Oxford Studies in Byzantium – serie

The twelfth-century chronicle of John Zonaras, which begins with the biblical Creation and ends in 1118, is one of the longest historical accounts written in Greek that has come down to us. It was also one of the most popular historical works of the Greek-speaking world during the Middle Ages, with a remarkably large number of manuscripts preserving the entire text or parts of it. John Zonaras' Epitome of Histories: A Compendium of Jewish-Roman History and Its Reception analyses Zonaras' chronicle as both a literary composition and a historical account. It concentrates on its composition, sources, and political, ideological, and literary background. It also includes discussions that go beyond the text, such as on the intellectual networks surrounding Zonaras, and the anticipated audience and the reception of the chronicle. By examining such issues, Theofili Kampianaki aims to present Zonaras' chronicle as a product which emerged from a milieu characterized by the increased contacts with Western people and the Komnenian style of rulership in the imperial bureaucracy, and as a work which seamlessly merges the traditions of chronicle writing and classicizing historiography.

Symeon Stylites the Younger and Late Antique Antioch: From Hagiography to History is a study of the authority of the holy man and its limits in times of crisis. Lucy Parker investigates the tensions that emerged when increasingly ambitious claims about the powers of holy men came into conflict with undeniable evidence of their failures, and explores how holy men and their supporters responded to this. The work takes as its central figure Symeon Stylites the Younger (c.521-592), who, from his vantage point on a column on a mountain close to Antioch, witnessed a period of exceptional turbulence in the local area, which, in the sixth century, experienced plague, earthquakes, and Persian invasion. Through an examination of Symeon's own writings, as well as his hagiographic biography, it reveals that the stylite was a divisive figure who played upon social tensions and upon culturally sensitive areas such as paganism to carve out a role for himself as prophet and spiritual authority in the face of considerable opposition. It sets Symeon's life and cult in the context of Antioch and eastern Roman society, offering a new perspective on the state of the empire in the period before the rise of Islam. It argues that hagiography is an exceptionally rich source for the historian, offering insights into debates and tensions which reached to the heart of Christianity.

Homer the Rhetorician is the first monograph study devoted to the monumental Commentary on the Iliad by Eustathios of Thessalonike, one of the most renowned orators and teachers of the Byzantine twelfth century. Homeric poetry was a fixture in the Byzantine educational curriculum and enjoyed special popularity under the Komnenian emperors. For Eustathios, Homer was the supreme paradigm of eloquence and wisdom. Writing for an audience of aspiring or practising prose writers, he explains in his commentary what it is that makes Homer's composition so successful in rhetorical terms. This study explores the exemplary qualities that Eustathios recognizes in the poet as author and the Iliad as rhetorical masterpiece. In this way, it advances our understanding of the rhetorical thought of a leading intellectual and the role of a cultural authority as respected as Homer in one of the most fertile periods in Byzantine literary history.

In twelfth-century Byzantium, poetry played a key part in various contexts of textual production and consumption. One of the leading poets of this period was Theodoros Prodromos, whose surviving corpus comprises approximately 17,000 verses. Even though most of his poetry has been presented in modern critical editions, a group of his works has been overlooked by modern philologists and literary scholars alike. The selected corpus--conventionally designated as Miscellaneous Poems--consists of texts on various themes and in a wide range of genres, ranging from cycles of religious and secular epigrams to riddles, ethopoiiai, and works of a self-referential and essayistic nature. This book includes the first critical edition and study of these poems, accompanied by English translations and commentaries. Their study contributes to a more nuanced picture of Prodromos' intellectual profile, expanding his image as the 'poet laureate' of the Komnenian court and providing entirely new insights into his activity in the different settings of Constantinopolitan intellectual life. The book also sheds new light on the complex relationship between patronage and other aspects of literary activity and the circulation of the same text in different performative contexts.

