he foregrounds for the reader both what it means to be Welsh and the importance, for the nation, of maintaining an understanding of its heritage. And both these key strategies of his fiction should, it is argued, be read as typical postcolonial devices.
191 kr
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Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.
243 kr
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Edward Thomas: The Origins of his Poetry builds a new theoretical framework for critical work on imaginative composition through an investigation of Edward Thomas's composing processes, on material from his letters, his poems and his prose books. It looks at his relation to the land and landscape and includes detailed and illuminating new readings of his poems and close study of many of his hitherto relatively neglected prose works. It traces new and surprising connections between Thomas's approach to composition and the writing and thought of Freud, Woolf and William James, and introduces the significant influence of Japanese aesthetics on Thomas. Analysis of his drafts, layout and typographic and handwritten habits also illumine both his completed poetry and his approach to composition. The sustained study of some of Thomas's voluminous correspondence with fellow poets and writers helps also to provide an epistolary reading of his work. The result is not only an ambitious, detailed original consideration of Thomas as writer of poetry and prose but also a surprising and far-reaching analysis of poetic composition with wide-reaching implications for early twentieth-century aesthetic theory, and the limits or the conditions of the sayable, and, through the subtle use of epigraphs from a wide-range of differing sources, the location of the specific readings of Thomas in a much wider intellectual context .
781 kr
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In R.S. Thomas: A Stylistic Biography, Daniel Westover traces Thomas's poetic development over six decades, demonstrating how the complex interior of the poet manifests itself in the continually shifting style of his poems.
218 kr
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Wales has a long history of interest in Palestine and Israel, and a close interest in Jews and Zionism. This monograph, the first to explore the subject, asks searching questions about the relationship that Wales has with the Israel-Palestine situation. Surveying Welsh missionary writing, fictional imaging of Jews, and the political use of Palestine and Israel, it challenges received wisdom about Welsh tolerance and liberalism, and identifies a complex and unique relationship. Whose People? Wales, Israel, Palestine makes an important contribution to international Jewish studies, to the study of British colonial involvement in Palestine, and to Welsh and Jewish literary and cultural history.)
Edward Thomas and World Literary Studies
Wales, Anglocentrism and English Literature
Häftad, Engelska, 2013
404 kr
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Edward Thomas and World Literary Studies offers a revelatory re-reading of Edward Thomas. Adapting Pascale Casanova's vision of 'world literature' as a system of competing national traditions, this study analyses Thomas's appropriation of Anglocentric British literary culture at key moments of historical crisis in the twentieth century: after the First World War, either side of the Second World War, and with the resumption of war in Ireland in the 1970s. It shows how the dominant assumptions underpinning the discipline of English Literature marginalise the Welshness of Thomas's work, before combining this revised 'world literature' model with fresh archival research to reveal how Thomas's reading of Welsh culture - its barddas, folk and literary traditions - is central both to his creation of an innovative body of poetry and to his extensive, and relatively neglected, prose. This study is groundbreaking in its contribution to recent debates about devolution and independence for Britain's constituent nations.
150 kr
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After Raymond Williams: Cultural Materialism and the Break-Up of Britain has two broad aims. The first is to re-examine the concept of cultural materialism, the term used by Raymond Williams to describe his theory of how writing and other cultural forms relate to general social and historical processes. Using this theory, the second objective is to explore the material ways in which contemporary British writing participates in one particular political process - that of the break-up of Britain. The general trajectory of the book is a matter of superseding Williams: the early chapters are devoted to extrapolating Williams's materialist theory of cultural forms, while later chapters are concerned with applying this theoretical material to a series of readings of books and films produced in the years since his death in 1988. This volume provides a detailed account of some of the writing produced in Scotland and Wales in the years surrounding political devolution, and also considers the ways in which different subcultural communities use fiction to renegotiate their relationships with the British whole.
138 kr
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This book introduces the reader to the work of the neglected Welsh dramatist J.O. Francis, a major figure in the amateur dramatic circles in Wales in the early 20th century. The book argues that Francis's work displays a particular ethical response to Wales, which aims for a realistic depiction of the nation without subscribing to widely available stereotypes. Francis's work has been foundational for drama-writing in the 20th and the 21st century and is here for the first time analysed in its context of Welsh amateur drama.
243 kr
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Throughout the history of Thomas’s critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet’s schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas’s early poetry can be articulated without reductive simplification.
548 kr
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Throughout the history of Thomas’s critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet’s schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas’s early poetry can be articulated without reductive simplification.
583 kr
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In Wales Unchained Daniel G. Williams explores how Welsh writers, politicians and intellectuals have defined themselves – and have been defined by others – since the early twentieth century. Whether by exploring ideas of race in the 1930s or reflecting on the metaphoric uses of boxing, asking what it means to inhabit the ‘American century’ or probing the linguistic bases of cultural identity, Williams writes with a rare blend of theoretical sophistication and accessible clarity. This book discusses Rhys Davies in relation to D. H. Lawrence, explores the simultaneous impact that Dylan Thomas and saxophonist Charlie Parker had on the Beat Generation in 1950s America, and juxtaposes the uses made of class and ethnicity in the thought of Aneurin Bevan and Paul Robeson. Transatlantic in scope and comparative in method, this book will engage readers interested in literature, politics, history and contemporary cultural debate.
