Jewish Culture and Contexts - Böcker

In the nineteenth century, the largest Jewish community the modern world had known lived in hundreds of towns and shtetls in the territory between the Prussian border of Poland and the Ukrainian coast of the Black Sea. The period had started with the partition of Poland and the absorption of its territories into the Russian and Austro-Hungarian empires; it would end with the first large-scale outbreaks of anti-Semitic violence and the imposition in Russia of strong anti-Semitic legislation. In the years between, a traditional society accustomed to an autonomous way of life would be transformed into one much more open to its surrounding cultures, yet much more confident of its own nationalist identity. In The Jews of Eastern Europe, Israel Bartal traces this transformation and finds in it the roots of Jewish modernity.

How are martyrs made, and how do the memories of martyrs express, nourish, and mold the ideals of the community? Sanctifying the Name of God wrestles with these questions against the background of the massacres of Jews in the Rhineland during the outbreak of the First Crusade. Marking the first extensive wave of anti-Jewish violence in medieval Christian Europe, these "Persecutions of 1096" exerted a profound influence on the course of European Jewish history.When the crusaders demanded that Jews choose between Christianity and death, many opted for baptism. Many others, however, chose to die as Jews rather than to live as Christians, and of these, many actually inflicted death upon themselves and their loved ones. Stories of their self-sacrifice ushered the Jewish ideal of martyrdom-kiddush ha-Shem, the sanctification of God's holy name-into a new phase, conditioning the collective memory and mindset of Ashkenazic Jewry for centuries to come, during the Holocaust, and even today.The Jewish survivors of 1096 memorialized the victims as martyrs as they rebuilt their communities during the decades following the Crusade. Three twelfth-century Hebrew chronicles of the persecutions preserve their memories of martyrdom and self-sacrifice, tales fraught with symbolic meaning that constitute one of the earliest Jewish attempts at local, contemporary historiography. Reading and analyzing these stories through the prism of Jewish and Christian religious and literary traditions, Jeremy Cohen shows how these persecution chronicles reveal much more about the storytellers, the martyrologists, than about the martyrs themselves. While they extol the glorious heroism of the martyrs, they also air the doubts, guilt, and conflicts of those who, by submitting temporarily to the Christian crusaders, survived.

In September 1791, two years after the Revolution, French Jews were granted full rights of citizenship. Scholarship has traditionally focused on this turning point of emancipation while often overlooking much of what came before. In Rites and Passages, Jay R. Berkovitz argues that no serious treatment of Jewish emancipation can ignore the cultural history of the Jews during the ancien rÉgime. It was during the late seventeenth and eighteenth centuries that several lasting paradigms emerged within the Jewish community-including the distinction between rural and urban communities, the formation of a strong lay leadership, heightened divisions between popular and elite religion, and the strain between local and regional identities. Each of these developments reflected the growing tension between tradition and modernity before the tumultuous events of the French Revolution.Rites and Passages emphasizes the resilience of religious tradition during periods of social and political turbulence. Viewing French Jewish history through the lens of ritual, Berkovitz describes the struggles of the French Jewish minority to maintain its cultural distinctiveness while also participating in the larger social and economic matrix. In the ancien rÉgime, ritual systems were a formative element in the traditional worldview and served as a crucial repository of memories and values. After the Revolution, ritual signaled changes in the way Jews related to the state, French society, and French culture. In the cities especially, ritual assumed a performative function that dramatized the epoch-making changes of the day. The terms and concepts of the Jewish religious tradition thus remained central to the discourse of modernization and played a powerful role in helping French Jews interpret the diverse meanings and implications of emancipation.Introducing new and previously unused primary sources, Rites and Passages offers a fresh perspective on the dynamic relationship between tradition and modernity.

In the year 1309, Nicholas of Lyra, an important Franciscan Bible commentator, put forth a question at the University of Paris, asking whether it was possible to prove the advent of Christ from scriptures received by the Jews. This question reflects the challenges he faced as a Christian exegete determined to value Jewish literature during an era of increasing hostility toward Jews in western Europe. Nicholas's literal commentary on the Bible became one of the most widely copied and disseminated of all medieval Bible commentaries. Jewish commentary was, as a result, more widely read in Latin Christendom than ever before, while at the same moment Jews were being pushed farther and farther to the margins of European society. His writings depict Jews as stubborn unbelievers who also held indispensable keys to understanding Christian Scripture. In The Insight of Unbelievers, Deeana Copeland Klepper examines late medieval Christian use of the Hebrew Bible and Jewish interpretation of Scripture, focusing on Nicholas of Lyra as the most important mediator of Hebrew traditions.Klepper highlights the important impact of both Jewish literature and Jewish unbelief on Nicholas of Lyra and on Christian culture more generally. By carefully examining the place of Hebrew and rabbinic traditions in the Christian study of the Bible, The Insight of Unbelievers elaborates in new ways on the relationship between Christian and Jewish scholarship and polemic in late medieval Europe.

