Perspectives on Jewish Texts and Contexts – serie

Lament, mourning, and the transmissibility of a tradition in the aftermath of destruction are prominent themes in Jewish thought. The corpus of lament literature, building upon and transforming the biblical Book of Lamentations, provides a unique lens for thinking about the relationships between destruction and renewal, mourning and remembrance, loss and redemption, expression and the inexpressible. This anthology features four texts by Gershom Scholem on lament, translated here for the first time into English. The volume also includes original essays by leading scholars, which interpret Scholem’s texts and situate them in relation to other Weimar-era Jewish thinkers, including Walter Benjamin, Franz Rosenzweig, Franz Kafka, and Paul Celan, who drew on the textual traditions of lament to respond to the destruction and upheavals of the early twentieth century. Also included are studies on the textual tradition of lament in Judaism, from biblical, rabbinic, and medieval lamentations to contemporary Yemenite women’s laments. This collection, unified by its strong thematic focus on lament, shows the fruitfulness of studying contemporary and modern texts alongside the traditional textual sources that informed them.

The Book of Job has held a central role in defining the project of modernity from the age of Enlightenment until today. The Book of Job: Aesthetics, Ethics and Hermeneutics offers new perspectives on the ways in which Job’s response to disaster has become an aesthetic and ethical touchstone for modern reflections on catastrophic events. This volume begins with an exploration of questions such as the tragic and ironic bent of the Book of Job, Job as mourner, and the Joban body in pain, and ends with a consideration of Joban works by notable writers – from Melville and Kafka, through Joseph Roth, Zach, Levin, and Philip Roth.

This volume explores the ways in which Jerusalem is represented in Psalms – from its position in the context of liturgical and pilgrim songs to its role as metaphor. Jerusalem in the Book of Psalms is the site of scenes of redemption, joy, and celebration of the proximity to God and the house of the Lord. But it is also the quintessential locus of loss, marked by cries over the devastating destruction of the Temple. These two antithetical poles of Jerusalem are expressed in both personal terms as well as within a collective framework. The bulk of the articles are devoted to questions of reception, to the ways in which the geographies of the Book of Psalms have travelled across their native bounds and entered other historical settings, acquiring new forms and meanings.

This volume deals with the significance of the avant-garde(s) for modern Jewish culture and the impact of the Jewish tradition on the artistic production of the avant-garde, be they reinterpretations of literary, artistic, philosophical or theological texts/traditions, or novel theoretical openings linked to elements from Judaism or Jewish culture, thought, or history.

This book is a study of the life and thought of the Polish Jew Solomon Yom Tov Bennett (1767-1838), who immigrated to London where he spent the last forty years of his life. In focusing on Bennett’s learned life, it underscores the significance of this singular writer, artist, and public figure, especially his remarkable dual interests in art and thought, his biblical scholarship, his social and intellectual connections with some of the most famous and accomplished Christian intellectuals of London, and his self-determination to complete his life-long ambition of serving Western civilization by correcting and rewriting the entire standard edition of the English Old Testament.Bennett’s Christian associates respected his learning and were willing to accept him as a Jew in their ranks. His integration into the upper echelons of the Christian literary establishment—dukes, jurists, theologians, and other scholars—did not impede his loyalty to his faith. On the contrary, Bennett’s Christian friends made him more Jewish, more convinced of Judaism’s moral force, and more secure in his own skin as a member of a proud minority among Christian elites supposedly liberated, so he hoped, from the dark hostility of the Christian past. His supreme act of translating the Bible constituted the ultimate payback he could offer the altruistic Christians he had met, open to welcoming him not despite his Jewishness but because of it. Bennett’s transformation from a Polish Jewish immigrant to a proud Anglo-Jew exemplifies a unique path of modern Jewish life and self-reflection, one ultimately shaped by the particular ambiance of his newly adopted country.

