"For the classroom and for the general reader, there’s no better way to experience the context in which Jane Eyre was written, illuminating modern commentary, and the novel itself in an authoritative text.” Fred kaplan, Queens College and The Graduate Center, City University of New York

This Norton Critical Edition includes:Dennis Washburn’s acclaimed and unabridged translation of Murasaki Shikibu’s eleventh-century literary masterpiece, widely considered the world’s first novel.Editorial matter by Dennis Washburn.Fourteen background selections—from the eleventh-century The Daughter of Sugawara no Takasue to Virginia Woolf—carefully selected to increase the reader’s understanding and appreciation of this nuanced and vibrant work.Nine critical essays on The Tale of Genji’s central themes.An index of songs and poetry, three chronologies and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

The text here is based on Hershel Parker and Harrison Hayford’s 1967 edition, footnoted to include biographical discoveries. Reviews, letters by Melville and belated praise is collected, and a wealth of new biographical material has been added, while new research is highlighted. Parker also explores what writing Moby-Dick cost Melville and his family.

"Backgrounds and Sources" includes relevant writings by Dostoevsky, among them "Winter Notes on Summer Impressions," the author’s account of a formative trip to the West. New to the Second Edition are excerpts from V. F. Odoevksy’s "Russian Nights" and I. S. Turgenev’s "Hamlet of Shchigrovsk District." In "Responses", Michael Katz links this seminal novel to the theme of the underground man in six famous works, two of them new to the Second Edition: an excerpt from M. E. Saltykov-Shchedrin’s The Swallows, Woody Allen’s Notes from the Overfed, Robert Walser’s The Child, an excerpt from Ralph Ellison’s The Invisible Man, an excerpt from Yevgeny Zamyatin’s We, and an excerpt from Jean-Paul Sartre’s Erostratus. "Criticism" brings together eleven interpretations by both Russian and Western critics from the nineteenth and twentieth centuries, two of them new to the Second Edition. Included are essays by Nikolai K. Mikhailovsky, Vasily Rozanov, Lev Shestov, M. M. Bakhtin, Ralph E. Matlaw, Victor Erlich, Robert Louis Jackson, Gary Saul Morson, Richard H. Weisberg, Joseph Frank, and Tzvetan Todorov. A Chronology and Selected Bibliography are also included.

This Norton Critical Edition includes:The American first edition text, plus the reinstated “raft passage” from Life on the Mississippi (1883), complete with all original illustrations by Edward Windsor Kemble and, for the raft passage, John Harley.Editorial matter by Thomas Cooley.A rich selection of contextual and source documents centred on the novel’s historical background, language, composition and reception, four of them new to the Fourth Edition.Seventeen carefully chosen critical assessments of Mark Twain’s greatest work, ten of them new to the Fourth Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The 1929 text of The Sound and the Fury, corrected by textual scholar Noel Polk to correspond to Faulkner’s original complete manuscript.A reimagined preface, revised headnotes, and expanded footnotes by Michael Gorra to contextualize, among other aspects, racial epithets and biblical allusions.Additional writings by Faulkner, ranging from selected letters to his address upon receiving the Nobel Prize for Literature.Contextual materials illuminating contemporary responses to the novel and the cultural and historical environment of Faulkner’s Mississippi, featuring new photographs of Oxford by George G. Stewart.Over 15 critical essays.A selected bibliography and a chronology.

Written during a time of great political turmoil, social anxiety, and against the backdrop of the French Revolution, Wollstonecraft’s argument continues to challenge and inspire. This revised and expanded Third Edition is again based on the 1792 second-edition text and is accompanied by revised and expanded explanatory annotations.“Backgrounds and Contexts” is also significantly expanded and contains twenty-four works organized thematically into these groupings: “Legacies of English Radicalism,” “Education,” “Wollstonecraft’s Revolutionary Moment,” and “The Wollstonecraft Debate.” Opinions on a variety of reforms that may be compared and contrasted with Wollstonecraft’s include those by John Milton, John Locke, Mary Astell, Jean-Jacques Rousseau, Hannah More, Richard Price, Edmund Burke, Maria Edgeworth, and William Godwin, among others.“Criticism” includes six seminal essays on A Vindication of the Rights of Woman by Elissa S. Guralnick, Mitzi Myers, Cora Kaplan, Mary Poovey, Claudia L. Johnson, and Barbara Taylor.A Chronology of Wollstonecraft’s life and work and a Selected Bibliography are also included.