After a nearly two-thousand-year interlude, and just as Christian Europe was in the throes of the great Witch Hunt and what historians have referred to as "The Age of the Demoniac," accounts of spirit possession began to proliferate in the Jewish world. Concentrated at first in the Near East but spreading rapidly westward, spirit possession, both benevolent and malevolent, emerged as perhaps the most characteristic form of religiosity in early modern Jewish society.Adopting a comparative historical approach, J. H. Chajes uncovers this strain of Jewish belief to which scant attention has been paid. Informed by recent research in historical anthropology, Between Worlds provides fascinating descriptions of the cases of possession as well as analysis of the magical techniques deployed by rabbinic exorcists to expel the ghostly intruders.Seeking to understand the phenomenon of spirit possession in its full complexity, Chajes delves into its ideational framework-chiefly the doctrine of reincarnation-while exploring its relation to contemporary Christian and Islamic analogues. Regarding spirit possession as a form of religious expression open to-and even dominated by-women, Chajes initiates a major reassessment of women in the history of Jewish mysticism. In a concluding section he examines the reception history of the great Hebrew accounts of spirit possession, focusing on the deployment of these "ghost stories" in the battle against incipient skepticism in the turbulent Jewish community of seventeenth-century Amsterdam.Exploring a phenomenon that bridged learned and ignorant, rich and poor, men and women, Jews and Gentiles, Between Worlds maps for the first time a prominent feature of the early modern Jewish religious landscape, as quotidian as it was portentous: the nexus of the living and the dead.

At the beginning of the eighteenth century most European Jews lived in restricted settlements and urban ghettos, isolated from the surrounding dominant Christian cultures not only by law but also by language, custom, and dress. By the end of the century urban, upwardly mobile Jews had shaved their beards and abandoned Yiddish in favor of the languages of the countries in which they lived. They began to participate in secular culture and they embraced rationalism and non-Jewish education as supplements to traditional Talmudic studies. The full participation of Jews in modern Europe and America would be unthinkable without the intellectual and social revolution that was the Haskalah, or Jewish Enlightenment.Unparalleled in scale and comprehensiveness, The Jewish Enlightenment reconstructs the intellectual and social revolution of the Haskalah as it gradually gathered momentum throughout the eighteenth century. Relying on a huge range of previously unexplored sources, Shmuel Feiner fully views the Haskalah as the Jewish version of the European Enlightenment and, as such, a movement that cannot be isolated from broader eighteenth-century European traditions. Critically, he views the Haskalah as a truly European phenomenon and not one simply centered in Germany. He also shows how the republic of letters in European Jewry provided an avenue of secularization for Jewish society and culture, sowing the seeds of Jewish liberalism and modern ideology and sparking the Orthodox counterreaction that culminated in a clash of cultures within the Jewish community. The Haskalah's confrontations with its opponents within Jewry constitute one of the most fascinating chapters in the history of the dramatic and traumatic encounter between the Jews and modernity.The Haskalah is one of the central topics in modern Jewish historiography. With its scope, erudition, and new analysis, The Jewish Enlightenment now provides the most comprehensive treatment of this major cultural movement.

There emerged in the nineteenth and twentieth centuries a new Jewish elite, notes Moshe Idel, no longer made up of prophets, priests, kings, or rabbis but of intellectuals and academicians working in secular universities or writing for an audience not defined by any one set of religious beliefs. In Old Worlds, New Mirrors Idel turns his gaze on figures as diverse as Walter Benjamin and Jacques Derrida, Franz Kafka and Franz Rosenzweig, Arnaldo Momigliano and Paul Celan, Abraham Heschel and George Steiner to reflect on their relationships to Judaism in a cosmopolitan, mostly European, context.Idel-himself one of the world's most eminent scholars of Jewish mysticism-focuses in particular on the mystical aspects of his subjects' writings. Avoiding all attempts to discern anything like a single "essence of Judaism" in their works, he nevertheless maintains a sustained effort to illumine especially the Kabbalistic and Hasidic strains of thought these figures would have derived from earlier Jewish sources. Looming large throughout is Gershom Scholem, the thinker who played such a crucial role in establishing the study of Kabbalah as a modern academic discipline and whose influence pervades Idel's own work; indeed, the author observes, much of the book may be seen as a mirror held up to reflect on the broader reception of Scholem's thought.

