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An instant classic of American sportswriting—the tennis essays of David Foster Wallace, “the best mind of his generation” (A. O. Scott) and “the best tennis-writer of all time” (New York Times) Gathered for the first time in a deluxe collector's edition, here are David Foster Wallace's legendary writings on tennis, five tour-de-force pieces written with a competitor's insight and a fan's obsessive enthusiasm. Wallace brings his dazzling literary magic to the game he loved as he celebrates the other-worldly genius of Roger Federer; offers a wickedly witty disection of Tracy Austin's memoir; considers the artistry of Michael Joyce, a supremely disciplined athlete on the threshold of fame; resists the crush of commerce at the U.S. Open; and recalls his own career as a "near-great" junior player.Whiting Award-winning writer John Jeremiah Sullivan provides an introduction.

The book that sparked the modern environmental movement, with an unprecedented collection of letters, speeches, and other writings that reveal the extraordinary courage and vision of its authorLibrary of America launches its Rachel Carson edition with this deluxe illustrated volume presenting one of the landmark books of the twentieth century together with rare letters, speeches, and other writings that reveal the personal courage and passionate commitment of its author. A huge bestseller when published in September 1962, Silent Spring led not only to many of the laws and government agencies that protect our air, land, and water, but prompted a revolution in environmental consciousness. Now for the first time, in previously unpublished and newly collected letters to biochemists, ecologists, cancer specialists, ornithologists, and other experts, Carson's groundbreaking expose of the unintended consequences of pesticide use comes together piece-by-piece, like a puzzle or detective story. She makes common cause with conservationists and other allies to build public awareness, hiding her private battle with cancer for fear it might distract from her message. And in the wake of her book's astonishing impact, as she becomes the target of an organized campaign of disinformation by the chemical industry, Carson speaks out in defense of her findings while remaining a model of grace under pressure. Throughout the collection, Carson's lifelong love of nature shines through. In writings both lyrical and intensely moving, she conveys her "sense of wonder" to her young nephew, dreams of conserving old-growth forest in Maine for posterity, and recounts her adventures and epiphanies as birdwatcher and beachcomber. A future companion volume will gather Carson's "sea trilogy": Under the Sea-Wind (1941), The Sea Around Us (1951), and The Edge of the Sea (1955).LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

100th Anniversary Deluxe Edition: A richly illustrated, full-color, clothbound celebration of the novel that established Hemingway as the preeminent voice of the Lost Generation Rediscover a literary masterpiece through illuminating commentary that brings its colorful world to vivid lifeThe Sun Also Rises is the novel that established Hemingway as the preeminent voice of the Lost Generation. Now, rediscover this classic work in a fully illustrated annotated centenary edition that features Library of America’s authoritative corrected text, including an introduction by The New Yorker's Adam Gopnik, some 140 illustrations and photographs, and more than 200 fascinating marginal notes.Drawn from the authoritative Library of America edition of Hemingway’s writings, this deluxe edition features: The novel’s original opening two chapters from his typescript, cut at the strong urging of his friend F. Scott Fitzgerald. A selection of letters from Hemingway to Maxwell Perkins, F. Scott Fitzgerald, and others that concern the composition, editing, and publication of The Sun Also Rises.Other special features include an introduction by Adam Gopnik and a detailed chronology of Hemingway’s life and career. Throughout, Hemingway scholar Robert W. Trogdon offers fascinating insight into the novel's historical and biographical contexts, language, literary allusions, and contemporary references. The large cast of expat figures whom Hemingway fictionalizes in his book, the setting of 1920s Paris and Spain, the San Fermin festival in Pamplona, and, of course, bullfighting, as well as the novel’s rich cultural afterlife, are brought vividly to life as never before. The new, corrected text of the novel fixes numerous errors, restoring key changes made to his original punctuation—most notably in the novel’s famous final lines—to bring us closer than ever before to the groundbreaking modernist work Hemingway envisioned.

