Matsuo Basho – författare

'It was with aweThat I beheldFresh leaves, green leaves,Bright in the sun'When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture his vision of eternity in the transient world around him.Translated with an Introduction by Nobuyuki Yuasa

Haiku-dikter tillsammans med bilder kallas enligt den japanska traditionen för ”Haiga”. Dikterna i Haikumagasinet är skrivna av både japanska mästare – som levde för flera hundra år sedan – och samtida poeter. Dikterna tolkas fritt till bilder av konstnärer, professionella tecknare, studenter och de som målar vid sidan om.

MEDARBETARE

Poeter Bo Ranman Birk Andersson Matsuo Basho Bengt O Björklund Yosa Buson Fukuda Chiyo-ni Michael Economou Eric Fylkeson Kobayashi Issa Hajime Kawakimi Jack Kerouac Christer Nilsson Otomo No Oemaru Kerstin Park Dag Persson Beatriz Quevedo de Hansen Håkan Sandell Masaoka Shiki Nagai Tatsuo Yasuhara Teishitsu Teresa Wennberg Illustratör Jonas Amnerå Anders Blomdahl Lousiana Chin Cheung Dan Faleh Irja Hulterström Ellen Kroon Isabella Karlsson Anna Landgren Joakim Larsson Wilda Levhed Michaela Linderoth Ulf Lundkvist Sara Lundstedt Martin Medin Santaro Sobun Takawaki Kathleen Tandrup Anna Wiik Formgivare Sara Lundstedt

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Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

In his perfectly crafted haiku poems, Basho described the natural world with great simplicity and delicacy of feeling. When he composed The Narrow Road to the Deep North he was a serious student of Zen Buddhism setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He wrote of the seasons changing, of the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These travel writings not only chronicle Basho's perilous journeys through Japan, but also capture his vision of eternity in the transient world around him.

A wonderful new translation of the poetry of Basho—Zen monk, poet of nature, and master of the haiku form.2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world.David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.

A wonderful new translation of the poetry of Basho—Zen monk, poet of nature, and master of the haiku form.2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world.David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.

Offers the most comprehensive collection of Basho's prose available, beautifully translated into English.In Bashō's Journey, David Landis Barnhill provides the definitive translation of Matsuo Bashō's literary prose, as well as a companion piece to his previous translation, Bashō's Haiku. One of the world's greatest nature writers, Bashō (1644–1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Bashō's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Bashō was the first master of haibun, short poetic prose sketches that usually included haiku.As he did in Bashō's Haiku, Barnhill arranges the work chronologically in order to show Bashō's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Bashō's prose and discusses the significance of nature in this literary form, while also noting Bashō's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.

Offers the most comprehensive collection of Basho's prose available, beautifully translated into English.In Bashō's Journey, David Landis Barnhill provides the definitive translation of Matsuo Bashō's literary prose, as well as a companion piece to his previous translation, Bashō's Haiku. One of the world's greatest nature writers, Bashō (1644–1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Bashō's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Bashō was the first master of haibun, short poetic prose sketches that usually included haiku.As he did in Bashō's Haiku, Barnhill arranges the work chronologically in order to show Bashō's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Bashō's prose and discusses the significance of nature in this literary form, while also noting Bashō's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.

In the spring of 1689, Basho set off from Tokyo on a now-famous pilgrimage: this epic walk, spanning about 1500 miles, took him to the deep north of Honshu, and then back along the island’s western coast and finally down to Lake Biwa. Along his route he encountered friends and fellow travelers, the changing seasons and terrains, renowned sites (temples, waterfalls, landmarks), a few perils, and many enthralling moments of total peace, delight, beauty, and introspection.Basho—Zen Buddhist, ardent walker, master of the haiku—follows the calling of the road, finding incredible joy in his freedom and drinking in brief glimmers of transient perfection.

"The travel writings of Matsuo Bashō are of enormous literary importance, and so it is a joy to see them collected in this compact volume, in translations of exemplary elegance, faithfulness, and accessibility. The annotations are especially valuable: they show a solid grasp of the author’s life, work, and times, and provide rich and detailed background information about allusions to Chinese and Japanese classics. Along with the high quality of the translations themselves, this thorough commentary makes the book a significant scholarly resource and will help readers appreciate the density and delicacy of Bashō’s writing. A very welcome addition to the English-language literature on one of the central poets of the Japanese tradition."—David B. Lurie, Columbia University

"The travel writings of Matsuo Bashō are of enormous literary importance, and so it is a joy to see them collected in this compact volume, in translations of exemplary elegance, faithfulness, and accessibility. The annotations are especially valuable: they show a solid grasp of the author’s life, work, and times, and provide rich and detailed background information about allusions to Chinese and Japanese classics. Along with the high quality of the translations themselves, this thorough commentary makes the book a significant scholarly resource and will help readers appreciate the density and delicacy of Bashō’s writing. A very welcome addition to the English-language literature on one of the central poets of the Japanese tradition."—David B. Lurie, Columbia University

Matsuo Basho (1644-94) is considered Japan's greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. Ostensibly a chronological account of the poet's five-month journey in 1689 into the deep country north and west of the old capital, Edo, the work is in fact artful and carefully sculpted, rich in literary and Zen allusion and filled with great insights and vital rhythms. In Basho's Narrow Road: Spring and Autumn Passages, poet and translator Hiroaki Sato presents the complete work in English and examines the threads of history, geography, philosophy, and literature that are woven into Basho's exposition. He details in particular the extent to which Basho relied on the community of writers with whom he traveled and joined in linked verse (renga) poetry sessions, an example of which, A Farewell Gift to Sora, is included in this volume. In explaining how and why Basho made the literary choices he did, Sato shows how the poet was able to transform his passing observations into words that resonate across time and culture.

I Haikumagasinet #3 har elva aktiva illustratörer bidragit med illustrationer och var och en har sin stil och tolkning av poesin. Poeterna är allt ifrån flera hundra år gamla japanska mästare till nutida svenska poeter med haiku som gemensam nämnare. Med bokens lilla format berör illustrationerna på ett alldeles särskilt sätt. Liksom haikun i sig är haikumagasinet till synes enkelt men öppnar en värld av förnimmelser, tankar och emotioner. Tiden som illustratörerna har ägnat åt att bearbeta diktens korta rader förmedlas till den mottagliga läsaren. Läs mer på www.fripress.se

Haiku-dikter tillsammans med bilder kallas enligt den japanska traditionen för ”Haiga”. Dikterna i Haikumagasinet är skrivna av både japanska mästare som levde för flera hundra år sedan – och samtida poeter. De tolkas fritt till bilder av konstnärer, professionella tecknare, studenter och de som målar vid sidan om.

Haikumagasinet sammanför alltså inte bara text och bild, utan även gammalt och nytt, öst och väst. Det är en unik publikation som för första gången kan publicera Haiga ur ett lekfullt, svenskt och modernt perspektiv.

Läs mer på www.fripress.se