In Becoming the People of the Talmud, Talya Fishman examines ways in which circumstances of transmission have shaped the cultural meaning of Jewish traditions. Although the Talmud's preeminence in Jewish study and its determining role in Jewish practice are generally taken for granted, Fishman contends that these roles were not solidified until the late eleventh and early twelfth centuries. The inscription of Talmud-which Sefardi Jews understand to have occurred quite early, and Ashkenazi Jews only later-precipitated these developments. The encounter with Oral Torah as a written corpus was transformative for both subcultures, and it shaped the roles that Talmud came to play in Jewish life.What were the historical circumstances that led to the inscription of Oral Torah in medieval Europe? How did this body of ancient rabbinic traditions, replete with legal controversies and nonlegal material, come to be construed as a reference work and prescriptive guide to Jewish life? Connecting insights from geonica, medieval Jewish and Christian history, and orality-textuality studies, Becoming the People of the Talmud reconstructs the process of cultural transformation that occurred once medieval Jews encountered the Babylonian Talmud as a written text. According to Fishman, the ascription of greater authority to written text was accompanied by changes in reading habits, compositional predilections, classroom practices, approaches to adjudication, assessments of the past, and social hierarchies. She contends that certain medieval Jews were aware of these changes: some noted that books had replaced teachers; others protested the elevation of Talmud-centered erudition and casuistic virtuosity into standards of religious excellence, at the expense of spiritual refinement. The book concludes with a consideration of Rhineland Pietism's emergence in this context and suggests that two contemporaneous phenomena-the prominence of custom in medieval Ashkenazi culture and the novel Christian attack on Talmud-were indirectly linked to the new eminence of this written text in Jewish life.

In 1756, Jacob Frank, an Ottoman Jew who had returned to the Poland of his birth, was discovered leading a group of fellow travelers in a suspect religious service. At the request of the local rabbis, Polish authorities arrested the participants. Jewish authorities contacted the bishop in whose diocese the service had taken place and argued that since the rites of Frank's followers involved the practice of magic and immoral conduct, both Jews and Christians should condemn them and burn them at the stake. The scheme backfired, as the Frankists took the opportunity to ally themselves with the Church, presenting themselves as Contra-Talmudists who believed in a triune God. As a Turkish subject, Frank was released and temporarily expelled to the Ottoman territories, but the others were found guilty of breaking numerous halakhic prohibitions and were subject to a Jewish ban of excommunication. While they professed their adherence to everything that was commanded by God in the Old Testament, they asserted as well that the Rabbis of old had introduced innumerable lies and misconstructions in their interpretations of that holy book.Who were Jacob Frank and his followers? To most Christians, they seemed to be members of a Jewish sect; to Jewish reformers, they formed a group making a valiant if misguided attempt to bring an end to the power of the rabbis; and to more traditional Jews, they were heretics to be suppressed by the rabbinate. What is undeniable is that by the late eighteenth century, the Frankists numbered in the tens of thousands and had a significant political and ideological influence on non-Jewish communities throughout eastern and central Europe.Based on extensive archival research in Poland, the Czech Republic, Israel, Germany, the United States, and the Vatican, The Mixed Multitude is the first comprehensive study of Frank and Frankism in more than a century and offers an important new perspective on Jewish-Christian relations in the Age of Enlightenment.

In the urban communities of medieval Germany and northern France, the beliefs, observances, and practices of Jews allowed them to create and define their communities on their own terms as well as in relation to the surrounding Christian society. Although medieval Jewish texts were written by a learned elite, the laity also observed many religious rituals as part of their everyday life. In Practicing Piety in Medieval Ashkenaz, Elisheva Baumgarten asks how Jews, especially those who were not learned, expressed their belonging to a minority community and how their convictions and deeds were made apparent to both their Jewish peers and the Christian majority.Practicing Piety in Medieval Ashkenaz provides a social history of religious practice in context, particularly with regard to the ways Jews and Christians, separately and jointly, treated their male and female members. Medieval Jews often shared practices and beliefs with their Christian neighbors, and numerous notions and norms were appropriated by one community from the other. By depicting a dynamic interfaith landscape and a diverse representation of believers, Baumgarten offers a fresh assessment of Jewish practice and the shared elements that composed the piety of Jews in relation to their Christian neighbors.

Selected by Choice magazine as an Outstanding Academic TitleUnveiling Eve is the first feminist inquiry into the Hebrew poetry and prose forms cultivated in Muslim and Christian Spain, Italy, and Provence in the eleventh through fourteenth centuries. In the Jewish Middle Ages, writing was an exclusively male competence, and textual institutions such as the study of scripture, mysticism, philosophy, and liturgy were men's sanctuaries from which women were banished. These domains of male expertise-alongside belles lettres, on which Rosen's book focuses-served as virtual laboratories for experimenting with concepts of femininity and masculinity, hetero- and homosexuality, feminization and virilization, transvestism and transsexuality. Reviewing texts as varied as love lyric, love stories, marriage debates, rhetorical contests, and liturgical and moralistic pieces, Tova Rosen considers the positions and positioning of female figures and female voices within Jewish male discourse.The idolization and demonization of women present in these texts is read here against the background of scripture and rabbinic literature as well as the traditions of chivalry and misogyny in the hosting Islamic and Christian cultures. Unveiling Eve unravels the literary evidence of a patriarchal tradition in which women are routinely rendered nonentities, often positioned as abstractions without bodies or reified as bodies without subjectivities. Without rigidly following any one school of feminist thinking, Rosen creatively employs a variety of methodologies to describe and assess the texts' presentation of male sexual politics and delineate how women and concepts of gender were manipulated, fictionalized, fantasized, and poeticized. Inaugurating a new era of critical thinking in Hebrew literature, Unveiling Eve penetrates a field of medieval literary scholarship that has, until now, proven impervious to feminist criticism.