THE PURR-FECT GIFT FOR CAT LOVERS: Discover the literary legend's quirky and winsome cat poems, meditations, and drawings Includes the hard-to-find The Art of Bunditsu, plus 30+ other delights from a lifetime of reflection on the mystery and magic of cats"The presence of a cat keeps me in touch with the mystery, the unreasonableness, the beauty, the stubborn wildness of the nonhuman world." In her life as in her art, Ursula K. Le Guin was fascinated by the feline. This irresistable book about cats gathers poems, meditations, and drawings dedicated to the complicated creature that captured her imagination. Here are:The Art of Bunditsu, Le Guin's hard-to-find “tabbist” meditation on the arranging of cats26 cat poems, many illustrated by Le Guin herselfThe Historic First Issue! of Le Guin's one-of-a-kind cat comic book, Supermouse Comix! Cat Correspondence: letters between Le Guin’s cat and those of her daughter detailing the Five Deliberations that cats spend their lives studyingCat Tai Chi, as depicted in a charming series of drawingsA first-of-its-kind collection from a science fiction legend, this delightful purr-purri is a gift for cat lovers and Le Guin fans!

For the last half century, the novels of Philip Roth have re-energized American fiction and redefined its possibilities, leading the critic Harold Bloom to proclaim Roth ?our foremost novelist since Faulkner.? Roth?s comic genius, his imaginative daring, his courage in exploring uncomfortable truths, and his assault on political, cultural, and sexual orthodoxies have made him one of the essential writers of our time. By special arrangement with the author, The Library of America continues the definitive edition of Roth?s collected works. This fifth volume of The Library of America?s definitive edition of Philip Roth?s collected works presents four books that exemplify the description of Roth, proposed by British novelist Anthony Burgess, as a writer ?who never steps twice into the same river.? The Counterlife (1986) is a novel told from conflicting perspectives about people enacting drastic dreams of renewal and escape. The Facts (1988)?the first of the ?Roth Books??is a novelist?s autobiography in which the author presents his own battles defictionalized and unadorned. In the second Roth book, Deception (1990), a married American named Philip, living in London, and the married Englishwoman who is his mistress meet sporadically in a secret trysting place where the woman eloquently reveals herself to her lover as they talk before and after making love. In the third Roth book, Patrimony (1991), the author watches as his 86-year-old father, Herman Roth, battles a fatal brain tumor.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The most authoritative edition ever published: Read Gatsby exactly as Fitzgerald intended - and get an inside look at its composition and publication. Boats against the current, we are borne back ceaselessly to The Great Gatsby. Now, in this deluxe annotated anniversary edition, James L. W. West provides running commentary on F. Scott Fitzgerald's classic novel, glossing contexts, language, literary allusions, and contemporary references. Dozens of illustrations and photographs throughout the volume vividly recreate the Jazz Age world of Fitzgerald's most famous work and chronicle its rich cultural afterlife, encouraging readers to linger in the margins of this deluxe annotated edition. Drawn from the authoritative Library of America edition of Fitzgerald's writings, this deluxe edition features: A new introduction by Amor Towles, bestselling author of Rules of Civility and A Gentleman in Moscow; a corrected text of Gatsby based on Fitzgerald's composite manuscript, working galleys, and personal copies; restored American spellings and emendations made by Fitzgerald throughout the book's life; 13 annotated letters between Fitzgerald and Gatsby's star editor Maxwell Perkins; a detailed chronology of Fitzgerald's life and career, plus extensive explanatory and textual notes. With stunning illustrations, insightful commentary, and fascinating insights into the composition, editing, and publication of The Great Gatsby, this 100th anniversary edition of 'the Great American novel' is the most authoritative ever published, a must for any fan of this landmark American novel, and anyone interested in the life and literature of the Jazz Age.

