W. W. Norton & Company – förlag

In 2020, Olivia Laing began to restore an eighteenth-century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there's still time? Moving between real and imagined gardens, from Milton's Paradise Lost to John Clare's enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.

But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.

The quest for self-discovery never ends, especially for Harry Haller-better known as the Steppenwolf. After a life spent in self-imposed isolation, Harry meets the mysterious Hermine and becomes captivated by her intoxicating power. Through their nighttime adventures, the Steppenwolf experiences the decadent underbelly of the bourgeois society he always despised. Harry becomes a man divided-lost in a surreal underground world of pleasure and set on a collision course with his innermost desires.

There has never been a translation that fully captures the essence of Hermann Hesse’s own spiritual questioning until now. Kurt Beals restores the original meaning of this hallucinatory German tale in a recognizably modern voice. Beals’s expert introduction traces the impact of The Steppenwolf for readers seeking meaning during the upheaval of world conflicts, the onslaught of new technologies, and life’s uncertainties.

Forty years ago, Israeli psychologists Daniel Kahneman and Amos Tversky wrote a series of breathtakingly original studies undoing our assumptions about the decision-making process. Their papers showed the ways in which the human mind erred, systematically, when forced to make judgments about uncertain situations. Their work created the field of behavioral economics, revolutionized Big Data studies, advanced evidence-based medicine, led to a new approach to government regulation, and made much of Michael Lewis's own work possible. Kahneman and Tversky are more responsible than anybody for the powerful trend to mistrust human intuition and defer to algorithms. The Undoing Project is about the fascinating collaboration between two men who have the dimensions of great literary figures. They became heroes in the university and on the battlefield-both had important careers in the Israeli military-and their research was deeply linked to their extraordinary life experiences. In the process they may well have changed, for good, mankind's view of its own mind.

The Book of Birds is a field guide with a difference: It shows readers not just how to identify birds, but also how to identify with them. Robert Macfarlane and Jackie Morris conjure the unique spirit of nearly fifty once-common species: avocet to yellowhammer, kestrel to kingfisher, skylark to nightingale. In lyrical and incantatory essays, Macfarlane describes each bird's habits and habitats, their patterns of flight and patterns of song, how they hunt or fish or scavenge or gather, how they nest and raise their chicks, the myths that attend them, the threats that shadow them-and how their lives intersect with our own. On every page we encounter Morris's exhilarating artwork, painted from life in watercolor and gold leaf, and animated with an extraordinary attention to detail. The Book of Birds is a love letter to the thrilling variety and mysteries of birdlife, and a clarion call to halt the rapid depletion of our skies.

How dangerous is our diet? How much of sports falls into the realm of luck? When authorities categorize a given event as "highly likely"-how likely is that, really? Whether we're trying to decide if the benefits of a new medication are worth the chance of side effects or if artificial intelligence truly threatens humanity, our lives are riddled with uncertainties both everyday and existential-yet it can be difficult to know how to properly weigh all those unknowns. Luckily for us, renowned statistician David Spiegelhalter has spent his career dissecting data to resolve the apparently random and decode the many decisions we face with imperfect information. In The Art of Uncertainty, he shows how we can become better at dealing with what we don't know to make smarter choices in a world so full of puzzling variables.

In lucid, lively prose, Spiegelhalter guides us through the principles of probability, illustrating how they can help us think more analytically about everything from medical advice to sports to climate change forecasts. He demonstrates how taking a mathematical approach to phenomena we might otherwise attribute to fate or luck can help us sort hidden patterns from mere coincidences, better evaluate cause and effect, and predict what’s likely to happen in the future. Along the way, we learn how a misinterpretation of a probability contributed to the infamous Bay of Pigs fiasco, why a ship twice the size of the Titanic sank without a trace, and why we can be so confident that no two properly shuffled decks of cards have ever been in the same order.

Sparkling with wit and fascinating real-world examples, this is an essential guide to navigating uncertainty while also retaining the humility to admit what we don’t, or simply cannot, know.