In a penetrating exploration of the various ways memories and representations of the Jewish past have been reconfigured in new historical circumstances, Renewing the Past, Reconfiguring Jewish Culture focuses on two key eras of encounter between Jews and non-Jews: the golden age of Sephardic culture in Islamic al-Andalus, on the one hand, and on the other, the period of the European Enlightenment and the Jewish Enlightenment, or Haskalah, which it inspired. The writings assembled here engage with key issues to understand how in both epochs the cultural orientation of Jewish society was profoundly reassessed and transformed by new influences filtering in from outside.Adopting a comparative historical approach, Renewing the Past, Reconfiguring Jewish Culture offers a view of moments of heightened interaction between Jews and their host cultures. The elevation of the ideal of rationalism provoked significant shifts in the aesthetic values and patterns of cultural memory in Sephardic al-Andalus; this same ideal once again posed insistent challenges in the era of the Enlightenment, to which Jewish intellectuals widely responded by evoking, but also refashioning, the historical precedent of the Andalusian Golden Age.Looking to contexts ranging from premodern Spain and Italy to nineteenth-century Russia, Germany, and America, the eleven contributors to this volume-drawn equally from literary and historical studies-explore the ways the political and intellectual aspirations of successive historical presents have repeatedly reshaped the forms and narratives of Jewish cultural memory.

Throughout the Middle Ages, the Iberian Peninsula was home to a rich cultural mix of Christians, Jews, and Muslims. At the end of the fifteenth century, however, the last Islamic stronghold fell, and Jews were forced either to convert to Christianity or to face expulsion. Thousands left for other parts of Europe and Asia, eventually establishing Sephardic communities in Amsterdam, Venice, Istanbul, southwestern France, and elsewhere.More than a hundred years after the expulsion, some Judeoconversos-descendants of Spanish and Portuguese Jews who had converted to Christianity-were forced to flee the Iberian Peninsula once again to avoid ethnic and religious persecution. Many of them joined the Sephardic Diaspora and embraced rabbinic Judaism. Later some of these same people or their descendants returned to Iberian lands temporarily or permanently and, in a twist that Jewish authorities considered scandalous, reverted to Catholicism. Among them were some who betrayed their fellow conversos to the Holy Office.In Souls in Dispute, David L. Graizbord unravels this intriguing history of the renegade conversos and constructs a detailed and psychologically acute portrait of their motivations. Through a probing analysis of relevant inquisitorial documents and a wide-ranging investigation into the history of the Sephardic Diaspora and Habsburg Spain, Graizbord shows that, far from being simply reckless and vindictive, the renegades used their double acts of border crossing to negotiate a dangerous and unsteady economic environment: so long as their religious and social ambiguity remained undetected, they were rewarded with the means for material survival. In addition, Graizbord sheds new light on the conflict-ridden transformation of makeshift Jewish colonies of Iberian expatriates-especially in the borderlands of southwestern France-showing that the renegades failed to accommodate fully to a climate of conformity that transformed these Sephardic groups into disciplined communities of Jews.Ultimately, Souls in Dispute explains how and why Judeoconversos built and rebuilt their religious and social identities, and what it meant to them to be both Jewish and Christian given the constraints they faced in their time and place in history.

In the early modern period, the religious fervor of the Reformation and Counter-Reformation, social unrest, and millenarianism all seemed to foster greater anti-Judaism in Christian Europe, yet the increased intolerance was also accompanied by more intimate and complex forms of interaction between Christians and Jews. Printing, trade, and travel combined to bring those from both sides of the religious divide into closer contact than ever before, while growing interest in magic and the Kabbalah encouraged Christians to study Hebrew in addition to Latin and Greek. In Hebraica Veritas? Christian Hebraists and the Study of Judaism in Early Modern Europe, noted scholars trace how these early modern encounters played key roles in defining attitudes toward personal, national, and religious identity in Western culture.As Christians increasingly patronized Jewish scholars, in person and in print, Christian Hebraism flourished. The twelve essays assembled here address the important but often neglected subject of the early modern encounter between Christians and Jews. They illustrate how this envolvement shaped each group's self-perception and sense of otherness and contributed to the emergence of the modern study of cultural anthropology, comparative religion, and Jewish studies. But the chapters also reveal how the encounter challenged traditional religious beliefs, fostering the skepticism, toleration, and irreligion conventionally associated with the Enlightenment.Many of the Christian Hebraists described in these essays were linguists and textual critics, and their work highlights the ambiguous role played by language and texts in transmitting natural and divine truth. It was during the early modern period that numerous concepts underpinning modern Western secular society came into existence, and as Hebraica Veritas? shows, the subject of Christian Hebraism has direct relevance to understanding the intellectual changes and challenges characterizing the transition from the ancient to the modern world.