This book is a study of the nexus between money and power in early Byzantium. Or rather, of one aspect of that nexus, namely the ways in which Constantinople's financiers (money) sought and obtained legal change from the emperor Justinian (power) in the 530s and 540s of our era. Happily, the money-men's lobbying efforts are well-attested: each of Justinian's Novel 136, Edict 9, and Edict 7 describe the petitions by the bankers' guild of Constantinople that prompted them, and his Novel 106 recounts in detail the consultations that led to Justinian's re-regulation of maritime lending. These laws offer rare insights into how the “special interests” of finance petitioned for and won favour from the imperial authority even if we know next to nothing about the individual petitioners themselves.Gaining those insights, however, requires engagement with many complex legal issues. What did financiers ask for? Why? What strategies did they pursue? How did Justinian respond? Why did he respond as he did? Such questions are prosaic but essential for reconstructing relations between petitioning financiers and responsive emperor. Accordingly, after a brief introduction situating what follows within scholarship, the book contextualises the financiers' requests and the legislation responding to them within the wider social, economic, cultural, and political context of late antique petitioning. It then applies that contextualization to each financial Novel to reconstruct the dynamic decision-making on display by both petitioners and emperor alike. Among other things, the book contributes to long-standing scholarly disputes on dating of the sources, to our understanding of the role of bankers in the monetary economy in the period, and to a proper understanding of the relationship of Edict 7 to the Plague of Justinian. It also offers a new interpretation of the reasons for Justinian's adoption and almost immediate repeal of a new legal regime for maritime lending. This study contributes to rethinking sixth-century legislative processes, offers suggestions for the application of new methodologies to early Byzantine legal history, and suggests ways in which Justinian's financial Novels can be used to pursue other, broader lines of historical inquiry.

Law was central to the ancient Roman's conception of themselves and their empire. Yet what happened to Roman law and the position it occupied ideologically during the turbulent years of the Iconoclast era, c.680-850, is seldom explored and little understood. The numerous legal texts of this period, long ignored or misused by scholars, shed new light on this murky but crucial era, when the Byzantine world emerged from the Roman Empire.Law, Power, and Imperial Ideology in the Iconoclast Era uses Roman law and canon law to chart the various responses to these changing times, especially the rise of Islam, from Justinian II's Christocentric monarchy to the Old Testament-inspired Isaurian dynasty. The Isaurian emperors sought to impose their control and morally purge the empire through the just application of law, sponsoring the creation of a series of concise, utilitarian texts that punished crime, upheld marriage, and protected property. This volume explores how such legal reforms were part of a reformulation of ideology and state structures that underpinned the transformation from the late antique Roman Empire to medieval Byzantium.

In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement, chiefly exemplified in the poetry of Christophoros Mitylenaios, Ioannes Mauropous, and Michael Psellos. This is the first volume to consider this poetic activity as a whole, critically reconsidering modern assumptions about Byzantine poetry, and focusing on Byzantine conceptions of the role of poetry in society.By providing a detailed account of the various media through which poetry was presented to its readers, and by tracing the initial circulation of poems, this volume takes an interest in the Byzantine reader and his/her reading habits and strategies, allowing aspects of performance and visual representation, rarely addressed, to come to the fore. It also examines the social interests that motivated the composition of poetry, establishing a connection with the extraordinary social mobility of the time. Self-representative strategies are analyzed against the background of an unstable elite struggling to find moral justification, which allows the study to raise the question of patronage, examine the discourse used by poets to secure material rewards, and explain the social dynamics of dedicatory epigrams. Finally, gift exchange is explored as a medium that underlines the value of poetry and confirms the exclusive nature of intellectual friendship.

At the beginning of the thirteenth century Byzantium was still one of the most influential states in the eastern Mediterranean, possessing two-thirds of the Balkans and almost half of Asia Minor. After the capture of Constantinople in 1204 during the Fourth Crusade, the most prominent and successful of the Greek rump states was the Empire of Nicaea, which managed to re-capture the city in 1261 and restore Byzantium. The Nicaean Empire, like Byzantium of the Komnenoi and Angeloi of the twelfth century, went on to gain dominant influence over the Seljukid Sultanate of Rum in the 1250s. However, the decline of the Seljuk power, the continuing migration of Turks from the east, and what effectively amounted to a lack of Mongol interest in western Anatolia, allowed the creation of powerful Turkish nomadic confederations in the frontier regions facing Byzantium. By 1304, the nomadic Turks had broken Byzantium's eastern defences; the Empire lost its Asian territories forever, and Constantinople became the most eastern outpost of Byzantium. At the beginning of the fourteenth century the Empire was a tiny, second-ranking Balkan state, whose lands were often disputed between the Bulgarians, the Serbs, and the Franks.Using Greek, Arabic, Persian, and Ottoman sources, Byzantium and the Turks in the Thirteenth Century presents a new interpretation of the Nicaean Empire and highlights the evidence for its wealth and power. It explains the importance of the relations between the Byzantines and the Seljuks and the Mongols, revealing how the Byzantines adapted to the new and complex situation that emerged in the second half of the thirteenth century. Finally, it turns to the Empire's Anatolian frontiers and the emergence of the Turkish confederations, the biggest challenge that the Byzantines faced in the thirteenth century.