261 kr
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In Wales Unchained Daniel G. Williams explores how Welsh writers, politicians and intellectuals have defined themselves – and have been defined by others – since the early twentieth century. Whether by exploring ideas of race in the 1930s or reflecting on the metaphoric uses of boxing, asking what it means to inhabit the ‘American century’ or probing the linguistic bases of cultural identity, Williams writes with a rare blend of theoretical sophistication and accessible clarity. This book discusses Rhys Davies in relation to D. H. Lawrence, explores the simultaneous impact that Dylan Thomas and saxophonist Charlie Parker had on the Beat Generation in 1950s America, and juxtaposes the uses made of class and ethnicity in the thought of Aneurin Bevan and Paul Robeson. Transatlantic in scope and comparative in method, this book will engage readers interested in literature, politics, history and contemporary cultural debate.
628 kr
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Certain simple and stereotypical images of Wales strike an immediate chord with the public, both in Wales itself and beyond its borders. For much of the twentieth century, the country was thought of as ‘The Valleys’, a land of miners and choirs and rugby clubs. This image of a ‘Proletarian Wales’ (with its attendant Socialist politics) dominated popular imagination, just as the image of ‘Nonconformist Wales’ – a Wales of chapels and of a grimly puritan society – had gripped the imagination of the High Victorian era. But what of the Wales of the late Victorian and Edwardian decades? What image of Wales prevailed at that time of revolutionary social, economic, cultural, religious and political change? This book argues that several competing images of Welshness were put in circulation during that time, and proceeds to examine several of the most influential of these as they took the form of literary texts.
150 kr
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Certain simple and stereotypical images of Wales strike an immediate chord with the public, both in Wales itself and beyond its borders. For much of the twentieth century, the country was thought of as ‘The Valleys’, a land of miners and choirs and rugby clubs. This image of a ‘Proletarian Wales’ (with its attendant Socialist politics) dominated popular imagination, just as the image of ‘Nonconformist Wales’ – a Wales of chapels and of a grimly puritan society – had gripped the imagination of the High Victorian era. But what of the Wales of the late Victorian and Edwardian decades? What image of Wales prevailed at that time of revolutionary social, economic, cultural, religious and political change? This book argues that several competing images of Welshness were put in circulation during that time, and proceeds to examine several of the most influential of these as they took the form of literary texts.
628 kr
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R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the ‘absent God’, his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the ‘new physics’, and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the ‘classic’ Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas’s great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.
482 kr
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Between Wales and England is an exploration of eighteenth-century anglophone Welsh writing by authors for whom English-language literature was mostly a secondary concern. In its process, the work interrogates these authors’ views on the newly-emerging sense of ‘Britishness’, finding them in many cases to be more nuanced and less resistant than has generally been considered. It looks primarily at the English-language works of Lewis Morris, Evan Evans, and Edward Williams (Iolo Morganwg) in the context of both their Welsh- and English-language influences and time spent travelling between the two countries, considering how these authors responded to and reimagined the new national identity through their poetry and prose.
1 163 kr
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Wales may be small, but culturally it is richly varied. The aim in this collection of essays on a number of English-language authors from Wales is to offer a sample of the country’s internal diversity. To that end, the author’s examined range – from the exotic Lynette Roberts (Argentinean by birth, but of Welsh descent) and the English-born Peggy Ann Whistler who opted for new, Welsh identity as ‘Margiad Evans’, to Nigel Heseltine, whose bizarre stories of the antics of the decaying squierarchy of the Welsh border country remain largely unknown, and the Utah-based poet Leslie Norris, who brings out the bicultural character of Wales in his Welsh-English translations. The result is a portrait of Wales as a ‘micro-cosmopolitan country’, and the volume is prefaced with an autobiographical essay by one of the leading specialists in the field, authoritatively tracing the steady growth over recent decades of serious, informed and sustained study of what is a major achievement of Welsh culture.
681 kr
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Wales may be small, but culturally it is richly varied. The aim in this collection of essays on a number of English-language authors from Wales is to offer a sample of the country’s internal diversity. To that end, the author’s examined range – from the exotic Lynette Roberts (Argentinean by birth, but of Welsh descent) and the English-born Peggy Ann Whistler who opted for new, Welsh identity as ‘Margiad Evans’, to Nigel Heseltine, whose bizarre stories of the antics of the decaying squierarchy of the Welsh border country remain largely unknown, and the Utah-based poet Leslie Norris, who brings out the bicultural character of Wales in his Welsh-English translations. The result is a portrait of Wales as a ‘micro-cosmopolitan country’, and the volume is prefaced with an autobiographical essay by one of the leading specialists in the field, authoritatively tracing the steady growth over recent decades of serious, informed and sustained study of what is a major achievement of Welsh culture.
351 kr
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Until very recently, Welsh literary Modernism has been critically neglected, both within and outside Wales. This is the first book devoted solely to the study of Welsh literary Modernism, revealing and examining eight key Anglophone Welsh writers. Laura Wainwright demonstrates how their linguistic experimentation constituted an engagement with the unprecedented linguistic, social and cultural changes that were the making of modern Wales, and formed the crucible for the emergence of a distinct Welsh Modernism. This study of Welsh Modernism challenges conventional literary histories and, in more than one sense, takes Modernism and Modernist studies into new territories.
1 316 kr
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This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.