For six hundred years, the city of Carthage dominated the western Mediterranean. Founded in the ninth century BCE as a small colonial outpost, by the third, it had grown into the area's largest, richest empire. When, inevitably, it clashed with Rome for supremacy over the region, the conflict spanned over one century, three wars, and forty-three years of active fighting. After Carthage fell at last, the city was razed, and the tale of its defeat became a mere foundation stone in Rome's legend. But in this landmark new history-the first in over a decade-rising-star ancient historian Eve MacDonald restores the story of Carthage and its people to its rightful place in the history of the ancient world, reclaiming a lost culture long overshadowed by Roman mythmaking.

Drawing on brand-new archaeological analysis to uncover the history behind the legend, MacDonald takes readers on a journey from the Phoenician Levant of the early Iron Age to the Atlantic and all along the shores of Africa. She reveals ancient Carthage as a cosmopolitan city not only of extraordinary wealth and brave warriors, but also of staggering beauty and technological sophistication. Home to Hannibal and Dido, to war elephants and vast fleets, at its height Carthage commanded one of the ancient world’s greatest navies and controlled territory spanning the coast of northwestern Africa to modern-day Spain, Sardinia, Sicily, and beyond. In gripping narrative, MacDonald shows how and why the Romans came to so fear Carthage, as one of the few rivals ever to inflict multiple defeats upon them—and what the world lost when it was finally gone.

Reclaimed from the Romans, Carthage is a dramatic tale from the other side of history—revealing that, without Carthage, there would be no Rome, and no modern world as we know it.

As lives offline and online merge even more, it is easy to forget how we got here. Rise of the Machines reclaims the spectacular story of cybernetics, one of the twentieth century's pivotal ideas.

Springing from the mind of mathematician Norbert Wiener amid the devastation of World War II, the cybernetic vision underpinned a host of seductive myths about the future of machines. Cybernetics triggered blissful cults and military gizmos, the Whole Earth Catalog and the air force’s foray into virtual space, as well as crypto-anarchists fighting for internet freedom.

In Rise of the Machines, Thomas Rid draws on unpublished sources—including interviews with hippies, anarchists, sleuths, and spies—to offer an unparalleled perspective into our anxious embrace of technology.

Campbell Flynn, art historian, professor, and feted fixture of the literati, always knew that when his life came crashing down, it would happen in public-yet he never imagined that a single year in London would expose so much.

He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune. Riding on the high of a best-selling biography of Vermeer and fielding more inquiries and requests than he has the time or patience to pursue, Campbell has nevertheless still not managed to shake the question of money. The fact of his quiet loan from a school friend now embroiled in scandal makes the ever-present worry feel even more pressing. His unflappable agent, Atticus; his steadfast wife, Elizabeth; his sister, Moira, crusading parliamentarian for the poor; his well-adjusted, well-off adult children, Angus and Kenzie; and all the outward trappings of success can’t conceal that something in his life is off.

As Campbell becomes increasingly entangled with a brilliant student, convention-smashing and working class, like he used to be, he feels he’s been given a second chance to embrace the change that frightens him, even as he sees trouble brewing for his family and friends. Campbell’s personal quest takes him down darker roads than he could have imagined, and all his worlds—the art scene and academia, fashion and the English aristocracy, journalism and the internet—collide in spectacular fashion, culminating in one shocking night on Caledonian Road.

With the development of the B-29 "Superfortress" in summer 1944, strategic bombing, a central component of the Allied war effort against Germany, arrived in the Pacific theater. In 1945 Japan experienced the three most deadly bombing attacks of the war. The firebombing of Tokyo in March burned the city's most densely populated sector, killed some 85,000 residents, and left more than one million homeless. The attack was part of a months-long campaign of incendiary bombing that destroyed almost two-thirds of Japan's cities. The two atomic blasts in August killed hundreds of thousands in Hiroshima and Nagasaki, most of them civilians. The bombing brought a destabilizing devastation that, combined with a declaration of war by the Soviet Union, induced Japan, as they put it, to terminate the war.