Focusing on an epoch of spectacular demographic, political, economic, and cultural changes for European Jewry, Cultural Intermediaries chronicles the lives and thinking of ten Jewish intellectuals of the Renaissance, nine of them from Italy and one a Portuguese exile who settled in the Ottoman empire after a long sojourn in Italy. David B. Ruderman, Giuseppe Veltri, and the other contributors to this volume detail how, in the relative openness of cultural exchange encountered in such intellectual centers as Florence, Mantua, Pisa, Naples, Ferrara, and Salonika, these Jewish savants sought to enlarge their cultural horizons, to correlate the teachings of their own tradition with those outside it, and to rethink the meaning of their religious and ethnic identities within the intellectual and religious categories common to European civilization as a whole.The engaging intellectual profiles created especially for this volume by scholars from Israel, North America, and Europe represent an important rereading and reinterpretation of early modern Jewish culture and society and its broader European intellectual contexts.

Following the Jewish Enlightenment, many eighteenth-century Jews chose not to observe the religious laws and customs that had earlier marked them as culturally different from their Christian peers. As the Jewish population became increasingly assimilated, an ultraorthodox movement also emerged, creating a discrete identity for a group within the Jewish community that opted not to move toward the mainstream but instead to embrace the traditional laws.By tracing the evolution of the approach of the Orthodox to their nonpracticing brethren, Adam S. Ferziger sheds new light on the emergence of Orthodoxy as a specific movement within modern Jewish society. In the course of this process, German Orthodoxy in particular articulated a new hierarchical vision of Jewish identity and the structure of modern Jewish society. Viewing Orthodox Judaism as no less a nineteenth-century phenomenon than Reform Judaism or Zionism, Ferziger looks at the ways it defined itself by its relationship to the nonobservant Jewish population. Ferziger argues that as the Orthodox movement emerged, it rejected the stance that the assimilated and nonobservers were deviant outcasts. Instead, they were accepted as legitimate members of a Jewish community, in which Orthodox Jews occupied the pinnacle, as the guardians of its tradition.This book's contribution, however, moves beyond a historical study of Orthodox Judaism. The sociological methodology that Ferziger employs enables the reader to appreciate how other religious groups have sought to carve out their places within the mosaic of modern society.

Eric Zakim follows the literary and intellectual career of the powerful Zionist slogan "to build and be built" from its conceptual origin in reaction to the Kishinev pogroms of 1903, when it first served as an expression of settlement aspiration, until the end of pre-state national expansion in Palestine in 1938. "Draining the swamps" and "making the desert bloom," the Jewish settlers imagined themselves as performing "miracles" on the land. By these acts, they were also meant to reinvent the very notion of what it was to be a Jew in the modern world. As Jewish settlers reshaped nature in the Holy Land by turning it from one thing into another, they too were newly constructed. Zakim argues that in the period leading up to the establishment of the state of Israel, the action of working the land and building its cities in order to transform both into something essentially Jewish increasingly came to mark a turn inward toward the reclamation of a Jewish subject tied to the very soil of Palestine.To Build and Be Built radically recontextualizes modernist Hebrew literature to demonstrate how literary aesthetics of nature formed the very political discourse they nominally reflected. Zakim's work sees no division between politics and representation. Instead, the depiction of nature in literature, art, and architecture became constitutive of a political and social understanding of the Jew's place in the Middle East. By refusing to acknowledge the disciplinary boundaries of standard works on literature, history, and political thought, To Build and Be Built challenges the methodological certainties that have guided popular and academic understandings of the development of Zionist involvement in the land of Israel. For this reason, To Build and Be Built will be of interest to people beyond literature, in particular those working in history and those outside of Israel studies who have an interest in modernism and the representation of nature in the history of culture.

