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Absolutely gripping from start to finish… a really stunning book.—Victoria HislopTies is the story of a marriage. Like many marriages, this one has been subject to strain, to attrition, to the burden of routine. Yet it has survived intact. Or so things appear. The rupture in Vanda and Aldo's marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. Their marriage is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact.Domenico Starnone's thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one's actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy's most prestigious literary award The Strega.

Beguiling"—The Guardian"Remarkable"—The New York Times"Gorgeous"—The Financial TimesWINNER2019 Albertine Prize2019 Lambda Literary AwardPrix du StylePrix de la Porte Dorée 2016 Lire Best Debut Novel Le Prix du Roman NewsKimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this spellbinding novel.

A moving and intimate account of survival, resilience, and reconstruction.Paris. January 7, 2015, two terrorists attacked the satirical weekly Charlie Hebdo. Philippe Lançon, seriously wounded, was among the survivors. This intense life experience upends his relationship to the world, to writing, to reading, to love and to friendship. It took him a year before he could return to writing, a year of frequent reconstructive surgeries, to work through his experiences and their aftermath. As he attempts to reconstruct his life on the page, Lançon rereads Proust, Thomas Mann, Kafka, and others in search of guidance and healing. Disturbance is not an essay on terrorism nor is it a witness’s account of Charlie Hebdo, and it’s certainly not a “feel good book.” The attack and what followed make up a small portion of Lançon’s narrative, which instead seeks to provide the most honest and intimate reproduction possible of the interior experience of a man who was a victim, who suffered a “war wound” in a country “at peace.” Disturbance is a book about transformation, about one man’s shifting relationship to time, to truth, and to his own body.

18M copies of Elena Ferrante's books sold worldwide“This is my last column, after a year that has scared and inspired me.”With these words, Elena Ferrante, the bestselling author of My Brilliant Friend, bid farewell to her year-long collaboration with the Guardian. For a full year she penned short pieces, the subjects of which were suggested by editors at the Guardian, turning the writing process into a kind of prolonged interlocution; the subjects ranged from first love to climate change, from enmity among women to the adaptation of her novels to film and TV. As she said in her final column: “I have written as an author of novels, taking on matters that are important to me and that—if I have the will and the time—I’d like to develop within real narrative mechanisms.”Here, then, are the seeds of possible future novels, the ruminations of an internationally beloved author, and the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (The New York Times). Gathered together for the first time and accompanied by an entirely new introduction written by Elena Ferrante and by Andrea Ucini’s intelligent, witty, and beautiful illustrations, this is a must for all Ferrante fans.

Beguiling"—The Guardian"Remarkable"—The New York Times"Gorgeous"—The Financial TimesWINNER2019 Albertine Prize2019 Lambda Literary AwardPrix du StylePrix de la Porte Dorée 2016 Lire Best Debut Novel Le Prix du Roman NewsKimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this spellbinding novel.

SHORTLISTED: THE DUBLIN LITERARY AWARDLONGLISTED: WOMENS' PRIZE FOR FICTION 2022A NOVEL OF DEVASTATING BEAUTY SET IN BUCHENWALD DURING THE SECOND WORLD WAR"A powerful and disturbing study in terrible lies and the human need to believe them." ANNIE PROULXMoving away from their lovely apartment in Munich isn’t nearly as wrenching an experience for Frau Greta Hahn as she had feared. Their new home is even lovelier than the one they left behind and life in Buchenwald would appear to be idyllic. Lying just beyond the forest that surrounds them is the looming presence of a work camp. Frau Hahn’s husband, SS Sturmbannführer Dietrich Hahn, has been assigned as the camp’s administrator.When Frau Hahn’s poor health leads her into an unlikely and poignant friendship with one of Buchenwald’s prisoners, Dr Lenard Weber, her naïve ignorance about what is going on so nearby is challenged. A decade earlier, Dr Weber had invented a machine believed that its subtle resonances might cure cancer. But does it really work? One way or another, it might save a life.A tour de force about the evils of obliviousness, Remote Sympathy compels us to question our continuing and wilful ability to look the other way in a world that is in thrall to the idea that everything–even facts and morals–is relative.

WINNER of the French Voices Grand Prize, Prix Ahmadou Kourouma, and Grand Prix du Roman MétisMohamed Mbougar Sarr’s searing and thought-provoking debut novel, Brotherhood takes place in the imaginary town of Kalep, where a fundamentalist Islamist government has spread its brutal authority.Under the regime of the so-called Brotherhood, two young people are publicly executed for having loved each other. In response, their mothers begin a secret correspondence, their only outlet for the grief they share and each woman’s personal reckoning with a leadership that would take her beloved child’s life.At the same time, spurred on by their indignation at what seems to be an escalation of The Brotherhood’s brutality, a band of intellectuals and free-thinkers seeks to awaken the conscience of the cowed populace and foment rebellion by publishing an underground newspaper. While they grapple with the implications of what they have done, the regime’s brutal leader begins a personal crusade to find the responsible parties, and bring them to his own sense of justice. In this brilliant analysis of tyranny and brutality, Mbougar Sarr explores the ways in which resistance and heroism can often give way to cowardice, all while giving voice to the moral ambiguities and personal struggles involved in each of his characters’ search to impose the values they hold most dear.

Daniele is a young poet plagued by an unknown darkness, “an invisible disease of the heart, or of the mind.” He refuses to conform to society’s expectations—finding a job, starting a family—yet he struggles to define a path of his own and find a sense of purpose in life.In a desperate attempt to pull himself out of a dangerous spiral of emptiness and self-destruction, Daniele accepts a job at a paediatric hospital in Rome, the Bambino Gesù, where he’ll work with sick children, many of them terminally ill. In the “house of gazes,” that is, the hospital, through his interactions with patients and co-workers, and forced to confront pain in some of its most heartbreaking forms, Daniele will slowly start to look at life with new eyes and learn to accept it in all its brutality and beauty.Writing with the evocative power and sharp focus of a poet, Mencarelli tells a raw and moving story of self-discovery, renewal, and liberation achieved through solidarity and compassion, a story closely inspired by the events of his own life.

LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2024“Starnone uses languages the way a great painter works with colour, conjuring the illusion of three dimensions from a blank flat surface.” —Jhumpa Lahiri “One of Italy’s most accomplished novelists.” —The Guardian “Masterly.” —Times Literary Supplement The modest apartment on Via Gemito smells of paint and white spirit. The furniture is pushed up against the wall to create a make-shift studio, and drying canvases must be moved off the beds each night.Federì, a railway clerk, is convinced that, if he didn’t have a family to feed, he’d be a world-famous painter. Talented, ambitious, and frustrated, his life is marked by bitter disappointment. His long-suffering wife and their four sons bear the brunt. Years later, his first-born son will tell the story of a man he spent his whole life trying not to resemble. Narrated against the background of a Naples still marked by WWII and first published in Italy over 20 years ago, The House on Via Gemito is a masterpiece of contemporary Italian literature.