New Perspectives on Jewish Law combines the detailed work characteristic of scholarship on Jewish law with an orientation towards its broader academic and cultural significance. It shifts the study of Jewish law from its focus on legal doctrine and history to legal theory, achieving in the process a more sophisticated understanding of law that will benefit both the legal academy and Jewish studies. By employing the framework of legal theory, it similarly corrects an over-emphasis on the metaphysical presuppositions and philosophical implications of Jewish law, which has tended to cast it as exceptional relative to other legal systems. Moreover, it answers to old-new anxieties about law, often symbolized by Judaism, raised by contemporary feminists and by philosophers who are animated by recent interpretations of Paul through actual engagement with the Jewish legal tradition. The volume consists of three parts. The first focuses on the critique of positivism, its implications, and the new directions that it opens up for the analysis of Jewish law. The second part takes stock of recent methodological developments in the study of Jewish legal texts and investigates the relation between Jewish law and the disciplines, including history, literary theory, ritual studies, the digital humanities, as well as traditional approaches to Jewish learning. It concludes with a reflection on these interdisciplinary contributions from the perspective of legal theory. The third part explores the connections among Jewish law, philosophy, and culture critique. It assesses the relation or lack thereof between Jewish law and modern Jewish thought, and examines specific issues of philosophical interest, including truth and normativity. It also investigates the image of Jewish law in the contemporary critique of law as well as how Jewish law could productively contribute to that debate. It concludes with a reflection on these studies from the perspective of philosophy of law.

In the past decades the “German-Jewish phenomenon” (Derrida) has increasingly attracted the attention of scholars from various fields: Jewish studies, intellectual history, philosophy, literary and cultural studies, critical theory. In all its complex dimensions, the post-enlightenment German-Jewish experience is overwhelmingly regarded as the most quintessential and charged meeting of Jews with the project of modernity. Perhaps for this reason, from the eighteenth century through to our own time it has been the object of intense reflection, of clashing interpretations and appropriations. In both micro and macro case-studies, this volume engages the multiple perspectives as advocated by manifold interested actors, and analyzes their uses, biases and ideological functions over time in different cultural, disciplinary and national contexts. This volume includes both historical treatments of differing German-Jewish understandings of their experience – their relations to their Judaism, general culture and to other Jews – and contemporary reflections and competing interpretations as to how to understand the overall experience of German Jewry.

The term ‘Judeo-Christian’ in reference to a tradition, heritage, ethic, civilization, faith etc. has been used in a wide variety of contexts with widely diverging meanings. Contrary to popular belief, the term was not coined in the United States in the middle of the 20th century but in 1831 in Germany by Ferdinand Christian Baur. By acknowledging and returning to this European perspective and context, the volume engages the historical, theological, philosophical and political dimensions of the term’s development. Scholars of European intellectual history will find this volume timely and relevant.

In the wake of the spatial and affective turns in Literary Studies in general, and the study of Jewish literatures in particular, this volume shifts focus from the extensity of exile and return to the intensities of sense of place and belonging across a moving landscape of 20th and 20st century literatures, Jewish and other. It brings together contemporary writers and literary scholars who collectively map these intensities onto a bodily word world in transit and textures of habitable, readable space as passage.Works by Hélène Cixous, Cécile Wajsbrot, Alex Epstein, Almog Behar, and Svetlana Boym explore sites made up of layers of passages, taking configurations of sayability and readability as forms, poetic and political, of inhabiting the material world. The contributions by literary scholars explore the theoretical potential of a mapping of such sites in studies of modalities of belonging and unbelonging in modern and contemporary works of literature.The volume collects a collaborative investigation of the exigencies and potentialities of sense of place and belonging through literature, Jewish and other. It offers a literary perspective on current debates in a variety of fields, including literary criticism, human geography, architectural theory, and translation studies.

In the wake of World War II and the Holocaust, it seemed there was no place for German in Israel and no trace of Hebrew in Germany — the two languages and their cultures appeared as divergent as the directions of their scripts. Yet when placed side by side on opposing pages, German and Hebrew converge in the middle. Comprised of essays on literature, history, philosophy, and the visual and performing arts, this volume explores the mutual influence of two linguistic cultures long held as separate or even as diametrically opposed. From Moses Mendelssohn’s arrival in Berlin in 1748 to the recent wave of Israeli migration to Berlin, the essays gathered here shed new light on the painful yet productive relationship between modern German and Hebrew cultures.

The Book of Job has held a central role in defining the project of modernity from the age of Enlightenment until today. The Book of Job: Aesthetics, Ethics and Hermeneutics offers new perspectives on the ways in which Job’s response to disaster has become an aesthetic and ethical touchstone for modern reflections on catastrophic events. This volume begins with an exploration of questions such as the tragic and ironic bent of the Book of Job, Job as mourner, and the Joban body in pain, and ends with a consideration of Joban works by notable writers – from Melville and Kafka, through Joseph Roth, Zach, Levin, and Philip Roth.