According to the account in the Book of Exodus, God addresses the children of Israel as they stand before Mt. Sinai with the words, "You shall be to me a kingdom of priests and a holy nation" (19:6). The sentence, Martha Himmelfarb observes, is paradoxical, for priests are by definition a minority, yet the meaning in context is clear: the entire people is holy. The words also point to some significant tensions in the biblical understanding of the people of Israel. If the entire people is holy, why does it need priests? If membership in both people and priesthood is a matter not of merit but of birth, how can either the people or its priests hope to be holy? How can one reconcile the distance between the honor due the priest and the actual behavior of some who filled the role? What can the people do to make itself truly a kingdom of priests?Himmelfarb argues that these questions become central in Second Temple Judaism. She considers a range of texts from this period, including the Book of Watchers, the Book of Jubilees, legal documents from the Dead Sea Scrolls, the writings of Philo of Alexandria, and the Book of Revelation of the New Testament, and goes on to explore rabbinic Judaism's emphasis on descent as the primary criterion for inclusion among the chosen people of Israel-a position, she contends, that took on new force in reaction to early Christian disparagement of the idea that mere descent from Abraham was sufficient for salvation.

Written in Judeo-Arabic in eleventh-century Muslim Spain but quickly translated into Hebrew, Bahya Ibn Paquda's Duties of the Heart is a profound guidebook of Jewish spirituality that has enjoyed tremendous popularity and influence to the present day. Readers who know the book primarily in its Hebrew version have likely lost sight of the work's original Arabic context and its immersion in Islamic mystical literature. In A Sufi-Jewish Dialogue, Diana Lobel explores the full extent to which Duties of the Heart marks the flowering of the "Jewish-Arab symbiosis," the interpenetration of Islamic and Jewish civilizations.Lobel reveals Bahya as a maverick who integrates abstract negative theology, devotion to the inner life, and an intimate relationship with a personal God. Bahya emerges from her analysis as a figure so steeped in Islamic traditions that an Arabic reader could easily think he was a Muslim, yet the traditional Jewish seeker has always looked to him as a fountainhead of Jewish devotion. Indeed, Bahya represents a genuine bridge between religious cultures. He brings together, as well, a rationalist, philosophical approach and a strain of Sufi mysticism, paving the way for the integration of philosophy and spirituality in the thought of Moses Maimonides.A Sufi-Jewish Dialogue is the first scholarly book in English about a tremendously influential work of medieval Jewish thought and will be of interest to readers working in comparative literature, philosophy, and religious studies, particularly as reflected in the interplay of the civilizations of the Middle East. Readers will discover an extraordinary time when Jewish, Christian, and Islamic thinkers participated in a common spiritual quest, across traditions and cultural boundaries.

In The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors.Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon.On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing-authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature.By bringing together two apparently unrelated issues-the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society-Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.

The first few decades of the eighteenth century witnessed an important moment in Jewish-Christian relations, as influential Christian scholars increasingly looked to Jewish texts to reveal the truths of their own faith. To what extent could postbiblical writings help them better understand the New Testament? And who would best be able to explicate these connections?Connecting the Covenants focuses on two separate but entwined stories, the first centering around the colorful character of Moses Marcus. The English-born son of wealthy parents and the grandson of the famous autobiographical author Glikl of Hameln, Marcus was a prominent Jew educated in the Ashkenazic yeshivah at Hamburg. On New Year's Day, 1723, Marcus was baptized as a Christian, later publishing a justification of his conversion and a vindication of his newly discovered faith in a small book in London. A trophy convert, he was promoted by figures at the highest levels of the Anglican Church as a cultural mediator between Judaism and Christianity. His modest successes in the world of the elite clerical establishment were followed, however, by conspicuous failures, both intellectual and material.The second story that David Ruderman tells emerges against the background of Marcus's professional decline. In the end, the prize convert proved to be a theologian of limited ability, far outstripped in sophistication and openness to rabbinic learning by a circle of Enlightenment Protestant scholars. It was not the Jew who had abjured Judaism who was willing or able to apply the Mishnah and Talmud to Christian exegesis, but figures such as William Whiston, Anthony Collins, William Wotton, and the Dutch scholar William Surenhusius who seized upon the ways to connect the covenants.

Born in 1918 into the fabric of Arab-Jewish frontier life at the foot of Mt. Tabor, Yigal Allon rose to become one of the founding figures of the state of Israel and an architect of its politics. In 1945 Allon became commander of the Palmah-an elite unit of the Haganah, the semilegal army of the Jewish community-during the struggle against the British for independence. In the 1947-49 War of Independence against local and invading Arab armies, he led the decisive battles that largely determined the borders of Israel. Paradoxically, his close lifelong relations with Arab neighbors did not prevent him from being a chief agent of their sizable displacement.A bestseller in Israel and available now translated into English, Yigal Allon, Native Son is the only biography of this charismatic leader. The book focuses on Allon's life up to 1950, his clash with founding father David Ben-Gurion, the end of his military career, and the watershed in culture and character between the Jewish Yishuv and Israeli statehood. As a statesman in his more mature years, he formulated what became known as the "Allon Plan," which remains a viable blueprint for an eventual two-state partition between Israel and the Palestinians. Yet in the end, the promise Allon showed as a brilliant young military commander remained unfulfilled. The great dream of the Palmah generation was largely lost, and Allon's name became associated with the failed policies of the past.The story of Allon's life frames the history of Israel, its relationship with its Arab neighbors, its culture and spirit. This important biography touches on matters-Israel's borders, refugees, military might-that remain very much alive today.

