Elements in the Renaissance – serie
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27 produkter
27 produkter
239 kr
Skickas inom 7-10 vardagar
During the Renaissance, measuring played a critical role in shaping trade, material production (ranging from architecture to tailoring), warfare, legal studies, and even our understanding of the heavens and hell. This study delves into the applications of measuring, with a particular emphasis on the Italian states, and traces its wide-ranging cultural effects. The homogeneization of measurements was endorsed as a means to achieve political unity. The careful retrieval of ancient standards instilled a sense of connection and ownership toward the past. Surveying was fundamental in the process of establishing colonies. This study not only examines the perceived advantages of measuring, but it also highlights the overlooked distorting aspect of this activity. Measuring was not just a neutral quantification process but also a creative one. By suppressing or emphasizing information about the material world, measuring influenced people's perceptions and shaped their ideas about what was possible and what could be accomplished.
239 kr
Skickas inom 7-10 vardagar
This Element examines the emergence of comprehensive plague management systems in early modern France. While the historiography on plague argues that the plague of Provence in the 1720s represented the development of a new and 'modern' form of public health care under the control of the absolutist monarchy, it shows that the key elements in this system were established centuries earlier because of the actions of urban governments. It moves away from taking a medical focus on plague to examine the institutions that managed disease control in early modern France. In doing so, it seeks to provide a wider context of French plague care to better understand the systems used at Provence in the 1720s. It shows that the French developed a polycentric system of plague care which drew on the input of numerous actors combat the disease.
239 kr
Skickas inom 7-10 vardagar
This Element provides a fresh approach to the representation and experience of the French Disease, by reassessing a wide range of textual and visual sources through the lens of contemporary medical ideas. It analyses how knowledge about the Great Pox was transmitted to a literate and also a wider public through performance and the circulation of popular prints. Chronicles, satirical and moralistic poems and plays about prostitutes, along with autobiographical accounts, described symptoms and the experience of patients, reflecting how non-medical men and women understood the nature of this terrible new disease and its profound physical and psychological impact. The second major theme is how the French Disease was represented visually. Woodcuts and broadsheets showing the moral and physical decline of courtesans are analysed together with graphic medical illustrations of symptoms and their treatment together with images of the diseased body of St Job, patron saint of the French Disease.
Cinderella's Glass Slipper
Towards a Cultural History of Renaissance Materialities
Häftad, Engelska, 2022
239 kr
Skickas inom 7-10 vardagar
Cinderella's Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life's vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherché materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
267 kr
Skickas inom 7-10 vardagar
Interest in material culture has produced a rigorous body of scholarship that considers the dynamics of licensing, permissions, and patronage - an ongoing history of the estrangement of works from their authors. Additionally, translation studies is enabling new ways to think about the emergence of European vernaculars and the reappropriation of classical and early Christian texts. This Element emerges from these intersecting stories. How did early modern authors say goodbye to their works; how do translators and editors articulate their duty to the dead or those incapable of caring for their work; what happens once censorship is invoked in the name of other forms of protection? The notion of the work as orphan, sent out and unable to return to its author, will take us from Horace to Dante, Montaigne, Anne Bradstreet, and others as we reflect on the relevance of the vocabularies of loss, charity, and licence for literature.
- Nyhet
239 kr
Skickas inom 7-10 vardagar
The regular public transmission of news was one of the great inventions of the Renaissance. This Element, while offering a general account of news in the period, will convey the latest research results concerning the dynamics and significance of this major development. Drivers of change, apart from sheer curiosity, included state officials seeking opportunities, merchants seeking markets, writers seeking jobs. Traditional oral settings for news exchange, in homes, at court, and in public squares, from this period onward would have a constant supply of new topics of conversation originating not only from local occurrences but from far away, and not only from books, pamphlets and private letters, but also from regularly produced news sheets - first handwritten, then printed -covering what were thought to be the major events of the day, with significant effects on widespread ways of thinking and behaving.
