Bloomsbury Revelations - Böcker

The twentieth century – with its unprecedented advances in technology and scientific understanding – saw the birth of a distinctively new and ‘modern’ age. Henri Bergson stood as one of the most important philosophical voices of that tumultuous time. An intellectual celebrity in his own life time, his work was widely discussed by such thinkers as William James, Alfred North Whitehead and Bertrand Russell, as well as having a profound influence on modernist writers such as Wallace Stevens, Willa Cather and Wyndham Lewis and later thinkers, most notably Gilles Deleuze.Key Writings brings together Bergson’s most essential writings in a single volume, including crucial passages from such major work as Time and Free Will, Matter and Memory, Creative Evolution, Mind-Energy, The Creative Mind, The Two Sources of Morality and Religion and Laughter. The book also includes Bergson’s correspondences with William James and a chronology of his life and work.

First published in 1990, Carol J. Adams’ revolutionary work has engaged, enraged, inspired and challenged readers with its exploration of the interplay between society’s ingrained cultural misogyny and its obsession with eating animals and masculinity. This iconic book, referenced in rock songs, feminist artwork and even a Law and Order SVU episode, continues to change the lives of its readers today.Published to celebrate the book’s 35th anniversary, this Bloomsbury Revelations edition includes a new introduction that reflects on how recent events continue to prove the relevance of this influential work.

The collaboration of the philosopher Gilles Deleuze and the psychoanalyst Felix Guattari has been one of the most profoundly influential partnerships in contemporary thought. Anti-Oedipus is the first part of their masterpiece, Capitalism and Schizophrenia. Ranging widely across the radical tradition of 20th-century thought and culture that preceeded them - from Foucault, Lacan and Jung to Samuel Beckett and Henry Miller - this revolutionary analysis of the intertwining of desire, reality and capitalist society is an essential read for anyone interested in postwar continental thought.

Henri Lefebvre was one of the most significant and influential social theorists of the 20th century. His impressive body of work crosses multiple disciplines including sociology, philosophy, economics, politics and cultural studies. In Everyday Life in the Modern World Lefebvre reveals the decisions and events which, day to day, we know very little about and do not actively participate in and yet have a profound effect on our lives. He considers the impact of consumerism, language and mass media on everyday life using a variety of critical approaches including Marxism and Structuralism. The Revelations edition includes an introduction by Philip Wander in which he discusses the context and importance of the book, particularly in the fields of communications, work, science and technology. This is Lefebvre's manifesto for a new cultural revolution of the everyday which is as relevant today as it ever was.

Since its publication in 1968, Difference and Repetition, an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Gilles Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.

Things Hidden Since the Foundation of the World presents a highly original global theory of culture. Here, in his greatest work, René Girard explores the function of violence, mimetic desire and the mechanism of the scapegoat, in the history of society and religion. Girard’s vision is a brilliant and devastating challenge to conventional views of literature, anthropology, philosophy and psychoanalysis.

Marginalized by the scientific age the lessons of the senses have been overtaken by the dominance of language and the information revolution. With The Five Senses Serres traces a topology of human perception, writing against the Cartesian tradition and in praise of empiricism, he demonstrates repeatedly, and lyrically, the sterility of systems of knowledge divorced from bodily experience. The fragile empirical world, long resistant to our attempts to contain and catalog it, is disappearing beneath the relentless accumulations of late capitalist society and information technology. Data has replaced sensory pleasure, we are less interested in the taste of a fine wine than in the description on the bottle's label. What are we, and what do we really know, when we have forgotten that our senses can describe a taste more accurately than language ever could? The book won the inaugural Prix Médicis Essai in 1985. The Revelations edition includes an introduction by Steven Connor.

Rhythmanalysis displays all the characteristics which made Lefebvre one of the most important Marxist thinkers of the twentieth century. In the analysis of rhythms -- both biological and social -- Lefebvre shows the interrelation of space and time in the understanding of everyday life.With dazzling skills, Lefebvre moves between discussions of music, the commodity, measurement, the media and the city. In doing so he shows how a non-linear conception of time and history balanced his famous rethinking of the question of space. This volume also includes his earlier essays on "The Rhythmanalysis Project" and "Attempt at the Rhythmanalysis of Mediterranean Towns."