Lament, mourning, and the transmissibility of a tradition in the aftermath of destruction are prominent themes in Jewish thought. The corpus of lament literature, building upon and transforming the biblical Book of Lamentations, provides a unique lens for thinking about the relationships between destruction and renewal, mourning and remembrance, loss and redemption, expression and the inexpressible. This anthology features four texts by Gershom Scholem on lament, translated here for the first time into English. The volume also includes original essays by leading scholars, which interpret Scholem’s texts and situate them in relation to other Weimar-era Jewish thinkers, including Walter Benjamin, Franz Rosenzweig, Franz Kafka, and Paul Celan, who drew on the textual traditions of lament to respond to the destruction and upheavals of the early twentieth century. Also included are studies on the textual tradition of lament in Judaism, from biblical, rabbinic, and medieval lamentations to contemporary Yemenite women’s laments. This collection, unified by its strong thematic focus on lament, shows the fruitfulness of studying contemporary and modern texts alongside the traditional textual sources that informed them.

In the past decades the “German-Jewish phenomenon” (Derrida) has increasingly attracted the attention of scholars from various fields: Jewish studies, intellectual history, philosophy, literary and cultural studies, critical theory. In all its complex dimensions, the post-enlightenment German-Jewish experience is overwhelmingly regarded as the most quintessential and charged meeting of Jews with the project of modernity. Perhaps for this reason, from the eighteenth century through to our own time it has been the object of intense reflection, of clashing interpretations and appropriations. In both micro and macro case-studies, this volume engages the multiple perspectives as advocated by manifold interested actors, and analyzes their uses, biases and ideological functions over time in different cultural, disciplinary and national contexts. This volume includes both historical treatments of differing German-Jewish understandings of their experience – their relations to their Judaism, general culture and to other Jews – and contemporary reflections and competing interpretations as to how to understand the overall experience of German Jewry.

The term ‘Judeo-Christian’ in reference to a tradition, heritage, ethic, civilization, faith etc. has been used in a wide variety of contexts with widely diverging meanings. Contrary to popular belief, the term was not coined in the United States in the middle of the 20th century but in 1831 in Germany by Ferdinand Christian Baur. By acknowledging and returning to this European perspective and context, the volume engages the historical, theological, philosophical and political dimensions of the term’s development. Scholars of European intellectual history will find this volume timely and relevant.

This book consists of a range of essays covering the complex crises, tensions and dilemmas but also the positive potential in the meeting of Jews with Western culture. In numerous contexts and through the work of fascinating individuals and thinkers, the work examines some of the consequences of political, cultural and personal rupture, as well as the manifold ways in which various Jewish intellectuals, politicians (and occasionally spies!) sought to respond to these ruptures and carve out new, sometimes profound, sometimes fanciful, options of thought and action. It also delves critically into the attacks on liberal and Enlightenment humanism. In almost all the essays the fragility of things is palpably present and the book touches on some of the ironies, problematics and functions of responses to that condition. The work mirrors the author's ongoing fascination with the always fraught, fragile and creatively fecund confrontation of Jews (and others) with European modernity, its history, politics, culture and self-definition. In a time of increasing anxiety and feelings of fragility, this work may be helpful in understanding how people at an earlier (and sometimes contemporary) period sought to come to terms with a similar predicament.

No detailed description available for "The Privileged Divine Feminine in Kabbalah".

This book offers a fresh reflection on The Book of Questions by the French-Egyptian Jewish writer Edmond Jabès and its readings, and proposes to re-contextualize　Jabès' enigmatic prose through the lens of the author’s manuscripts. Addressed are the main prisms through which Jabès’ oeuvre has been read since its publication in 1963: Jewishness, the Shoah, intertextuality with Midrash and Kabbalah, hermeticism and interpretation. It analyzes their shapes and their becoming in the work-in-progress, reveals the dynamics and the contexts of their evolution from the pre-texts to the text and beyond, and reflects on the relationship between creation, interpretation, and writing as a process. It seeks to rethink our reading of The Book of Questions and the poetics and hermeneutics of enigmatic writing.

The posthumous publication of Emmanuel Levinas’s wartime diaries, postwar lectures, and drafts for two novels afford new approaches to understanding the relationship between literature, philosophy, and religion. This volume gathers an international list of experts to examine new questions raised by Levinas’s deep and creative experiment in thinking at the intersection of literature, philosophy, and religion. Chapters address the role and significance of poetry, narrative, and metaphor in accessing the ethical sense of ordinary life; Levinas's critical engagement with authors such as Leon Bloy, Paul Celan, Vassily Grossman, Marcel Proust, and Maurice Blanchot; analyses of Levinas’s draft novels Eros ou Triple opulence and La Dame de chez Wepler; and the application of Levinas's thought in reading contemporary authors such as Ian McEwen and Cormac McCarthy. Contributors include Danielle Cohen-Levinas, Kevin Hart, Eric Hoppenot, Vivian Liska, Jean-Luc Nancy and François-David Sebbah, among others.