Looking Trustworthy
Portraits and Textual Poses of Humanist Translators in the Renaissance
Häftad, Engelska, 2026
239 kr
Kommande
In this Element I investigate how Renaissance humanist translators used the printed page to construct a trustworthy persona and persuade readers of their translations' value. These portraits did more than decorate books - they shaped the public identity of translators, lent credibility to their work, and positioned them within broader networks of cultural authority. As the early modern book trade expanded, portraits became key instruments in establishing recognisability - what we might now call a 'brand' - that reassured readers and patrons alike. By revealing how trustworthiness was deliberately performed and circulated in print, this Element reframes the role of translators in Renaissance culture and offers new insights into the social and symbolic economies of early modern trust.
The Fabric of War
The Material Culture and Social Lives of Banners in Renaissance Europe
Häftad, Engelska, 2025
239 kr
Skickas inom 7-10 vardagar
The Fabric of War traces the rich history of flags and banners in Renaissance Europe through a critical analysis of the cultural, ideological, material, and artistic histories of these complex and ubiquitous objects. It examines banners as numinous textiles that animated and adorned battle, energized and embellished armies, constructed and celebrated victory. Though flags are often investigated as mere symbols to be deciphered - as heraldic code revealing identity - they were vibrant and charismatic textiles whose mutability, movement, and multivalency constituted their appeal and salience. Banners propelled their viewers not only to decipher or identify, but to act.
239 kr
Skickas inom 7-10 vardagar
This Element represents the first systematic study of the risks borne by those who produced, commissioned, and purchased art, across Renaissance Europe. It employs a new methodology, built around concepts from risk analysis and decision theory. The Element classifies scores of documented examples of losses into 'production risks', which arise from the conception of a work of art until its final placement, and 'reception risks', when a patron, a buyer, or viewer finds a work displeasing, inappropriate, or offensive. Significant risks must be tamed before players undertake transactions. The Element discusses risk-taming mechanisms operating society-wide: extensive communication flows, social capital, and trust, and the measures individual participants took to reduce the likelihood and consequences of losses. Those mechanisms were employed in both the patronage-based system and the modern open markets, which predominated respectively in Southern and Northern Europe.
239 kr
Skickas inom 7-10 vardagar
The Element analyses the critical importance of elite women to the conflict conventionally known as the Italian Wars that engulfed much of Europe and the Mediterranean between 1494 and 1559. Through its considered attention to the interventions of women connected to imperial, royal and princely dynasties, the authors show the breadth and depth of the opportunities, roles, impact, and influence that certain women had to shape the course of the conflict in both wartime activities and in peace-making. The work thus expands the ways in which the authors can think about women's participation in war and politics. It makes use of a wide range of sources such as literature, art and material culture, as well as more conventional text forms. Women's voices and actions are prioritized in making sense of evidence and claims about their activities.
239 kr
Skickas inom 7-10 vardagar
How did early moderns experience sense and space? How did the expanding cultural, political, and social horizons of the period emerge out of those experiences and further shape them This Element takes an approach that is both global expansive and locally rooted by focusing on four cities as key examples: Florence, Amsterdam, Boston, and Manila. They relate to distinct parts of European cultural and colonialist experience from north to south, republican to monarchical, Catholic to Protestant. Without attempting a comprehensive treatment, the Element aims to convey the range of distinct experiences of space and sense as these varied by age, gender, race, and class. Readers see how sensory and spatial experiences emerged through religious cultures which were themselves shaped by temporal rhythms, and how sound and movement expressed gathering economic and political forces in an emerging global order. This title is also available as Open Access on Cambridge Core.