The definitive firsthand narrative of the Civil War, in a collector's boxed setAfter 150 years the Civil War still holds a central place in American history and self-understanding. It is our greatest national drama, at once heroic, tragic, and epic—our Iliad, but also our Bible, a story of sin and judgment, suffering and despair, death and resurrection in a “new birth of freedom.” This four-volume Library of America series orchestrates a symphony of firsthand voices to chronicle as never before the full drama of the nation’s most devastating conflict, from Lincoln’s election in 1860 to the Grand Review of the Armies in 1865. Each volume includes headnotes, a chronology of events, biographical and explanatory endnotes, full-color endpaper maps, and an index. As a special feature, this boxed set includes four pull-out posters featuring full color maps by expert Civil War cartographer Earl McElfresh. Here is the ultimate gift for anyone interested in the Civil War era.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

More urgent than ever, two landmark essays by the legendary political theorist on the greatest threat to democracy, gathered with a new introduction by David Bromwich“No one,” Hannah Arendt observed, “has ever counted truthfulness as a political virtue.” But why do politicians lie? What is the relationship between political lies and self-delusion? And how much organized deceit can a democracy endure before it ceases to function?Fifty years ago, the century’s greatest political theorist turned her focus to these essential questions in two seminal essays, brought together here for the first time. Her conclusions, delivered in searching prose that crackles with insight and intelligence, remain powerfully relevant, perhaps more so today than when they were written.In “Truth and Politics,” Arendt explores the affinity between lying and politics, and reminds us that the survival of factual truth depends on the testimony of credible witnesses and on an informed citizenry. She shows how our shared sense of reality—the texture of facts in which we wrap our daily lives—can be torn apart by organized lying, replaced with a fantasy world of airbrushed evidence and doctored documents. In “Lying in Politics,” written in response to the release of the Pentagon Papers, Arendt applies these insights to an analysis of American policy in Southeast Asia, arguing that the real goal of the Vietnam War—and of the official lies used to justify it by successive administrations—was nothing other than the burnishing of America’s image.In his introduction, David Bromwich (American Breakdown: The Trump Years and How They Befell Us) engages with Arendt’s essays in the context of her other writings and underscores their clarion call to take seriously the ever-present threat to democracy posed by lying.

This Library of America edition is the biggest and best edition of Walt Whitman's writings ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson’s famous message to Whitman: “I greet you at the beginning of a great career.” These twelve poems, including what were later to be entitled “Song of Myself” and “I Sing the Body Electric,” and a preface announcing the author’s poetic theories were the first stage of a massive, lifelong work. Six editions and some thirty-seven years later, Leaves of Grass became one of the central volumes in the history of world poetry.   Each edition involved revisions of earlier poems and the incorporation of new ones. As it progressed, it was hailed by Emerson, Thoreau, Rosetti and others, but was also, as with the sixth edition in 1881–82, beset by charges of obscenity for such poems as “A Woman Waits for Me.” Printed here is the final, great culminating edition of 1891–92, the last supervised by Whitman himself just before his death.   Whitman’s prose is no less extraordinary. Specimen Days and Collect (1882) includes reminiscences of nineteenth-century New York City that will fascinate readers in the twenty-first, notes on the Civil War, especially his service in Washington hospitals, and trenchant comments on books and authors. Democratic Vistas (1871), in its attacks on the misuses of national wealth after the Civil War, is relevant to conditions in our own time, and November Boughs (1888) brings together retrospective prefaces, opinions, and random autobiographical bits that are in effect an extended epilogue on Whitman’s life, works, and times.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The definitive edition of an American master of crime fiction culminates with four modern classics. In Get Shorty, a Miami loan shark with an idea for a movie finds a way to break into Hollywood as a producer, the perfect setup for Elmore Leonard’s brilliantly satiric take on an industry he knew well. Rum Punch (filmed by Quentin Tarantino as Jackie Brown in 1997) shows an aging bail bondsman and an airline stewardess matching wits against lawmen and criminals alike. In Out of Sight, deputy U.S. marshal Karen Sisco and escaped bank robber Jack Foley find themselves thrust together in a highrisk fusion of violent adventure and unlikely romance; included as a special feature is “Karen Makes Out,” the story that introduced Sisco. The collection concludes with Tishomingo Blues, a kaleidoscopic story involving exhibition high divers, Civil War reenactors, and an unforgettable cast of gangsters and hustlers. This is Elmore Leonard at his unbeatable best.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