Ruth Klüger (1931 – 2020) passed away on October 5, 2020 in the U.S. Born in Vienna and deported to Theresienstadt, she survived Auschwitz and the Shoah together with her mother. After living in Germany for a short time after the War, she immigrated to New York. She was educated in the U.S. and received degrees in English literature as well as her Ph.D. in German literature at the University of California, Berkeley. She taught at several American universities. She has numerous scholarly publications to her credit, mostly in the fields of German and Austrian literary history. She is also recognized as a poet in her own right, an essayist, and a feminist critic. She returned to Europe, where she was a guest professor in Göttingen and Vienna. Her memoir, entitled weiter leben (1992), which she translated and revised in an English parallel-text as Still Alive, was a major bestseller and highly regarded autobiographical account of a Holocaust survivor. It was subsequently translated into more than a dozen languages. It has also generated a vigorous critical discussion in its own right. Ruth Klüger received numerous prestigious literary prizes and other distinctions. The present volume, The Legacy of Ruth Klüger and the End of the Auschwitz Century, aims to honor her memory by assessing critically her writings and career. Taking her biography and writings as points of departure, the volume includes contributions in fields and from perspectives which her writings helped to bring into focus acutely. In the table of contents are listed the following contributions: Sander L. Gilman, "Poetry and Naming in Ruth Klüger’s Works and Life"; Heinrich Detering, "’Spannung’: Remarks on a Stylistic Principle in Ruth Klüger’s Writing"; Stephan Braese, "Speaking with Germans. Ruth Klüger and the ‘Restitution of Speech between Germans and Jews’"; Irène Heidelberger-Leonard, "Writing Auschwitz: Jean Améry, Imre Kertész, and Ruth Klüger"; Ulrike Offenberg, "Ruth Klüger and the Jewish Tradition on Women Saying Kaddish; Mark H. Gelber, "Ruth Klüger, Judaism, and Zionism: An American Perspective"; Monica Tempian, "Children’s Voices in the Poetry of the Shoah"; Daniel Reynolds, "Ruth Klüger and the Problem of Holocaust Tourism"; Vera Schwarcz, "A China Angle on Memory and Ghosts in the Poetry of Ruth Klüger."

Homeland, Exile, Imagined Homelands are features of the modern experience and relate to the cultural and historical dilemmas of loss, nostalgia, utopia, travel, longing, and are central for Jews and others. This book is an exploration into a world of boundary crossings and of desired places and alternate identities, into a world of adopted kin and invented allegiances.

This volume deals with the significance of the avant-garde(s) for modern Jewish culture and the impact of the Jewish tradition on the artistic production of the avant-garde, be they reinterpretations of literary, artistic, philosophical or theological texts/traditions, or novel theoretical openings linked to elements from Judaism or Jewish culture, thought, or history.

The Visitation of Hannah Arendt is an attempt to literally enact Arendt’s notion of "natality". Arendt, known to a large extent through her engagement with the public sphere and with political discourse, is invited here to pay intimate visitations to four different figures: an anonymous student, the poetess Dahlia Ravikovich, the ghost of Stefan Zweig and Michal, Saul’s daughter. The intellectual visitation, as a complex process of both mimesis and rejection, is revealed to be a natality, a rebirth in spirit. The book presents an aesthetic-semiotic reading of Arendt by traversing the ensemble of her work. A special chapter is dedicated to Eichmann in Jerusalem.

This volume offers an examination of varied forms of expressions of heresy in Jewish history, thought and literature. Contributions explore the formative role of the figure of the heretic and of heretic thought in the development of the Jewish traditions from antiquity to the 20th century. Chapters explore the role of heresy in the Hellenic period and Rabbinic literature; the significance of heresy to Kabbalah, and the critical and often formative importance the challenge of heresy plays for modern thinkers such as Spinoza, Freud, and Derrida, and literary figures such as Kafka, Tchernikhovsky, and I.B. Singer. Examining heresy as a boundary issue constitutive for the formation of Jewish tradition, this book contributes to a better understanding of the significance of the figure of the heretic for tradition more generally.

