Cambridge Greek and Latin Classics – serie

The twenty-fourth book of the Iliad - the account of Priam's ransoming of Hector's body from Achilles - is one of the masterpieces of world literature, a work of interest to a far wider audience than scholars of ancient Greek. In this edition Colin Macleod tries to reach both scholars and Greekless readers alike. In his commentary he gives help to readers unfamiliar with the language of Homer and discusses problems of content and expression, never treating this book in isolation but drawing attention to Homer's artistry and thought in the context of the whole of the Iliad. In his introduction Mr Macleod examines Homer's notion of poetry, his style and language and the architecture and meaning of his work. He tries to show why Book XXIV is a proper conclusion to the Iliad. This is an edition for classical scholars, undergraduates and students in the upper forms of schools. The introduction and substantial parts of the commentary require no knowledge of Greek and should find readers among all who are interested in European literature.

The sixth book of the Iliad includes some of the most memorable and best-loved episodes in the whole poem: it holds meaning and interest for many different people, not just students of ancient Greek. Book 6 describes how Glaukos and Diomedes, though fighting on opposite sides, recognise an ancient bond of hospitality and exchange gifts on the battlefield. It then follows Hector as he enters the city of Troy and meets the most important people in his life: his mother, Helen and Paris, and finally his wife and baby son. It is above all through the loving and fraught encounter between Hector and Andromache that Homer exposes the horror of war. This edition is suitable for undergraduates at all levels, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and is intended for all readers interested in Homer.

The Greek prose writer Lysias is a fascinating source for the study of Athenian law, society and history in the late fifth century BC. Six of his professional legal speeches are selected in this new edition, both for their intrinsic interest and because the language is accessible even to the comparative beginner. In his introduction Dr Carey discusses Lysias' life and place in the evolution of Greek prose style, and the development of Greek rhetoric. He approaches the speeches in terms of their function, as attempts to secure a verdict favourable to the speaker, and assesses how effectively the selection and deployment of arguments promote this end. In the commentary he addresses problems of Lysias' style and syntax, and textual issues where necessary, but the particular focus is always literary: Lysias' use of rhetorical devices, his marshalling of fact and argument and his manipulation of contemporary values and prejudices are examined in detail. These speeches are invaluable historical documents and will be of interest to students of ancient history and civilisation, as well as classicists.

The corpus of Greek lyric holds a twofold attraction. It provides glimpses of the song culture of early Greece in which lyric performance had a central place, and it presents us with some captivating and memorable poetry which has been admired since antiquity. This edition gathers poems by seven of the nine canonical lyricists (Alcman, Alcaeus, Sappho, Stesichorus, Ibycus, Anacreon, Simonides), as well as a number of carmina popularia and carmina convivalia and passages from Timotheus' Persians. Both longer and shorter pieces are included. The introduction discusses major issues in the study of Greek lyric including genre, performance and transmission. The commentary is literary in emphasis but also treats questions of syntax, textual reconstruction, metre and dialect. The volume will be of interest to higher-level undergraduates and graduate students as well as to scholars.

In 399 BC Socrates was prosecuted, convicted, sentenced to death and executed. These events were the culmination of a long philosophical career, a career in which, without writing a word, he established himself as the figure whom all philosophers of the next few generations wished to follow. The Apologies (or Defence Speeches) by Plato and Xenophon are rival accounts of how, at his trial, Socrates defended himself and his philosophy. This edition brings together both Apologies within a single volume. The commentary answers literary, linguistic and philosophical questions in a way that is suitable for readers of all levels, helping teachers and students engage more closely with the Greek texts. The introduction examines Socrates himself, the literature generated by his trial, Athenian legal procedures, his guilt or innocence of the crimes for which he was executed, and the rivalry between Xenophon and Plato.