It was during the 1980s that Elmore Leonard came into his own as the most popular and critically acclaimed crime writer in America. Here he is at the top of his game, with four bestselling works collected into one volume: City Primeval, LaBrava, Glitz and Freaky Deaky. Includes a rare early draft of the first chapter of LaBrava, as well as behind-the scenes accounts of the master at work by Leonard's editor and long-time researcher Gregg Sutter.

Ross Macdonald transformed the detective novel into a literary expression of unique psychological depth and drama. Here, for the first time in a deluxe three-volume Library of America boxed set, are eleven of his classic Lew Archer mysteries.Contains:Four Novels of the 1950s (Library of America volume #264)  The Way Some People Die The Barbarous CoastThe DoomstersThe Galton CaseThree Novels of the Early 1960s (Library of America volume #279)The Zebra-Striped HearseThe ChillThe Far Side of the DollarFour Later Novels (Library of America volume #295)Black MoneyThe Instant EnemyThe Goodbye LookThe Underground ManLIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

What kind of choices fatally shape a life? How does the individual withstand the onslaught of circumstance? These are the dark questions that animate Nemeses, the quartet of thematically related short novels that are published here together for the first time in this final volume of The Library of America’s definitive edition of Philip Roth’s collected works. Everyman (2006) is the sparse and affecting story of one man’s lifelong skirmish with mortality. Set against the backdrop of the Korean War, Indignation (2008) is the extraordinary narrative of a young man struggling against the conformity of McCarthy-era America and his father’s overwhelming fear. In The Humbling (2009), aging actor Simon Axler embarks on a risky and aberrant affair in a desperate attempt to recoup his lost artistic gifts. And in Nemesis (2010), Roth offers an exacting portrait of the emotions—fear and anger, bewilderment and grief—bred by a polio epidemic in Newark in the summer of 1944.Philip Roth is the only living American novelist to have his work published in a comprehensive, definitive edition by The Library of America. He has received the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award twice, the PEN/Faulkner Award three times, the National Medal of Arts, and the Gold Medal in Fiction, the highest award of the American Academy of Arts and Letters.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Gathered together for the first time, Walt Whitman's urgently needed prose writings on the democratic spirit and the soul of the nation. 12 short works encapsulate the American Bard's fiery passions and timeless wisdom for today.Here for the first time in a convenient pocket edition are all of Walt Whitman’s essential prose writings on democracy, including his unforgettable reflections on the roots on American division, the fearful legacy of the Civil War, and shining example of Abraham Lincoln. Few writers have been as harsh in their condemnation of America’s sins and spiritual shortcomings or as abiding in his faith in democratic ideals as Whitman. His clarion voice speaks to us with renewed urgency today.Gathered here are:“The Eighteenth Presidency!,” written during the 1856 presidential campaign, in which Whitman expresses his rage over the immediate prospects for American democracyDemocratic Vistas (1871), in which he dramatizes his role as poet-prophet of a better Americathe searing essay “Origins of Attempted Secession” and shorter extracts on democracy from the classic book Specimen Days (1882).In his introduction, acclaimed political observer David Bromwich examines Whitman’s political prose writings and highlights why they matter today.

Toni Morrison's definitive edition of James Baldwin's incomparable nonfiction.Contains all the major essays collections in their entirety, plus 36 uncollected essays.James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published.With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political.The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the formThe short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories.Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him "the central principle of all art in the twentieth century." Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's "every sentence ... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways."