The Letters of Psellos is the first detailed study of the correspondence of Michael Psellos, a leading Byzantine intellectual, politician, and writer of the eleventh century. Psellos' corpus of over 500 letters represents a historical source of great significance for the study of society and culture of the time: literary masterpieces in and of themselves, yet often complex and difficult to understand in their entirety, they not only rebound with subtlety and humour, but also offer invaluable information on myriad subjects ranging from the political culture of Byzantium and its civil administration to social codes, religious beliefs, and popular culture. This volume consists of two complementary parts designed to make Psellos' letters as widely accessible as possible, both to the specialist academic community and to a wider non-specialist audience. The first part contains five essays offering detailed historical and literary analyses of a considerable number of the letters across a range of different topics, including the financial management of monasteries, the friendship of Psellos and John Mauropous, and the challenges posed by Psellian irony. While the essays are supplemented by individual appendices containing the translated text of the pertinent letters, the second part of the book presents annotated summaries in English of the entirety of Psellos' correspondence, compiled over many years as part of the Prosopography of the Byzantine World project and supported by substantial excursuses and notes. The result is an engaging and accessible shortcut into these bewildering and fascinating letters and an essential resource for the study of eleventh-century Byzantine society and culture through the pen of one of its pre-eminent figures.

The Universal History (Patmutʻiwn tiezerakan) of Stepʻanos Tarōnecʻi is a history of the world in three books, composed by the Armenian scholar at the end of the tenth century and extending from the era of Abraham to the turn of the first millennium. It was completed in 1004/5 CE, at a time when the Byzantine Empire was expanding eastwards across the districts of historic Armenia and challenging key aspects of Armenian identity. Stepʻanos responded to these changing circumstances by looking to the past and fusing Armenian tradition with Persian, Roman, and Islamic history, thereby asserting that Armenia had a prominent and independent place in world history. The Universal History was intended to affirm and reinforce Armenian cultural memory. As well as assembling and revising extracts from existing Armenian texts, Stepʻanos also visited monastic communities where he learned about prominent Armenian scholars and ascetics who feature in his construction of the Armenian past. During his travels he gathered stories about local Armenian, Georgian, Persian, and Kurdish lords, which were then repeated in his composition. The Universal History therefore preserves a valuable narrative of events in Byzantium, Armenia, and the wider Middle East in the second half of the tenth century.This volume presents the first ever English translation of this work, drawing upon Manukyan's 2012 critical edition of the text, and is also the first study and translation of the Universal History to be published outside Armenia for a century. Fully annotated and with a substantial introduction, it not only provides an accessible guide to the text, drawing on the most up-to-date scholarship available, but also offers valuable new insights into the significance of an often overlooked work, the intellectual and literary contexts within which it was composed, and its place in the Armenian tradition.

One of the great maxims of history is that it is written by the victors, and nowhere does this find greater support than in the later Roman Empire. Between 284 and 395 AD, no fewer than 37 men claimed imperial power, though today we recognize barely half of these men as 'legitimate' rulers and more than two thirds died at their subjects' hands. Once established in power, a new ruler needed to publicly legitimate himself and to discredit his predecessor: overt criticism of the new regime became high treason, with historians supressing their accounts for fear of reprisals and the very names of defeated emperors chiselled from public inscriptions and deleted from official records. In a period of such chaos, how can we ever hope to record in any fair or objective way the history of the Roman state? Emperors and Usurpers in the Later Roman Empire is the first history of civil war in the later Roman Empire to be written in English and aims to address this question by focusing on the various ways in which successive imperial dynasties attempted to legitimate themselves and to counter the threat of almost perpetual internal challenge to their rule. Panegyric in particular emerges as a crucial tool for understanding the rapidly changing political world of the third and fourth centuries, providing direct evidence of how, in the wake of civil wars, emperors attempted to publish their legitimacy and to delegitimize their enemies. The ceremony and oratory surrounding imperial courts too was of great significance: used aggressively to dramatize and constantly recall the events of recent civil wars, the narratives produced by the court in this context also went on to have enormous influence on the messages and narratives found within contemporary historical texts. In its exploration of the ways in which successive imperial courts sought to communicate with their subjects, this volume offers a thoroughly original reworking of late Roman domestic politics, and demonstrates not only how history could be erased, rewritten, and repurposed, but also how civil war, and indeed usurpation, became endemic to the later Empire.