Longus' Daphnis and Chloe is arguably our finest surviving Greek novel. Written under the Roman Empire and engaging with romantic, pastoral and rhetorical themes, the story and characterisation have captured the imaginations of artists over the centuries. Despite a growing interest in ancient novels over the past half-century, this is the first full commentary to address Longus' linguistic texture and its implications for his literary aspirations, as well as his narrative skills and intertextuality with earlier Greek writers. The commentary provides a detailed analysis of Longus' Greek and its relation to other Greek prose and poetry of the second century AD and earlier, and emphasises the construction and style of the original text, drawing out key points for clarification and discussion. A wide-ranging introduction ensures that this book will be an indispensable guide for teachers and students of all levels who are looking to engage with Longus' writing.

Book 1 of De Natura Deorum exhibits in a nutshell Cicero's philosophical method, with the prior part stating the case for Epicurean theology, the latter (rather longer) part refuting it. Thus the reader observes Cicero at work in both constructive and skeptical modes as well as his art of characterizing speakers. Prefaced to the Book is Cicero's most elaborate justification of his philosophical writing. The Book thus makes an ideal starting point for the study of Cicero's philosophica or indeed of any philosophical writing in Latin, since it delineates the problems such a project raised in the minds of Roman readers and shows how Cicero thought they could be met. There is also a systematic and detailed doxography of ancient views about the deity, an important document in itself, presented from an Epicurean perspective. The volume's Introduction situates this text within Cicero's intellectual development and ancient reflection about the gods.

In Book XIV of the Metamorphoses Ovid takes his epic for the first time into Italy and continues from book XIII his close intertextual engagement with Virgil's Aeneid. His tendentious treatment of his model subordinates Virgil's epic plot to fantastic tales of metamorphosis, including the erotic Italian tales of Circe Glaucus, and Scylla, and Picus, and Canens. Other Roman myths include Pomona and Vertumnus, as well as events from Romulus' reign. The deifications of Aeneas and Romulus anticipate the poem's closing episodes of imperial apotheosis. This commentary provides guidance to advanced undergraduate and graduate students for understanding Ovid's language, style, artistry, and allusive techniques. The introduction discusses the major structures, themes, and stylistic features of book XIV, its place within the poem as a whole, and Ovid's interpretive imitation of Virgil's Aeneid.

In this edition of Sophocles' Electra, one of the greatest tragedies in Greek or any literature, Mr Kells presents the play as a study in revenge, but in a subtle way whose meaning depends upon the continuous use of dramatic irony. He relates the confrontations of principle and character depicted to the social and political controversies of the period in which Sophocles was writing. The introduction describes the background to the play, explains some of the main features of Sophocles' style, and outlines an interpretation which is fully worked out in the detailed commentary. There are appendices on metre and the text. The edition is intended for use by senior school and undergraduate students, and all those concerned to read and appreciate the play in the original.

Hecuba was the most widely read play of Euripides from antiquity to the Renaissance, appealing to readers and spectators for its controversial treatment of moral themes: revenge, war and slavery, violence, human sacrifice, gender and ethnic relations. It narrates the death of Hecuba's daughter Polyxena, sacrificed by the Greeks to placate the ghost of Achilles, and that of her son Polydorus, killed out of greed by the Thracian king who was supposed to protect him. Hecuba successfully plots a cruel and shocking revenge against the killer. The play is now at the centre of the attention of scholars and performing artists. This edition offers new textual and interpretive suggestions, and provides detailed guidance on problems of language as well as employing conceptual tools from contemporary linguistics. It will be useful for upper-level undergraduates and graduate students, as well as of interest to scholars.

Pseudolus of all Plautus' comedies most fully reveals its author's metapoetics. As its eponymous clever slave telegraphs his every move to spectators, Pseudolus highlights the aesthetic, social, and performative priorities of Plautine comedy: brilliant linguistic play, creative appropriation of comic tradition, interrogation of convention and social norms, the projection of an air of improvisation and a fresh comic universe, and exploration of dramatic mimesis itself. The extensive Introduction analyses Plautus' delightful comedy as a stage-performance, the comic playwright's translation and adaptation practices, his innovative deployment of language and metrical and musical virtuosity, as well as the play's transmission and reception. In addition to detailed elucidation of the Latin text, the Commentary examines Pseudolus as a lens into Roman slave society at the time of its debut at the Megalensian festival of 191 BCE. The edition engages throughout with current criticism and issues of interest to both students and scholars.