From the eve of the Great Depression to the start of World War II, Lynd Ward (1905–1985) observed the troubled American scene through the double lens of a politically committed storyteller and a visionary graphic artist. His medium—the wordless “novel in woodcuts”—was his alone, and he quickly brought it from bold iconographic infancy to subtle and still unrivalled mastery. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles.Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate.The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. The Library of America is proud to bring Ward’s masterworks to a new generation of readers, together with nine illuminating essays about his craft, including those he wrote for the long out-of-print Storyteller Without Words, a 1974 retrospective. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

In 13 essays, the great poetry critic offers her final word on the poets who have meant the most to her, from Walt Whitman and Emily Dickinson to Wallace Stevens and Sylvia PlathHelen Vendler was our greatest reader of poetry, a scholar who illuminiated its inner mechanisms and emotional roots for a wide audience. Always attentive to the stylistic and imaginative features of a poem, Vendler addresses the work of a wide range of American, English, and Irish poets—both the canonical and the unexpected—in 13 essays:• Walt Whitman, author of the first PTSD poem• Sylvia Plath, and the lost poetry of motherhood• William Cowper, James Merrill, and A. R. Ammons on poetric charm• Emily Brontë and Emily Dickinson, linked by a poetic mystery• Ocean Vuong and the shaping imagination of poetry today• Wallace Stevens and the enigma of beauty.In these and other essays Vendler demonstrates once again why the Irish poet Seamus Heaney called her “the best close reader of poems to be found on the literary pages.” The thirteen poignant essays gathered here were all published in the last three years of Vendler's life, in the journal Liberties, and intended as her final book. The author’s preface was completed only three days before her death, at age ninety.

Writing with a clarity, grace, and novelistic sweep rare among historians, Barbara W. Tuchman (1912-1989) distilled the complex interplay of personalities and events into gripping narratives that fuse rigorous scholarship with elegant literary art. An astute portraitist, she brilliantly laid bare the all-too-human failures of leaders subject to the pull of historical currents and prone, often tragically, to the ingrained biases of culture and temperament. Her Pulitzer Prize-winning best seller The Guns of August (1962) offers a majestic orchestration of the diplomatic and military history of the crucial first weeks of World War I. Tuchman's observations about the irrational escalation of conflict made a deep impression on President John F. Kennedy and influenced his actions during the Cuban Missile Crisis; fifty years later, The Guns of August remains an exemplary study of events propelled headlong by their own internal logic and momentum. Some of Tuchman's finest writing is contained in her following book, The Proud Tower: A Portrait of the World before the War, 1890-1914 (1966), a fascinating kaleidoscope of eight precisely drawn essays on subjects ranging from international socialism and anarchism to the Dreyfus Affair in France and the birth of American imperialism that collectively set the stage for the cataclysm of 1914. Presented in one volume for the first time and released to mark Tuchman's centennial year and the fiftieth anniversary of the publication of The Guns of August, here is a vivid, indelible panorama of an epoch in transition.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

For the 400th anniversary of Moliere's birth, Richard Wilbur's unsurpassed translations of Molière's plays--themselves towering achievements in English verse--are brought together by Library of America in a two-volume editionOne of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Molière's plays are especially admired by readers and are still performed today in theaters around the world. "Wilbur," the critic John Simon once wrote, "makes Molière into as great an English verse playwright as he was a French one." Now, for the first time, all ten of Wilbur's unsurpassed translations of Molière's plays are brought together in two-volume Library of America edition, fulfilling the poet's vision for the translations. This first volume comprises Molière's delightful early farces The Bungler, Lover's Quarrels, and The Imaginary Cuckhold, or Sganarelle; the comedies The School for Husbands and The School for Wives, about the efforts of middle-aged men to control their young wives or fiancés, which so delighted female theater goers in Moliere's seventeenth-century France; and Don Juan, Molière's retelling of the Don Juan story, performed only briefly in the playwright's lifetime before pious censure forced it to close and not part of the repertoire of the Comédie-Française until 1847. This volume includes the original introductions by Richard Wilbur and a foreword by Adam Gopnik on the exquisite art of Wilbur's translations.

Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him one of America’s finest writers of the twentieth century. The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.Light in August (1932) incorporates Faulkner’s religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry—all find their lives entangled in the inexorable succession of love, birth, and death.Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called “the human heart in conflict with itself,” it illustrates how he became one of the great humanists of twentieth-century literature.The Library of America edition of Faulkner’s work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner’s intentions.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Library of America presents its authoritative two-volume edition of America's most provocative critic in a deluxe collector's boxed set. Includes Against Interpretation, On Photography, Regarding the Pain of Others, and 6 other classic Sontag collections.Susan Sontag was an incandescent presence in American culture, whether as essayist, fiction writer, filmmaker, or political activist. As a critic, she became the most provocative and influential voice of her time. More than a commentator on her era, she helped shape it.Here for the first time is Library of America's authoritative two-volume edition of Susan Sontag's brilliant essays in deluxe collector's boxed set. Includes 9 complete collections and six uncollected essays:Vollume I: Essays of the 1960s & 70sAgainst Interpretation • Styles of Radical Will • On Photography • Illness as Metaphor • uncollected essays Volume II: Later EssaysUnder the Sign of Saturn • AIDS and Its Metaphors • Where the Stress Falls • Regarding the Pain of Others • At the Same TimeEach cloth hardcover volume comes complete with helpful annotation,  detailed textual essays, and a chronology of Sontag's remarkable life and career prepared by her son, the writer David Rieff.

For the 250th anniversary of the start of the American Revolution, acclaimed historian Gordon S. Wood presents a landmark collection of British and American pamphlets from the political debate that divided an empire and created a nation: In 1764, in the wake of its triumph in the Seven Years War, Great Britain possessed the largest and most powerful empire the world had seen since the fall of Rome and its North American colonists were justly proud of their vital place within this global colossus. Just twelve short years later the empire was in tatters, and the thirteen colonies proclaimed themselves the free and independent United States of America. Now, for the 250th anniversary of the Stamp Act Crisis, the momentous upheaval that marked the beginning of the American Revolution, Pulitzer Prize–winning historian Gordon S. Wood presents a landmark two-volume edition of the political debate that led to the Declaration of Independence. This unprecedented collection gathers in two authoritative Library of America volumes the complete texts of thirty-nine of the most fascinating and influential British and American pamphlets of the period: inexpensive, widely circulated works that were the instant media of their day, ideal for the rapid exchange of ideas. In the first volume a controversy about the origin and function of colonies quickly becomes a deeper dispute over the nature of political liberty itself, in which Massachusetts lawyer James Otis boldly asserts the colonists’ natural rights; Benjamin Franklin gives dramatic testimony against the Stamp Act before the House of Commons; John Dickinson calls for collective action in the famous Letters from a Farmer in Pennsylvania; and the so-called “Boston Pamphlet,” written by Samuel Adams and others, turns the focus of debate to the question of sovereignty, setting the stage for the final crisis to come. In the second volume Thomas Jefferson advances a vision of a radically new kind of empire in the work that first made him famous; Joseph Galloway presents an ingenious but ill-fated plan for preserving union with Great Britain; Samuel Johnson gives vent to his deep animus for the Americans and their pretensions to liberty; Edmund Burke makes an eloquent case for reconciliation before it’s too late; and Thomas Paine, in the truly revolutionary Common Sense, proclaims that the “birthday of a new world is at hand.” Prepared by the nation’s leading historian of the American Revolution, each volume includes an introduction, headnotes, biographical notes about the writers, a chronology charting the rise and fall of the first British empire, a textual essay describing the production, reception, and influence of each work, and detailed explanatory notes. As a special feature, the set also features typographic reproductions of the pamphlets’ original title pages. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.