771 kr
Skickas inom 7-10 vardagar
How did early moderns experience sense and space? How did the expanding cultural, political, and social horizons of the period emerge out of those experiences and further shape them This Element takes an approach that is both global expansive and locally rooted by focusing on four cities as key examples: Florence, Amsterdam, Boston, and Manila. They relate to distinct parts of European cultural and colonialist experience from north to south, republican to monarchical, Catholic to Protestant. Without attempting a comprehensive treatment, the Element aims to convey the range of distinct experiences of space and sense as these varied by age, gender, race, and class. Readers see how sensory and spatial experiences emerged through religious cultures which were themselves shaped by temporal rhythms, and how sound and movement expressed gathering economic and political forces in an emerging global order. This title is also available as Open Access on Cambridge Core.
771 kr
Skickas inom 7-10 vardagar
The Element analyses the critical importance of elite women to the conflict conventionally known as the Italian Wars that engulfed much of Europe and the Mediterranean between 1494 and 1559. Through its considered attention to the interventions of women connected to imperial, royal and princely dynasties, the authors show the breadth and depth of the opportunities, roles, impact, and influence that certain women had to shape the course of the conflict in both wartime activities and in peace-making. The work thus expands the ways in which the authors can think about women's participation in war and politics. It makes use of a wide range of sources such as literature, art and material culture, as well as more conventional text forms. Women's voices and actions are prioritized in making sense of evidence and claims about their activities.
771 kr
Skickas inom 7-10 vardagar
This Element represents the first systematic study of the risks borne by those who produced, commissioned, and purchased art, across Renaissance Europe. It employs a new methodology, built around concepts from risk analysis and decision theory. The Element classifies scores of documented examples of losses into 'production risks', which arise from the conception of a work of art until its final placement, and 'reception risks', when a patron, a buyer, or viewer finds a work displeasing, inappropriate, or offensive. Significant risks must be tamed before players undertake transactions. The Element discusses risk-taming mechanisms operating society-wide: extensive communication flows, social capital, and trust, and the measures individual participants took to reduce the likelihood and consequences of losses. Those mechanisms were employed in both the patronage-based system and the modern open markets, which predominated respectively in Southern and Northern Europe.
771 kr
Skickas inom 7-10 vardagar
This Element provides a fresh approach to the representation and experience of the French Disease, by reassessing a wide range of textual and visual sources through the lens of contemporary medical ideas. It analyses how knowledge about the Great Pox was transmitted to a literate and also a wider public through performance and the circulation of popular prints. Chronicles, satirical and moralistic poems and plays about prostitutes, along with autobiographical accounts, described symptoms and the experience of patients, reflecting how non-medical men and women understood the nature of this terrible new disease and its profound physical and psychological impact. The second major theme is how the French Disease was represented visually. Woodcuts and broadsheets showing the moral and physical decline of courtesans are analysed together with graphic medical illustrations of symptoms and their treatment together with images of the diseased body of St Job, patron saint of the French Disease.
771 kr
Skickas inom 7-10 vardagar
This Element examines the emergence of comprehensive plague management systems in early modern France. While the historiography on plague argues that the plague of Provence in the 1720s represented the development of a new and 'modern' form of public health care under the control of the absolutist monarchy, it shows that the key elements in this system were established centuries earlier because of the actions of urban governments. It moves away from taking a medical focus on plague to examine the institutions that managed disease control in early modern France. In doing so, it seeks to provide a wider context of French plague care to better understand the systems used at Provence in the 1720s. It shows that the French developed a polycentric system of plague care which drew on the input of numerous actors combat the disease.
748 kr
Kommande
Physiognomics is the theory according to which there is a relationship between certain signs on the body and certain characteristics of the soul, and furthermore that it is possible to exploit this relationship to transition from what is visible to what is invisible: to read the body in order to gain access to the soul. This Cambridge Element showcases the philosophical relevance of physiognomics during the Renaissance, combining in-depth analysis of physiognomics' subtle, and sometimes lesser-known theoretical details, with awareness of the role of physiognomics in the main philosophical debates of the time, including on the human-animal border and on the difference between men and women. This Element presents the Renaissance revival of physiognomics as a scientific endeavour that required philosophers to organise medical, anatomical, physiological, and astrological knowledge, under the aegis of an ethical programme for the improvement of oneself and society.