The history of Byzantium pivots around the eleventh century, during which it reached its apogee in terms of power, prestige, and territorial extension, only then to plunge into steep political decline following serious military defeats and extensive territorial losses. The political, economic, and intellectual history of the period is reasonably well understood, but not so what was happening in that crucial intermediary sphere, the social order, which both shaped and was shaped by contemporary ideas and brute economic developments. This volume aims to deepen understanding of Byzantine society by examining material evidence for settlements and production in different regions and by sifting through the far from plentiful literary and documentary sources in order to track what was happening in town and country. There is evidence of significant change: the pattern of landownership continued to shift in favour of those with power and wealth, but there was sustained and effective resistance from peasant villages. Provincial towns prospered in what was an era of sustained economic growth, and, through newly emboldened local elites, took a more active part in public affairs. In the capital the middling classes, comprising much of officialdom and leading traders, gained in importance, while the twin military and civilian elites were merging to form a single governing class. However, despite this social upheaval, careful analysis of these various factors by a range of leading Byzantine historians and archaeologists leads to the overarching conclusion that it was not so much internal structural changes which contributed to the vertiginous decline suffered by Byzantium in the late eleventh century, as the unprecedented combination of dangerous adversaries on different fronts, in the east, north, and west.

Byzantine medicine remains a little known and misrepresented field not only in the context of debates on medieval medicine, but also among Byzantinists themselves. It is often viewed as 'stagnant' and mainly preserving ancient ideas, and our knowledge of it continues to be based to a great extent on the comments of earlier authorities, which are often repeated uncritically. This volume presents the first comprehensive examination of the medical corpus of, arguably, the most important Late Byzantine physician: John Zacharias Aktouarios (c.1275-c.1330). Its main thesis is that John's medical works show an astonishing degree of openness to knowledge from outside Byzantium combined with a significant degree of originality, in particular, in the fields of uroscopy and human physiology. The analysis of John's edited (On Urines and On Psychic Pneuma) and unedited (Medical Epitome) treatises is supported for the first time by the consultation of a large number of manuscripts, and is also informed by evidence from a wide range of medical sources, including those previously unpublished, and texts from other genres, such as epistolography and merchants' accounts. The contextualization of John's corpus sheds new light on the development of Byzantine medical thought and practice, and enhances our understanding of the Late Byzantine social and intellectual landscape. Through examination of his medical observations in the light of examples from the medieval Latin and Islamic worlds, his theories are also placed within the wider Mediterranean milieu, highlighting the cultural exchange between Byzantium and its neighbours.

The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning, together with the dating and localisation of the first appearance of the iconography, has remained an art-historical conundrum. By exploring the message, roots, function, and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, Depicting Orthodoxy in the Russian Middle Ages deciphers the meaning of this icon. In contrast to previous interpretations, Kriza argues that the winged Sophia is the personification of the Orthodox Church. The Novgorod Wisdom icon represents the Church of Hagia Sophia, that is, Orthodoxy, as it was perceived in fifteenth-century Rus. Depicting Orthodoxy asserts that the icon, together with its commentary, was a visual-textual response to the Union of Florence between the Catholic and Orthodox Churches, signed in 1439 but rejected by the Russians in 1441. This interpretation is based on detailed interdisciplinary research, drawing on philology, art history, theology, and history. Kriza's study challenges some key assumptions concerning the relevance of Church Schism of 1054, the polemics between the Greeks and the Latins about the bread of Eucharist, and the role of the Union of Florence in the history of Russian art. In particular, by studying both well- and lesser-known works of art alongside overlooked textual evidence, this volume investigates how the Christian Church and its true faith were defined and visualized in Rus and Byzantium throughout the centuries.

