Verso – förlag

First-hand accounts of the largest pro-labor mass mobilization in modern American history.

In the spring of 2011, Wisconsinites took to the streets in what became the largest and liveliest labor demonstrations in modern American history. Protesters in the Middle East sent greetings—and pizzas—to the thousands occupying the Capitol building in Madison, and 150,000 demonstrators converged on the city.

In a year that has seen a revival of protest in America, here is a riveting account of the first great wave of grassroots resistance to the corporate restructuring of the Great Recession.

It Started in Wisconsin includes eyewitness reports by striking teachers, students, and others (such as Wisconsin-born musician Tom Morello), as well as essays explaining Wisconsin’s progressive legacy by acclaimed historians. The book lays bare the national corporate campaign that crafted Wisconsin’s anti-union legislation and similar laws across the country, and it conveys the infectious esprit de corps that pervaded the protests with original pictures and comics.

First systematic presentation and assessment of the groundbreaking journal Cahiers pour l’Analyse.

Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l’Analyse (1966–69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. The first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation. The second volume collects newly commissioned essays on the journal, together with recent interviews with people who were either members of its editorial board or associated with its broader theoretical project. Contributors include Alain Badiou, Étienne Balibar, Edward Baring, Jacques Bouveresse, Yves Duroux, Alain Grosrichard, Peter Hallward, Adrian Johnston, Serge Leclaire, Patrice Maniglier, Tracy McNulty, Jacques-Alain Miller, Jean-Claude Milner, Knox Peden, Jacques Rancière, François Regnault, and Slavoj Zizek.