For most of the last four centuries, the broad expanse of territory between the Baltic and the Black Seas, known since the Enlightenment as "Eastern Europe," has been home to the world's largest Jewish population. The Jews of Poland, Russia, Lithuania, Galicia, Romania, and Ukraine were prodigious generators of modern Jewish culture. Their volatile blend of religious traditionalism and precocious quests for collective self-emancipation lies at the heart of Culture Front.This volume brings together contributions by both historians and literary scholars to take readers on a journey across the cultural history of East European Jewry from the mid-seventeenth century to the present. The articles collected here explore how Jews and their Slavic neighbors produced and consumed imaginative representations of Jewish life in chronicles, plays, novels, poetry, memoirs, museums, and more.The book puts culture at the forefront of analysis, treating verbal artistry itself as a kind of frontier through which Jews and Slavs imagined, experienced, and negotiated with themselves and each other. The four sections investigate the distinctive themes of that frontier: violence and civility; popular culture; politics and aesthetics; and memory. The result is a fresh exploration of ideas and movements that helped change the landscape of modern Jewish history.

The 1905 Revolution in Russia ushered in an unprecedented (though brief) period of social and political freedom in the Russian Empire. This environment made possible the emergence of mass Jewish politics and the flourishing of a new, modern Jewish culture expressed in Yiddish, Hebrew, and Russian. Unfortunately, 1905 also unleashed popular anti-Semitism in the shape of pogroms on a scale previously unknown.Russian Jewry, by far the largest Jewish community in the world at that time, faced fateful decisions. Should the Jews strive to uphold Jewish national uniqueness either in the context of the Russian Empire or by emigrating to Palestine/the Land of Israel, or should they identify with and merge into the general revolutionary or liberal movements in their country of birth? What direction should Jewish culture and social organizations take within the context of democratization and modernization? In what language or languages should this culture be expressed? How should Jews abroad react to the revolutionary crisis and to the dilemmas of their coreligionists?The thought-provoking essays in this volume shed new light on these issues while placing them in the larger context of the historical, social, and cultural developments within the Russian Empire. The authors, representing various disciplines, emphasize both the highly varied Jewish responses to the great crisis and the degree to which these responses shared certain vital characteristics.

Biblical interpretation is not simply study of the Bible's meaning. Historically, it has also served as a primary medium for cultural and religious exchange between the great religious traditions of the West. Focusing on moments of signal interest in the history of Jewish, Christian, and Islamic scriptural interpretation from the ancient, medieval, and early modern periods, Jewish Biblical Interpretation and Cultural Exchange offers a unique comparative perspective. Each of the essays treats its subject in relation to the larger cultural context and to other contemporary interpretative traditions. Sources and authors examined in the book include late biblical and early postbiblical compositions, rabbinic legal and homiletical interpretation, Jerome and other early Christian exegetes, Islamic exegesis in both the Qur'an and early Muslim tradition, medieval Jewish and Christian exegetes, and biblical interpretation as evidenced in early modern illustrations of biblical scenes.The histories of Jewish, Christian, and Islamic interpretation are presented not merely as parallel but as deeply interrelated, not only as reacting and polemicizing against each other but often as appropriating the tools and methods of their rival traditions. Biblical exegesis thus emerges as a forum of active and intense cultural exchange. The volume comes at a crucial time in the study of Jewish relations with Christianity and Islam, and shows how deeply connected and intertwined these three religious traditions truly are.

Renaissance Italy is often characterized as a place of unusual tolerance and privilege toward Jews. Unlike England, France, Germany, Spain, and Portugal, the princely courts of early modern Italy, particularly Urbino, Mantua, and Ferrara, offered economic and social prosperity to Jews. When anti-Jewish hostilities created civic tumult in this region, secular authorities promptly contained the violence.Yet this written record tells only one part of the story. Pictures tell another. In The Jew in the Art of the Italian Renaissance, Dana E. Katz reveals how Renaissance paintings and sculpture became part of a policy of tolerance that deflected violence to a symbolic status. While rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews. The economic benefits Jewish toleration supplied never outweighed the animosity toward Jews' participation in the Christian community.Katz examines how particular forms of visual representation were used to punish Jews symbolically for alleged crimes against Christianity, including host desecration, deicide, and ritual murder. The production of such imagery testifies to the distinctive Jewry policies employed in the northern Italian princedoms, republican Florence, and imperial Trent. The book provides new insights into famous masterworks by Andrea Mantegna, Paolo Uccello, and others, placing these paintings within a larger discourse that incorporates noncanonical, provincial works of art.