The second part of the Odyssey takes epic in new directions, giving significant roles to people of 'lower status' and their way of life: epic notions of the primacy of the aristocrat and the achievements of the Trojan War are submitted to scrutiny. Books XIII and XIV contain some of the subtlest human exchanges in the poem, as Athena and Odysseus spar with each other and Odysseus tests the quiet patience of his swineherd Eumaeus. The principal themes and narrative structures, especially of disguise and recognition, which the second part uses with remarkable economy, are established here. The Introduction also includes a detailed historical account of the Homeric dialect, as well as sections on metre and the text itself. The Commentary on the Greek text pays particular attention to the exposition of unfamiliar linguistic forms and constructions. The literary parts of the Introduction and the Commentary are accessible to all.

Plutarch's essay 'How to Study Poetry' offers a set of reading practices intended to remove the potential damage that poetry can do to the moral health of young readers. It opens a window on to a world of ancient education and scholarship which can seem rather alien to those brought up in the highly sophisticated world of modern literary theory and criticism. The full Introduction and Commentary, by two of the world's leading scholars in the field, trace the origins and intellectual affiliations of Plutarch's method and fully illustrate the background to each of his examples. As such this book may serve as an introduction to the whole subject of ancient reading practices and literary criticism. The Commentary also pays particular attention to grammar, syntax and style, and sets this essay within the context of Plutarch's thought and writing more generally.

The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

Pliny the Younger's nine-book Epistles is a masterpiece of Roman prose. Often mined as a historical and pedagogical sourcebook, this collection of 'private' letters is now finding recognition as a rich and rewarding work in its own right. The second book is a typically varied yet taut suite of miniatures, including among its twenty letters the trial of Marius Priscus and Pliny's famous portrait of his Laurentine villa. This edition, the first to address a complete book of Epistles in over a century, presents a Latin text together with an introduction and commentary intended for students, teachers and scholars. With clear linguistic explanations and full literary analysis, it invites readers to a fresh appreciation of Pliny's lettered art.

Hecuba was the most widely read play of Euripides from antiquity to the Renaissance, appealing to readers and spectators for its controversial treatment of moral themes: revenge, war and slavery, violence, human sacrifice, gender and ethnic relations. It narrates the death of Hecuba's daughter Polyxena, sacrificed by the Greeks to placate the ghost of Achilles, and that of her son Polydorus, killed out of greed by the Thracian king who was supposed to protect him. Hecuba successfully plots a cruel and shocking revenge against the killer. The play is now at the centre of the attention of scholars and performing artists. This edition offers new textual and interpretive suggestions, and provides detailed guidance on problems of language as well as employing conceptual tools from contemporary linguistics. It will be useful for upper-level undergraduates and graduate students, as well as of interest to scholars.

Books V-IX of the Confessions trace five crucial years in the life of Augustine, from his debut as a teacher of rhetoric in North Africa to his baptism as a Christian and the renunciation of a worldly career in Milan. This commentary will be invaluable for those wishing to read his story in the original Latin. Through careful glosses and notes, Augustine's Latin is made accessible to students of patristics and of classics. His extensive quotations from Scripture are translated and explained in light of the variant Bible texts and the interpretative assumptions through which he came to understand them. The unfolding of his career is set against the background of political, cultural, and religious change in the fourth century, and the art with which he created a form of narrative without precedent in earlier Latin literature is illustrated in close detail.

Tacitus' account of Nero's principate is an extraordinary piece of historical writing. His graphic narrative (including Annals XV) is one of the highlights of the greatest surviving historian of the Roman Empire. It describes how the imperial system survived Nero's flamboyant and hedonistic tenure as emperor, and includes many famous passages, from the Great Fire of Rome in AD 64 to the city-wide party organised by Nero's praetorian prefect, Tigellinus, in Rome. This edition unlocks the difficulties and complexities of this challenging yet popular text for students and instructors alike. It elucidates the historical context of the work and the literary artistry of the author, as well as explaining grammatical difficulties of the Latin for students. It also includes a comprehensive introduction discussing historical, literary and stylistic issues.

The myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in Prometheus Bound Hesiod's morality tale has been transformed into a drama of tragic tone and proportions. In the introduction, Mark Griffith examines how the dramatist has achieved this transformation, looking at the play from all angles - plot and characters, dramatic technique, style and metre. He includes a short section on the production of the play and on the questions of authenticity and date. The commentary guides the reader through problems of language, metre and content. An important feature of this volume is the appendix, which gathers together the existing fragments of the other two plays in the supposed Prometheus trilogy, quoting them in full in the original language and in translation, with short accompanying commentary. This is suitable for undergraduates and students in the upper forms of schools. It also deserves the serious attention of scholars. The introduction requires no knowledge of Greek and will interest students of drama and literature in other cultures too.

This volume comprises an edition with introduction and commentary of the first book of Horace's Epistles. These imaginary letters in verse represent the poet's most original contribution to Latin literature. The introduction discusses fully the invention of the new poetic form and the carefully devised style in which the letters are composed. There is also discussion of the addressees and of the main topics, as well as of the lay-out of the poems and the organisation of the book as a whole. The common view that the poems mark a conversion of Horace to philosophy is reassessed. The commentary offers analyses of the tone of the language, particularly the poetic qualities of Horatian usage. There is an ample index.

This volume and its companion volume devoted to the second half of the poem provide a detailed commentary, with text, on the whole of Virgil's Georgics. Professor Thomas describes this work as 'perhaps the most difficult, certainly the most controversial, poem in Roman literature'. He presents the Georgics as the finished poem of Virgil's mature years, approaching it not merely as a part of the tradition of didactic poetry, but rather as a work which confronts, behind its generic appearance, issues not essentially different from those which inform the Eclogues and Aeneid. His introduction and Commentary argue that Virgil's agricultural world, with its successes, failures and ultimate limitations, represents the arena for man's struggle with the realities of existence. Professor Thomas pays particular attention to Virgil's allusion to and reshaping of prior Greek and Latin poetry. The Introduction also covers stylistic, metrical and structural questions. A subject index and indexes of important Greek and Latin words conclude each volume. This edition is aimed primarily at students at university and in the upper forms of schools, but the range of its scholarship means that it will be valuable to all classical scholars. The Introduction contains material for non-classicists interested in Latin literature.

The four private speeches contained in this collection were functional artefacts whose object was to persuade a jury numbered in hundreds by manipulating both the facts of the case and the prejudices, beliefs and attitudes of the Athenian man-in-the-street. It is as vehicles of persuasion that Dr Carey and Dr Reid seek primarily to treat the speeches, using their commentary to shed light on how well the speeches perform their function. The speeches have also been chosen for their value as documents of Athenian law, commerce and private life. The commentary explains as far as possible any obscurities in these fields and also deals with matters of linguistic interest. While intended mainly for undergraduates and students in the upper forms of schools, the book will be of interest to all classical scholars. The introduction, which provides a brief survey of the Athenian legal system and the trade of the speechwriter, requires no knowledge of Greek and should interest students of classical culture and literature in translation.

Plutarch's Life of Antony is a work remarkable for its colourful narrative and vivid characterisation of Antony and Cleopatra. This book presents the Greek text of the Life, accompanied by an extensive introduction and a detailed commentary. Dr Pelling is concerned throughout to discuss the work as literature. The introduction sets the life in its historical and literary context and the commentary pays particular attention to discussing the value of Plutarch's narrative as a historical source for the period and to explaining points of linguistic difficulty. An especially interesting and friutful approach used by Dr Pelling is to compare the work with Shakespeare's Antony and Cleopatra (which was almost wholly based to Plutarch's Life), bringing out how much Shakespeare's conception of the character and destiny of his protagonists owes to Plutarch, and tracing its transposition into dramatic form. Intended primarily as a textbook for undergraduate students, this edition will nevertheless be of interest to all Greek scholars, to ancient historians, and also the students of English literature since the relevant discussions require no knowledge of Greek.