In the wake of World War II and the Holocaust, it seemed there was no place for German in Israel and no trace of Hebrew in Germany — the two languages and their cultures appeared as divergent as the directions of their scripts. Yet when placed side by side on opposing pages, German and Hebrew converge in the middle. Comprised of essays on literature, history, philosophy, and the visual and performing arts, this volume explores the mutual influence of two linguistic cultures long held as separate or even as diametrically opposed. From Moses Mendelssohn’s arrival in Berlin in 1748 to the recent wave of Israeli migration to Berlin, the essays gathered here shed new light on the painful yet productive relationship between modern German and Hebrew cultures.

This volume is the first-ever collection of essays devoted to the Lurianic concept of tsimtsum. It contains eighteen studies in philosophy, theology, and intellectual history, which demonstrate the historical development of this notion and its evolving meaning: from the Hebrew Bible and the classical midrashic collections, through Kabbalah, Isaac Luria himself and his disciples, up to modernity (ranging from Spinoza, Böhme, Leibniz, Newton, Schelling, and Hegel to Scholem, Rosenzweig, Heidegger, Benjamin, Adorno, Horkheimer, Levinas, Jonas, Moltmann, and Derrida).

Birth in Kabbalah and Psychoanalysis examines the centrality of "birth" in Jewish literature, gender theory, and psychoanalysis, thus challenging the centrality of death in Western culture and existential philosophy. In this groundbreaking study, Ruth Kara-Ivanov Kaniel discuss similarities between Biblical, Midrashic, Kabbalistic, and Hasidic perceptions of birth, as well as its place in contemporary cultural and psychoanalytic discourse. In addition, this study　shows how birth functions as a vital metaphor that has been foundational to art, philosophy, religion, and literature. Medieval Kabbalistic literature compared human birth to divine emanation, and presented human sexuality and procreation as a reflection of the sefirotic structure of the Godhead – an attempt, Kaniel claims, to marginalize the fear of death by linking the humane and divine acts of birth. This book sheds new light on the image of God as the "Great Mother" and the crucial role of the Shekhinah as a cosmic womb.　 Birth in Kabbalah and Psychoanalysis won the Gorgias Prize and garnered significant appreciation from psychoanalytic therapists in clinical practice dealing with birth trauma, postpartum depression, and in early infancy distress.

This book examines the talmudic writings, politics, and ideology of Y.I. Halevy (1847-1914), one of the most influential representatives of the pre-war eastern European Orthodox Jewish community. It analyzes Halevy’s historical model of the formation of the Babylonian Talmud, which, he argued, was edited by an academy of rabbis beginning in the fourth century and ending by the sixth century. Halevy's model also served as a blueprint for the rabbinic council of Agudath Israel, the Orthodox political body in whose founding he played a leading role.　Foreword by Jay M. Harris, Harry Austryn Wolfson Professor of Jewish Studies at Harvard University and the author of How Do We Know This? Midrash and the Fragmentation of Modern Judaism, among other works.

This book consists of a range of essays covering the complex crises, tensions and dilemmas but also the positive potential in the meeting of Jews with Western culture. In numerous contexts and through the work of fascinating individuals and thinkers, the work examines some of the consequences of political, cultural and personal rupture, as well as the manifold ways in which various Jewish intellectuals, politicians (and occasionally spies!) sought to respond to these ruptures and carve out new, sometimes profound, sometimes fanciful, options of thought and action. It also delves critically into the attacks on liberal and Enlightenment humanism. In almost all the essays the fragility of things is palpably present and the book touches on some of the ironies, problematics and functions of responses to that condition. The work mirrors the author's ongoing fascination with the always fraught, fragile and creatively fecund confrontation of Jews (and others) with European modernity, its history, politics, culture and self-definition. In a time of increasing anxiety and feelings of fragility, this work may be helpful in understanding how people at an earlier (and sometimes contemporary) period sought to come to terms with a similar predicament.

This volume explores the ways in which Jerusalem is represented in Psalms – from its position in the context of liturgical and pilgrim songs to its role as metaphor. Jerusalem in the Book of Psalms is the site of scenes of redemption, joy, and celebration of the proximity to God and the house of the Lord. But it is also the quintessential locus of loss, marked by cries over the devastating destruction of the Temple. These two antithetical poles of Jerusalem are expressed in both personal terms as well as within a collective framework. The bulk of the articles are devoted to questions of reception, to the ways in which the geographies of the Book of Psalms have travelled across their native bounds and entered other historical settings, acquiring new forms and meanings.