232 kr
Kommande
Physiognomics is the theory according to which there is a relationship between certain signs on the body and certain characteristics of the soul, and furthermore that it is possible to exploit this relationship to transition from what is visible to what is invisible: to read the body in order to gain access to the soul. This Cambridge Element showcases the philosophical relevance of physiognomics during the Renaissance, combining in-depth analysis of physiognomics' subtle, and sometimes lesser-known theoretical details, with awareness of the role of physiognomics in the main philosophical debates of the time, including on the human-animal border and on the difference between men and women. This Element presents the Renaissance revival of physiognomics as a scientific endeavour that required philosophers to organise medical, anatomical, physiological, and astrological knowledge, under the aegis of an ethical programme for the improvement of oneself and society.
861 kr
Skickas inom 7-10 vardagar
Interest in material culture has produced a rigorous body of scholarship that considers the dynamics of licensing, permissions, and patronage - an ongoing history of the estrangement of works from their authors. Additionally, translation studies is enabling new ways to think about the emergence of European vernaculars and the reappropriation of classical and early Christian texts. This Element emerges from these intersecting stories. How did early modern authors say goodbye to their works; how do translators and editors articulate their duty to the dead or those incapable of caring for their work; what happens once censorship is invoked in the name of other forms of protection? The notion of the work as orphan, sent out and unable to return to its author, will take us from Horace to Dante, Montaigne, Anne Bradstreet, and others as we reflect on the relevance of the vocabularies of loss, charity, and licence for literature.
Looking Trustworthy
Portraits and Textual Poses of Humanist Translators in the Renaissance
Inbunden, Engelska, 2026
771 kr
Kommande
In this Element I investigate how Renaissance humanist translators used the printed page to construct a trustworthy persona and persuade readers of their translations' value. These portraits did more than decorate books - they shaped the public identity of translators, lent credibility to their work, and positioned them within broader networks of cultural authority. As the early modern book trade expanded, portraits became key instruments in establishing recognisability - what we might now call a 'brand' - that reassured readers and patrons alike. By revealing how trustworthiness was deliberately performed and circulated in print, this Element reframes the role of translators in Renaissance culture and offers new insights into the social and symbolic economies of early modern trust.
- Nyhet
771 kr
Skickas inom 7-10 vardagar
The regular public transmission of news was one of the great inventions of the Renaissance. This Element, while offering a general account of news in the period, will convey the latest research results concerning the dynamics and significance of this major development. Drivers of change, apart from sheer curiosity, included state officials seeking opportunities, merchants seeking markets, writers seeking jobs. Traditional oral settings for news exchange, in homes, at court, and in public squares, from this period onward would have a constant supply of new topics of conversation originating not only from local occurrences but from far away, and not only from books, pamphlets and private letters, but also from regularly produced news sheets - first handwritten, then printed -covering what were thought to be the major events of the day, with significant effects on widespread ways of thinking and behaving.
The Fabric of War
The Material Culture and Social Lives of Banners in Renaissance Europe
Inbunden, Engelska, 2025
771 kr
Skickas inom 7-10 vardagar
The Fabric of War traces the rich history of flags and banners in Renaissance Europe through a critical analysis of the cultural, ideological, material, and artistic histories of these complex and ubiquitous objects. It examines banners as numinous textiles that animated and adorned battle, energized and embellished armies, constructed and celebrated victory. Though flags are often investigated as mere symbols to be deciphered - as heraldic code revealing identity - they were vibrant and charismatic textiles whose mutability, movement, and multivalency constituted their appeal and salience. Banners propelled their viewers not only to decipher or identify, but to act.