Professor Sommerstein here presents a freshly constituted text, with introduction and commentary, of Eumenides, the climactic play of the only surviving complete Greek tragic trilogy, the Oresteia of Aeschylus. Eumenides is of all Athenian tragic dramas the one most consciously designed to be relevant to the situation of the Athenian state at the time of its performance (458 BC), and seems to have contained daring innovations both in technique and in ideas. The introduction and commentary to this edition seek to bring out how Aeschylus shaped to his purpose the legends he inherited, and ended the tragic story of Agamemnon's family in a celebration of Athenian civic unity and justice. The commentary also pays detailed attention to the linguistic, metrical and textual problems to be encountered by the reader.

Sophocles' Trachiniae is, in the editor's words, 'a subtle and sophisticated play about primitive emotions'. It is also a play which presents problems to a modern audience. Making full use of recent Sphoclean scholarship, Mrs Easterling attempts in her Introduction a detailed literary analysis of Trachiniae, helping the reader to understand better its intricate structure, the treatment of Deianira and Heracles, and the meaning of the final scenes. The notes in the Commentary of grammar, syntax and style include material which will be helpful to comparative beginners in the language, but the commentary as a whole is intended for anyone with a close interest in Greek tragedy. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction is designed to be of use to readers who do not know Greek, as well as to specialists.

The Gourdification of Claudius the God has instant and lasting appeal. It is a uniquely surviving specimen of prose-and-verse satire from the Roman world - and satire, a Roman speciality, is one of the few types of ancient literature to survive, and thrive, in modern society. Its author, Seneca, was not only gifted with intellectual virtuosity, but, at the time of writing, was the precarious power behind the throne of the dangerously developing Nero. Claudius, the target of his malicious wit, remains the most controversial of the first twelve imperial Caesars. The English version facing the text makes the work available to the general reader who may not have any Latin. The text, which is based on a critical examination of all the manuscripts, will be indispensable to scholars. The commentary, which is the first on this scale to have been written in English, is primarily addressed to university and other students.

The Adelphoe (The Brothers) of Terence is a Latin adaptation of a comedy of the same name by the Greek comic playwright Menander. The theme of the play is the perennially interesting question of the relationship between the generations and the proper way to bring up a son. In the introduction Mr Martin considers Terence in the context of Roman comedy generally and discusses the background of the Adelphoe. There is also a section on metre and scansion and a short analysis of the textual tradition. The full and detailed commentary, besides elucidating the text, seeks at all times to help the reader to understand the work as a play to be enjoyed. The edition is intended for use by students at school and university and for anyone wishing to read and appreciate the play in the original.

Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language. The editors' aim is to establish the play as one of the liveliest of ancient comedies, and in their introduction and notes to make the reader continually aware of the conditions of an actual stage performance. They discuss the background and conventions of Roman comedy and by offering a complete metrical analysis they help the reader to appreciate the original musical structure of the play. The edition is intended primarily for use by students at school and university but will be of value to anyone interested in reading the play in the original.

Book VIII is one of the most attractive and important books of Virgil's Aeneid. It includes the visit of Aaneas to the site of the future Rome, the story of Hercules and Cacus, the episode between Venus and Vulcan and the description of the great symbolic shield of Aeneas. Mr Gransden's introduction relates this book to the Aeneid as a whole considers the text in various aspects: the topography, Virgil's sense of history, his typology and symbolism, his literary style and his influence on subsequent vernacular poetry. The commentary discusses points of special interest and difficulty in interpretation, style and prosody and gives detailed explanation of the many allusions in Book VIII to customs, legends, traditions and historical events. This is primarily a textbook for university students and sixth-formers, but it also contains material which may be of interest to students of English and comparative literature.