Many at the time and since have credited American air power, and especially the two atomic bombs, with Japan’s surrender. But Richard Overy tells a different, more dimensional story. Drawing on his expertise on the war and its bombing campaigns, he delivers a precise recounting of these aerial attacks, and a balanced, informed assessment of how and why they occurred. Overy is astute on the Allied decision-making, and, notably, integrates the Japanese leadership as well. He ably navigates the dramatic endgame of the war, which featured factional infighting within the Japanese cabinet, a scramble by American officials to formulate an acceptable version of “unconditional surrender,” and the crucial role played by the emperor, Hirohito. The atomic bombing emerges as impactful but not decisive in this rich, multilayered history

As Marilynne Robinson writes in her 1980 novel, Housekeeping, "Having a sister or friend is like sitting at night in a lighted house." Bringing together work by more than 100 writers, The Book of Women's Friendship explores the rich subject of friendship between women from every angle: its particular intensity and miraculous ease, its tendency to wax and wane, its role not only as a comfort and a privilege, but as vital to our health.

Friendship has never been more highly debated, and loneliness more prevalent. Yet women’s friendships have repeatedly been neglected or minimized in storytelling, fallen by the wayside of male relationships. In the first major anthology dedicated to women’s friendship—and the first serious anthology about friendship published in more than three decades—editor Rachel Cooke looks to art to find the words to capture women’s platonic love. Compiling selections from novels, poems, diaries, letters, comics, and graphic novels about women’s friendship, she places work from a diverse array of artists in conversation across time and place.

With excerpts from Jane Austen to Edith Wharton and Virginia Woolf, from Dolly Alderton to Sarah Waters, and from Zadie Smith to Meg Wolitzer, The Book of Women’s Friendship celebrates and investigates friendship between women, from first encounters to final farewells, from falling out to making up again. This book takes the shape of a human life, beginning with early efforts at friend-making and -breaking in childhood to chance collisions in adulthood. It contemplates (though not for too long) the flip side of friendship, which is not enmity, but loneliness; celebrates solidarity in all its guises; and ends with loss, the moment of goodbye.

Warm, clever, and full of some of the most beautiful writing on friendship ever published, The Book of Women’s Friendship is also an act of friendship itself, dedicated to Cooke’s best friend, in the end becoming a book full of all the lovely, impossible, unsayable things that one friend might be moved to give to another.

The Intelligence Trap explores cutting-edge ideas in our understanding of intelligence and expertise, including "motivated reasoning," "meta-forgetfulness," and "functional stupidity." David Robson reveals the surprising ways that even the brightest minds and most talented organizations can go wrong?from some of Thomas Edison's worst ideas to failures at NASA-while offering practical advice to avoid mistakes based on the timeless lessons of Benjamin Franklin, Richard Feynman, and Daniel Kahneman.

On a sunny Friday morning in August 1945, a handful of people raised a homemade cotton flag and, on behalf of 68 million compatriots, announced the birth of a new nation. With the fourth largest population in the world, inhabiting islands that span an eighth of the globe, Indonesia became the first country to rid itself of colonial rule after World War II.

In this vivid history, renowned scholar and celebrated author of Congo David Van Reybrouck captures a period of extraordinary tumult and chaos to tell the story of Indonesia’s momentous revolution, known as the “Revolusi.” Encompassing several hundred years of history, he details the formation of the Dutch East Indies, the Japanese invasion that followed, and the young rebels who engaged in armed resistance once the occupation ended. British and Dutch troops were sent to restore order and keep peace, but instead ignited the first modern war of decolonization. America, too, became embroiled with the Indonesians’ fierce struggle for freedom. That struggle inspired independence movements in Asia, Africa, and the Arab world, especially in the wake of Indonesia’s monumental 1955 Bandung Conference, the first global conference without the West. The whole world had become involved in Revolusi, and the whole world was changed by it.

Drawing on hundreds of interviews and eyewitness testimonies, David Van Reybrouck turns this vast and complex story into an utterly gripping narrative, written with remarkable historical clarity and filled with tragedy and passion. A landmark history, Revolusi cements Indonesia’s struggle for independence as one of the defining dramas of the twentieth century and entirely reframes our understanding of post-colonialism.