Caliphs and Merchants: Cities and Economies of Power in the Near East (700-950) offers fresh perspectives on the origins of the economic success of the early Islamic Caliphate, identifying a number of previously unnoticed or underplayed yet crucial developments, such as the changing conditions of labour, attitudes towards professional associations, and the interplay between the state, Islamic religious institutions, and the economy. Moving beyond the well-studied transition between the death of Justinian in 565 and the Arab-Muslim conquests in the seventh century, the volume focuses on the period between 700 and 950 during which the Islamic world asserted its identity and authority. Whilst the extraordinary prosperity of Near Eastern cities and economies during this time was not unprecedented when one considers the early Imperial Roman world, the aftermath of the Arab-Muslim conquests saw a deep transformation of urban retail and craft which marked a distinct break from the past. It explores the mechanisms effecting these changes, from the increasing involvement of caliphs and their governors in the patronage of urban economies, to the empowerment of enriched entrepreneurial tā%gir from the ninth century. Combining detailed analysis of a large corpus of literary sources in Arabic with presentation of new physical and epigraphic evidence, and utilizing an innovative approach which is both comparative and global, the discussion lucidly locates the Middle East within the contemporary Eurasian context and draws instructive parallels between the Islamic world and Western Christendom, Byzantium, South-East Asia, and China.

Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over five hundred years of continuous Byzantine rule. At a stroke, the region's Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest.Byzantine Religious Law in Medieval Italy is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. The first part of the book provides an overview of the source material and the history of Italo-Greek Christianity. The second part examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans' opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, the third part analyses the papacy's successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.

Pinning down Byzantium (or East Rome) is as difficult today as it was for contemporaries during its 1,000-year-long existence. Dimitri Obolensky sought to characterize its impact on Eastern Europe in his classic The Byzantine Commonwealth, focusing on the elements of religious doctrine, rites, and law which ruling elites there took from the emperor acting in tandem with the Constantinopolitan patriarchate. Chapters in this volume, Revisiting the Byzantine Commonwealth, address such basic questions as who the Byzantines thought they were and how they managed to maintain their hegemonial stance for so long. Other chapters reappraise the uses of Byzantium to elites and also to other sectors of societies from the Upper Adriatic to the Volga. Surveys are offered of three spheres which functioned independently of (and in one case, expressly in antithesis to) Byzantium, yet which overlapped and were constantly interacting with it--the Latin west, the Islamic-Christian east, and the world of the steppes. Candidates for 'Commonwealth membership' can be found within these spheres, too, along with transregional networks which functioned regardless of political borders. Aspects of Byzantium appealed to the variegated societies and cultures around it in very different ways, with the imperial elite taking keen interest in neighbouring peoples and making the most of Soft Power as material resources dwindled from the thirteenth century on. Some periods of outsiders' engagement with the empire were short-lived, but others proved long-lasting, underpinned by ecclesiastical institutions and monastic networks. The volume aims to foster a more rounded approach to the phenomenon of Byzantium, and a better understanding of how and why it impinges on so many Eurasian cultures and polities to this day.

Church Architecture of Late Antique Northern Mesopotamia examines the church architecture of Northern Mesopotamia between the fourth and eighth centuries. Keser Kayaalp focuses on settlements, plan types, artistic encounters, the remarkable continuity of the classical tradition in the architectural decoration, the heterogeneity of the building techniques, patrons, imperial motivations, dedications of churches, and stories that claim and make spaces. Employing archaeological and epigraphical material and hagiographical and historical sources, she presents a holistic picture of the church architecture of this frontier region, encompassing the cities of Nisibis (Nusaybin), Edessa (Şanliurfa), Amida (Diyarbakir), Anastasiopolis (Dara/Oğuz), Martyropolis (Silvan), Constantia (Viranşehir), and their surroundings, and the rural Tur Abdin region. The period covered spans the last centuries of Byzantine and the first century and a half of Arab rule, when the region was, on the one hand, a stage of war and riven by religious controversies, and a cultural interspace on the other. Keser Kayaalp discusses the different dynamics in this frontier region and the resulting built environment and church architecture in pursuit of providing a regional contribution to the study of the transformation that the Byzantine civilization underwent in the late antique period and understanding the continuities and changes after the Arab conquest.