Highly controversial when it was first published in 1981, Alasdair MacIntyre's After Virtue has since established itself as a landmark work in contemporary moral philosophy. In this book, MacIntyre sought to address a crisis in moral language that he traced back to a European Enlightenment that had made the formulation of moral principles increasingly difficult. In the search for a way out of this impasse, MacIntyre returns to an earlier strand of ethical thinking, that of Aristotle, who emphasised the importance of 'virtue' to the ethical life. More than thirty years after its original publication, After Virtue remains a work that is impossible to ignore for anyone interested in our understanding of ethics and morality today.

Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus.Cinema I is the first volume of Deleuze’s revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as “a logic of the cinema”, setting out to “isolate certain cinematographic concepts” philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.

Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, whose master-works, Difference and Repetition and – with Felix Guattari - A Thousand Plateaus and Anti-Oedipus have become one of the most widely-influential bodies of work in contemporary thought. Cinema II is Deleuze’s second work on cinema, completing the reassessment of the art form begun in Cinema I. Influenced by the philosophy of Henri Bergson, Deleuze here offers a compelling analysis of the cinematic treatment of time and memory, thought and speech. The work draws on examples from major film makers, including Federico Fellini, Alfred Hitchcock and Orson Welles, among many others.

In this landmark work of animal rights activism, Carol J. Adams - the bestselling author of The Sexual Politics of Meat - explores the intersections and common causes of feminism and the defense of animals. Neither Man Nor Beast explores the common link between cultural attitudes to women and animals in modern Western culture that have enabled the systematic exploitation of both. A vivid work that takes in environmental ethics, theological perspectives and feminist theory, the Bloomsbury Revelations edition includes a new foreword by the author and new images illustrating the continuing relevance of the book today.

_______________‘A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books‘Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times‘What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi‘His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian_______________On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.

In The Sex Appeal of the Inorganic, Mario Perniola puts forth the radical argument that we are shifting away from organic sexuality, based on desire and pleasure, and moving towards a more neutral inorganic and artificial sexuality, a sexuality always available but indifferent to beauty, age or form. Perniola takes the reader on a tour of Western philosophy, from Descartes, Kant and Hegel to Heidegger, Wittgenstein and Sartre, to reframe our understanding of personal experience and the aesthetic world around us. In order to realize the sex appeal of the inorganic Perniola argues that we must become ‘things that feel’, we must think ourselves closer to the inorganic, creating an alliance between senses and things. Examples from contemporary culture that, for Perniola, are emblems of the sex appeal of the inorganic, include progressive rock music, fashion, deconstructive architecture and the novels of Georges Perec.

Evolution and Conversion explores the main tenets of René Girard's thought in a series of dialogues. Here, Girard reflects on the evolution of his thought and offers striking new insights on topics such as violence, religion, desire and literature. His long argument is a historical one in which the origin of culture and religion is reunited in the contemporary world by means of a reinterpretation of Christianity and an understanding of the intrinsically violent nature of human beings. He also offers provocative re-readings of Biblical and literary texts and responds to statements by Daniel Dennett and Richard Dawkins. Including an introduction by the authors, this is a revealing text by one of the most original thinkers of our time.

In this landmark text by one of the most influential philosophers of the twentieth century, Gilles Deleuze takes the paintings of Francis Bacon as his object of his study. The book presents a deep engagement with Bacon's work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violation and deformations of the flesh, the complex use of color, the method of chance, and the use of the triptych form. Here Deleuze creates a number of his well-known concepts, such as the 'body without organs' and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions. Deleuze links Bacon's work to Cezanne's notion of a 'logic' of sensation and, investigating this logic, explores Bacon's crucial relation to past painters such as Cezanne, Velasquez, and Soutine.