748 kr
Skickas inom 7-10 vardagar
This Element examines the life and legacy of the sixteenth-century Ethiopian intellectual Täsfa Ṣeyon. It reconstructs his formative years in the Horn of Africa and his diasporic life in the Holy Land and Italian peninsula, where he emerged as a prominent intermediary figure at Santo Stefano degli Abissini, an Ethiopian monastery within the Vatican. He became a librarian, copyist, teacher, translator, author, and community leader, as well as a prominent advisor to European humanist scholars and Tridentine Church authorities concerned with the emerging field of philologia sacra as it pertained to Ethiopian Orthodox (täwaḥedo) Christianity. The Element reconstructs his wide-ranging contacts with the Roman Curia and emerging orientalist academy, and then scrutinizes his editio princeps of the Ge'ez Gospels. A final section traces his modern influence, erasure, and rediscovery by later generations of European, Ethiopian, and Eritrean intellectuals.
232 kr
Skickas inom 7-10 vardagar
This Element examines the life and legacy of the sixteenth-century Ethiopian intellectual Täsfa Ṣeyon. It reconstructs his formative years in the Horn of Africa and his diasporic life in the Holy Land and Italian peninsula, where he emerged as a prominent intermediary figure at Santo Stefano degli Abissini, an Ethiopian monastery within the Vatican. He became a librarian, copyist, teacher, translator, author, and community leader, as well as a prominent advisor to European humanist scholars and Tridentine Church authorities concerned with the emerging field of philologia sacra as it pertained to Ethiopian Orthodox (täwaḥedo) Christianity. The Element reconstructs his wide-ranging contacts with the Roman Curia and emerging orientalist academy, and then scrutinizes his editio princeps of the Ge'ez Gospels. A final section traces his modern influence, erasure, and rediscovery by later generations of European, Ethiopian, and Eritrean intellectuals.
239 kr
Skickas inom 7-10 vardagar
In the early modern period costume books and albums participated in the shaping of a new visual culture that displayed the diversity of the people of the known world on a variety of media including maps, atlases, screens, and scrolls. At the crossroads of early anthropology, geography, and travel literature, this textual and visual production blurred the lines between art and science. Costume books and albums were not a unique European production: in the Ottoman Empire and the Far East artists and geographers also pictured the dress of men and women of their own and faraway lands hybridizing the Renaissance western tradition. Acknowledging this circulation of knowledge and people through migration, travel, missionary and diplomatic encounters, this Element contributes to the expanding field of early modern cultural studies in a global perspective.
239 kr
Skickas inom 7-10 vardagar
The Renaissance was a highly mobile, turbulent era in Europe, when war, poverty, and persecution pushed many people onto the roads in search of a living or a safe place to settle. In the same period, the expansion of European states overseas opened up new avenues of long-distance migration, while also fuelling the global traffic in slaves. The accelerating movement of people stimulated commercial, political, religious, and artistic exchanges, while also prompting the establishment of new structures of control and surveillance. This Element illuminates the material and social mechanisms that enacted mobility in the Renaissance and thereby offers a new way to understand the period's dynamism, creativity, and conflict. Spurred by recent 'mobilities' studies, it highlights the experiences of a wide range of mobile populations, paying particular attention to the concrete, practical dimensions of moving around at this time, whether on a local or a global scale.
239 kr
Skickas inom 7-10 vardagar
This Element explores the longest spell that can be computed from quantifiable fiscal records when the gap between rich and poor narrowed. It was the post-Black-Death century, c. 1375 to c. 1475. Paradoxically, with economic equality and prosperity on the rise, peasants, artisans and shopkeepers suffered losses in political representation and status within cultural spheres. Threatened by growing economic equality after the Black Death, elites preserved and then enhanced their political, social, and cultural distinction predominantly through noneconomic means and within political and cultural spheres. By investigating the interactions between three 'elements'-economics, politics, and culture-this Element presents new facets in the emergence of early Renaissance society in Italy.