One of the great maxims of history is that it is written by the victors, and nowhere does this find greater support than in the later Roman Empire. Between 284 and 395 AD, no fewer than 37 men claimed imperial power, though today we recognize barely half of these men as 'legitimate' rulers and more than two thirds died at their subjects' hands. Once established in power, a new ruler needed to publicly legitimate himself and to discredit his predecessor: overt criticism of the new regime became high treason, with historians supressing their accounts for fear of reprisals and the very names of defeated emperors chiselled from public inscriptions and deleted from official records. In a period of such chaos, how can we ever hope to record in any fair or objective way the history of the Roman state?Emperors and Usurpers in the Later Roman Empire is the first history of civil war in the later Roman Empire to be written in English and aims to address this question by focusing on the various ways in which successive imperial dynasties attempted to legitimate themselves and to counter the threat of almost perpetual internal challenge to their rule. Panegyric in particular emerges as a crucial tool for understanding the rapidly changing political world of the third and fourth centuries, providing direct evidence of how, in the wake of civil wars, emperors attempted to publish their legitimacy and to delegitimize their enemies. The ceremony and oratory surrounding imperial courts too was of great significance: used aggressively to dramatize and constantly recall the events of recent civil wars, the narratives produced by the court in this context also went on to have enormous influence on the messages and narratives found within contemporary historical texts. In its exploration of the ways in which successive imperial courts sought to communicate with their subjects, this volume offers a thoroughly original reworking of late Roman domestic politics, and demonstrates not only how history could be erased, rewritten, and repurposed, but also how civil war, and indeed usurpation, became endemic to the later Empire.

The Ottoman Empire ruled the near East, dominated the Mediterranean, and terrorized Europe for centuries. However, its origins are obscure. The Beginnings of the Ottoman Empire illuminates the founding of the Empire, drawing on Turkish, Greek, Arabic, and Latin sources as well as coins, buildings, and topographic evidence. Clive Foss takes the reader through the rugged homeland of Osman, the founder of the Ottomans, placing his achievement in the context of his more powerful neighbours, most notably the once mighty Byzantine Empire, then in the terminal stages of its decline. Foss then charts the progress of Osman's son Orhan, until the fateful moment in 1354 when his forces crossed into Europe and began their spectacular conquests.

John II Komnenos was born into an empire on the brink of destruction, with his father Alexios barely preserving the empire in the face of civil wars and invasions. A hostage to crusaders as a child, married to a Hungarian princess as a teenager to win his father an alliance, and leading his own campaigns when his father died, it was left to John to try and rebuild the empire all but lost in the eleventh century.This book, the first English language study on John and his era, re-evaluates an emperor traditionally overlooked in favour of his father, hero of the Alexiad written by John's sister Anna, and of his son Manuel, acclaimed for reigning at the height of Komnenian power. John's reign is one of contradictions, as his capital of New Rome/Constantinople was to fall to the armies of the Fourth Crusade just over sixty years after he died, and yet his descendants led vibrant successor states based in the lands that John reconquered. His reign lacks a dominant textual source, and so this history is related as much through personal letters, court literature, archaeology, and foreign accounts as through traditional historical narratives. This study includes extensive study of the landscapes, castles, and cities John built and campaigned through, and provides a guide to the world in which John lived. It covers the empire's neighbours and rivals, the turning points of ecclesiastical history, the shaping of the crusader movement, and the workings of Byzantine government and administration.

Few alphabets in the world are actively celebrated, and none more so than the Slavonic. Annually across Eastern Europe, the alphabet and its inventors, Cyril and Methodios, are celebrated with parades, concerts, liturgical services, and public addresses by presidents, ministers, and mayors. Inventing Slavonic: Cultures of Writing Between Rome and Constantinople offers a new reading of the invention of the Slavonic alphabet and its implications. Its premise is simple: namely, that the alphabet was not invented once, but that it continued to be contested and redefined in the century after its creation. However, Inventing Slavonic goes against the grain of modern scholarship and popular common sense, where a stable and fossilized story about Cyril, his brother and companion Methodios, and the alphabet still persists. Mirela Ivanova shows that this well-known story is, in fact, a Frankenstein's monster, bolted together from texts which originally attributed quite different and often conflicting meanings to the elements which make up this supposedly unified narrative. In this narrative's place, the book offers a series of new readings of our earliest sources for the alphabet's appearance. In doing so, it constructs a new social history of the early script's fragility, and the ways in which its existence was conditioned by changes in socio-political life between Rome and Constantinople.