Entre Nous is a major collection of essays representing the culmination of Emmanuel Levinas's philosophy. Bringing together his most important work in a single volume the book reveals the development of his thought over nearly forty years of committed inquiry. Here he engages with issues of suffering, love, religion, culture, justice, human rights, and legal theory and each issue is discussed in relation to the ethical dimensions of otherness. Like much of his work this text bridges several major gaps in the evolution of Continental philosophy, between modernism and postmodernism, phenomenology and poststructuralism, ethics and ontology.

Henri Lefebvre is widely recognized as one of the most influential social theorists of the Twentieth Century. His writings on cities, everyday life, and the production of space have become hugely influential across Cultural Studies, Sociology, Geography and Architecture. Key Writings presents the full range of Lefebvre's thought in a single volume. The selection of essays spanning 1933 to 1990, reinforce the relevance of Lefebvre's work to current debates in social theory, politics and philosophy. The book is divided into five sections: ‘Philosophy and Marxism’, ‘The Critique of Everyday Life’, ‘The Country and the City’ ‘History, Time and Space’ and ‘Politics’ and includes a general introduction by the editors as well as separate introductions to each section.

'This history will endure; not only because Sir Winston has written it, but also because of its own inherent virtues — its narrative power, its fine judgment of war and politics, of soldiers and statesmen, and even more because it reflects a tradition of what Englishmen in the hey-day of their empire thought and felt about their country's past.' The Daily TelegraphSpanning Caesar’s invasion of Britain to the birth of the twentieth century, A History of the English-Speaking Peoples stands as one of Winston S. Churchill’s most magnificent literary works. Begun during Churchill’s ‘wilderness years’ when he was out of government, first published in 1956 after his leadership through the darkest days of World War II had cemented his place in history, and completed when Churchill was in his 80s, it remains to this day a compelling and vivid history. This one-volume abridged edition of Churchill's major work makes accessible to readers the full sweep of his magisterial chronicle of the history of Britain. It combines Churchill's intriguing, closely observed biographical profiles of a succession of leaders — including Alfred the Great, Henry Plantagenet, Henry V, Richard III, Charles I, William Pitt and Queen Victoria — with the key events and developments that were to shape the course of history. Restored to this edition is the abridged version of the American history from the individual volumes, covering the War of American Independence and the American Civil War, each introduced by the editor.

Logics of Worlds is the sequel to Alain Badiou's masterpiece, Being and Event. Tackling the questions that had been left open by Being and Event, and answering many of his critics in the process, Badiou supplements his pioneering treatment of multiple being with a daring and complex theory of the worlds in which truths and subjects make their mark - what he calls a materialist dialectic. Drawing on his most ambitious philosophical predecessors - Leibniz, Kant, Hegel, Kierkegaard, Lacan, Deleuze – Badiou ends this important later work with an impassioned call to 'live for an Idea'.

The successor to the legendary activist Saul Alinsky, Edward T. Chambers pioneered a set of principles and practices that have guided community organizations throughout the US and the world. Roots for Radicals remains his definitive reflection on these fundamental principles of community activism: how, as public citizens, we can navigate the gap between the world as it is and as it should be, between self-interest and self-sacrifice and in doing so create lasting change for our communities.In the face of the increasingly turbulent politics of the 21st-century, Chambers’s book has never been more relevant.

Brecht on Theatre is a seminal work that has remained the classic text for readers and students wanting a rich appreciation of the development of Brecht's thinking on theatre and aesthetics. First published in 1964 and on reading lists ever since, Brecht's writings are presented in this definitive edition featuring the wholly revised, re-edited and expanded text produced for the 50th anniversary of the first English publication. With additional texts, illustrations and editorial material, and with almost half the material newly translated, this edition provides a far fuller and more accurate account of the development of Brecht's work and writings.This edition features:* Clearer layout and organisation of the text* New translations of many of the Brechtian texts featured * Over 40 new, previously untranslated essays* Essay titles now correspond to the German originals * A revised selection of illustrations