A thirteenth-century text purporting to represent a debate between a Jew and a Christian begins with the latter's exposition of the virgin birth, something the Jew finds incomprehensible at the most basic level, for reasons other than theological: "Speak to me in French and explain your words!" he says. "Gloss for me in French what you are saying in Latin!" While the Christian and the Jew of the debate both inhabit the so-called Latin Middle Ages, the Jew is no more comfortable with Latin than the Christian would be with Hebrew. Communication between the two is possible only through the vernacular.In Vernacular Voices, Kirsten Fudeman looks at the roles played by language, and especially medieval French and Hebrew, in shaping identity and culture. How did language affect the way Jews thought, how they interacted with one another and with Christians, and who they perceived themselves to be? What circumstances and forces led to the rise of a medieval Jewish tradition in French? Who were the writers, and why did they sometimes choose to write in the vernacular rather than Hebrew? How and in what terms did Jews define their relationship to the larger French-speaking community?Drawing on a variety of texts written in medieval French and Hebrew, including biblical glosses, medical and culinary recipes, incantations, prayers for the dead, wedding songs, and letters, Fudeman challenges readers to open their ears to the everyday voices of medieval French-speaking Jews and to consider French elements in Hebrew manuscripts not as a marginal phenomenon but as reflections of a vibrant and full vernacular existence. Applying analytical strategies from linguistics, literature, and history, she demonstrates that language played a central role in the formation, expression, and maintenance of medieval Jewish identity and that it brought Christians and Jews together even as it set them apart.

Is there such a thing as a distinctive Jewish literature? While definitions have been offered, none has been universally accepted. Modern Jewish literature lacks the basic markers of national literatures: it has neither a common geography nor a shared language-though works in Hebrew or Yiddish are almost certainly included-and the field is so diverse that it cannot be contained within the bounds of one literary category.Each of the fifteen essays collected in Modern Jewish Literatures takes on the above question by describing a movement across boundaries-between languages, cultures, genres, or spaces. Works in Hebrew and Yiddish are amply represented, but works in English, French, German, Italian, Ladino, and Russian are also considered. Topics range from the poetry of the Israeli nationalist Natan Alterman to the Russian poet Osip Mandelstam; from turn-of-the-century Ottoman Jewish journalism to wire-recorded Holocaust testimonies; from the intellectual salons of late eighteenth-century Berlin to the shelves of a Jewish bookstore in twentieth-century Los Angeles.The literary world described in Modern Jewish Literatures is demarcated chronologically by the Enlightenment, the Haskalah, and the French Revolution, on one end, and the fiftieth anniversary of the State of Israel on the other. The particular terms of the encounter between a Jewish past and present for modern Jews has varied greatly, by continent, country, or village, by language, and by social standing, among other things. What unites the subjects of these studies is not a common ethnic, religious, or cultural history but rather a shared endeavor to use literary production and writing in general as the laboratory in which to explore and represent Jewish experience in the modern world.

Throughout the eighteenth century, an ever-sharper distinction emerged between Jews of the old order and those who were self-consciously of a new world. As aspirations for liberation clashed with adherence to tradition, as national, ethnic, cultural, and other alternatives emerged and a long, circuitous search for identity began, it was no longer evident that the definition of Jewishness would be based on the beliefs and practices surrounding the study of the Torah.In The Origins of Jewish Secularization in Eighteenth-Century Europe Shmuel Feiner reconstructs this evolution by listening to the voices of those who participated in the process and by deciphering its cultural codes and meanings. On the one hand, a great majority of observant Jews still accepted the authority of the Talmud and the leadership of the rabbis; on the other, there was a gradually more conspicuous minority of "Epicureans" and "freethinkers." As the ground shifted, each individual was marked according to his or her place on the path between faith and heresy, between devoutness and permissiveness or indifference.Building on his award-winning Jewish Enlightenment, Feiner unfolds the story of critics of religion, mostly Ashkenazic Jews, who did not take active part in the secular intellectual revival known as the Haskalah. In open or concealed rebellion, Feiner's subjects lived primarily in the cities of western and central Europe-Altona-Hamburg, Amsterdam, London, Berlin, Breslau, and Prague. They participated as "fashionable" Jews adopting the habits and clothing of the surrounding Gentile society. Several also adopted the deist worldview of Enlightenment Europe, rejecting faith in revelation, the authority of Scripture, and the obligation to observe the commandments.Peering into the synagogue, observing individuals in the coffeehouse or strolling the boulevards, and peeking into the bedroom, Feiner recovers forgotten critics of religion from both the margins and the center of Jewish discourse. His is a pioneering work on the origins of one of the most significant transformations of modern Jewish history.