Visualising Women in Late Antiquity examines depictions of contemporary women in the late antique Mediterranean as a rich source for social history. Most histories of women in this period focus on the copious surviving textual sources, the majority of which were written by churchmen. Yet it is also widely acknowledged that such sources can be as problematic as they are fascinating. This book proposes the question: instead of a history focused on textual depictions of women, what might a history centred around visual depictions look like? It seeks to examine how women experienced the numerous changes that shaped Late Antiquity as a transitional period between the classical and medieval words, while also showing that women's experiences were an inextricable part of wider social, religious, and economic histories. Over the course of this groundbreaking book, Grace Stafford considers what visual representation can tell us about four interrelated axes of change, each chosen for its importance and prevalence in visual culture: bathing, adornment, and the ceremonialisation of elite life; learning, education, and intellectual culture; family and the life-course; and public benefaction and patronage. Throughout, Stafford brings together a wide range of images from across the Mediterranean, from mosaics, wall-paintings, and textiles, to ivory, silverware, and graffiti. The analysis of this visual and material culture both corroborates and challenges well-known developments in gender history and traditional text-based narratives, while also revealing new aspects of women's experiences.

This is the first English translation and study of George Akropolites' History, the main Greek source for the history of Byzantium between 1204 and 1261. Akropolites relates what happened to Byzantium after the Latin conquest of its capital, Constantinople, by the Fourth Crusade in 1204. He narrates the fragmentation of the Byzantine world, describing how the newly established 'empire' in Anatolia prevailed over its foreign and Byzantine enemies to recapture the capital in 1261. Akropolites was an eyewitness to most of the events he relates and a man close to the emperors he served, and his account has therefore influenced modern perceptions of this period. It has been an essential source for all those studying the eastern Mediterranean in the thirteenth century. However, until now historians have made use of his History without knowing anything about its author. Ruth Macrides remedies this deficiency by providing a detailed guide to Akropolites' work and an analysis of its composition, which places it in the context of medieval Greek historical writing.

In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes. She offers a clearer and more detailed picture of the beginnings of the cult of relics, which were an essential asset to the Church in its establishment of pilgrimage centres and local hagiographic heritage sites, first in Italy and later in other places around Europe and North Africa. At the same time, Noga-Banai highlights the identity of the objects as portable art, treating the reliquaries as visual historical testimonies. The book is illustrated with nearly 100 finely reproduced drawings and photographs.

There are saints in Orthodox Christian culture who overturn the conventional concept of sainthood. Their conduct may be unruly and salacious, they may blaspheme and even kill - yet, mysteriously, those around them treat them with even more reverence. Such saints are called 'holy fools'. In this pioneering study Sergey A. Ivanov examines the phenomenon of holy foolery from a cultural standpoint. He identifies its prerequisites and its development in religious thought, and traces the emergence of the first hagiographic texts describing these paradoxical saints. He describes the beginnings of holy foolery in Egyptian monasteries of the fifth century, followed by its high point in the cities of Byzantium, with an eventual decline in the twelfth to fourteenth centuries. He also compares the important Russian tradition of holy fools, which in some form has survived to this day.

How were Greek texts on the care and medical treatment of the horse transmitted from antiquity to the present day? Using the evidence of Byzantine manuscripts of the veterinary compilation known as the Hippiatrica, Anne McCabe traces the journey of the texts from the stables to the medieval scriptorium and ultimately to the printed edition. Surviving manuscripts include both magnificent presentation copies and plain ones intended for use in the field. The Hippiatrica is a rich and little-known source of information about horses, medicine, and magic. This book provides a guide to its complex history as well as a host of fascinating details, and includes colour illustrations of a number of manuscript pages.

This is the first book-length study in English of the Byzantine emperor Basil II. Basil II, later known as 'Bulgar-slayer', is famous for his military conquests and his brutal intimidation of domestic foes. Catherine Holmes considers the problems Basil faced in governing a large, multi-ethnic empire, which stretched from southern Italy to Mesopotamia. Her close focus on the surviving historical narratives, above all the Synopsis Historion of John Skylitzes, reveals a Byzantium governed as much by persuasion as coercion. This book will appeal to those interested in Byzantium before the Crusades, the governance of pre-modern empires, and the methodology of writing early medieval political history.

The Chronicle of Morea, one of the most important and controversial historical narratives written in the late Middle Ages, tells the story of the formation and government by the Villehardouin dynasty of a remarkably successful Crusader State following the conquest by western invaders of the capital - Constantinople - and the provinces of the Byzantine Empire. By examining all the Chronicle's surviving Greek, French, Spanish and Italian versions, this study, the first of its kind, explores in depth the literary and ideological contexts in which the work was composed, transmitted and re-written. The result is a fascinating analysis of cultural exchange in a rich and vibrant eastern Mediterranean world where different ethnicities were obliged to live alongside each other, and outside political interests frequently intruded in dramatic fashion. Translations into English have been provided of all the material discussed.