In this landmark work Keith Johnstone provides a revelatory guide to rediscovering and unlocking the imagination. Admired for its clarity and zest, Impro lays bare the techniques and exercises used to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills' and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity. 'If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the 'writers' theatre.' Irving Wardle

Hailed as 'the theatrical event of this century' (Sunday Times), Peter Brook's unique dramatization of India's great epic poem, The Mahabharata played to ecstatic audiences worldwide. In The Shifting Point, one of theatre's great visionaries assesses the lessons of his pioneering work from his brilliant debut at Stratford and the West End in the 1960s to the triumphant success of The Mahabharata. With the bravura and insight of a great practitioner and explorer he reveals some of the inspiration behind his extraordinary career.Published in Bloomsbury's Revelations series, Brook's account covers many of the groundbreaking productions that cemented his reputation as 'one of the artistic geniuses of our time' (San Franciso Herald): his controversial productions of King Lear and Romeo and Juliet; the three-month period in Africa which culminated in The Conference of the Birds; Marat/Sade; filming King Lear and Lord of the Flies, and the epic The Mahabharata. With Brooks's reflections on the problems of Shakespeare and opera, and on a range of modern theatre artists including Grotowski, Gordon Craig and Samuel Beckkett, The Shifting Point provides a uniquely revealing account of 4 decades of artistic exploration.'The great thing about Brook is that, in a medium where others provide answers, he keeps asking questions. This sage and stimulating book shows that, inside a sophisticated adult mind, lurks the intemperate curiosity of a child; which is the mark of genius.'(Michael Billington, Listener)

Now available in Bloomsbury Revelations series, Brecht on Performance: Messingkauf and Modelbooks presents a selection of Brecht's principal writings about the craft of acting and realising texts for the stage. It crystallises and makes concrete many of the more theoretical aspects of his other writing and illuminates the practice of this hugely influential director and dramatist.The volume is in two parts. The first features an entirely new commentated edition of Brecht’s dialogues and essays about the practice of theatre, known as the Messingkauf, or Buying Brass, including the ‘Practice Pieces’ for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of Life of Galileo, Antigone, Mother Courage and others.Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, Brecht on Performance is a wonderfully rich resource. The text is illustrated with over 30 photographs from the Modelbooks.

In A New Philosophy of Society Manuel DeLanda offers a fascinating look at how the contemporary world is characterized by an extraordinary social complexity. Since most social entities, from small communities to large nation-states would disappear altogether if our cognitive abilities ceased to exist, DeLanda proposes a novel approach to social ontology that asserts the autonomy of social entities from the conceptions we have of them. He argues that Gilles Deleuze’s theory of assemblages provides a framework in which sociologists and geographers studying social networks and regions can properly locate their work and fully elucidate the connections between them. Indeed, assemblage theory, as DeLanda argues, can be used to model any community, from interpersonal networks and institutional organizations, to central governments, cities and nation states.

In this groundbreaking book, Manuel DeLanda analyzes different genres of simulation, from cellular automata and generic algorithms to neural nets and multi-agent systems, as a means to conceptualize the space of possibilities associated with casual and other capacities.This remarkably clear philosophical discussion of a rapidly growing field, from a thinker at the forefront of research at the interface of science and the humanities, is a must-read for anyone interested in the philosophies of technology, emergence and science at all levels.

Now published in the Bloomsbury Revelations series, this is a classic work on the power and importance of drama by renowned American playwright, screenwriter and essayist David Mamet.In this short but arresting series of essays, David Mamet explains the necessity, purpose and demands of drama. A celebration of the ties that bind art to life, Three Uses of the Knife is an enthralling read for anyone who has sat anxiously waiting for the lights to go up on Act 1. In three tightly woven essays of characteristic force and resonance, Mamet speaks about the connection of art to life, language to power, imagination to survival, public spectacle to private script. Self-assured and filled with autobiographical touches Three Uses of the Knife is a call to art and arms, a manifesto that reminds us of the singular power of the theatre to keep us sane, whole and human.

The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.