This Norton Critical Edition includes:The 1818 first edition text of the novel, introduced and annotated by J. Paul Hunter.Three maps and eight illustrations.A wealth of source and contextual materials, thematically arranged to promote classroom discussion. Topics include “Sources, Influences, Analogues”, “Circumstances, Composition, Revision” and “Reception, Impact, Adaptation”.Eleven critical essays on Frankenstein’s major themes, six of them new to the Third Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The first edition of the novel, published by Archibald Constable in London in 1897 and chosen by the editors in order to give readers—insofar as such a thing is possible—a more historically authentic reading experience than has been generally available. Arcane words and usages are footnoted at first appearance.Editorial matter by John Edgar Browning and David J. Skal.Eight background pieces, five of them new to the Second Edition, on Count Dracula specifically and vampires more generally; seven reviews and reactions to Dracula’s publication, five of them new to the Second Edition; and six selections, two of them new to and two others updated for the Second Edition, on Dracula’s many dramatic and filmic variations.Eleven critical essays on Dracula’s central themes, six of them new to the Second Edition.A selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.A Selected Bibliography is also included.

This Norton Critical Edition includes:Emily Wilson’s authoritative translation of Homer’s masterpiece, accompanied by her informative introduction, explanatory footnotes and book-by-book summaries.Four maps, created especially for this translation.Contextual materials including sources and analogues by Homer, Sappho, Pindar and others. Also included are carefully chosen passages from (mainly) ancient texts that provide insight into The Odyssey and its reception by Plato, Aristotle, Ovid, Pseudo-Longinus, Lucian, Apollodorus, Heraclitus, Porphyry, Proclus, Hyginus, Dante Alighieri, Alfred Lord Tennyson, C. P. Cavafy, Derek Walcott and Margaret Atwood.Nine critical essays addressing key topics—composition; representation of religion and the gods; class and slavery; gender; colonisation and the meaning of home; trickery, intelligence and lying; and more— essential to the study of The Odyssey. Essays by Robert Fowler, Laurel Fulkerson, Barbara Graziosi, Laura M. Slatkin, Sheila Murnaghan, Patrice Rankine, Helene P. Foley, Egbert J. Bakker and Lillian Eileen Doherty are included.A glossary and a list of suggested further readings.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:• The first edition of the novel (1847), accompanied by a new preface and revised explanatory footnotes.• Key excerpts from Emily Brontë’s diary papers and devoirs, along with thirteen of her sister Charlotte Brontë’s letters regarding publication of both the 1847 and 1850 editions, and Charlotte’s notes of introduction to the posthumous 1850 edition.• Thirteen of Charlotte Brontë’s letters regarding the publication of both the 1847 and 1850 editions of Wuthering Heights, along with key excerpts from her diary and devoirs.• Twenty-one of Emily’s poems, including the eighteen selected for publication by Charlotte with the 1850 edition and a further three poems new to this Fifth Norton Critical Edition.• Thirteen reviews of both the 1847 and 1850 editions of the novel.• Five major critical assessments of Wuthering Heights, three of them new to the Fifth Edition.• A revised chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Edith Grossman’s acclaimed translations of The Tenth Muse’s best known works are offered here with introductory materials and explanatory footnotes, along with related additional works and eight critical essays.

This Norton Critical Edition presents a generous selection of William Wordworth’s poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth’s Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author.Wordsworth’s Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author’s evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages.“Criticism” collects thirty responses to Wordsworth’s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O’Neill, and Geoffrey Hartman, among others.The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

"Criticism" is chronologically keyed to Byron's poetry and reprints both classic and recent examinations of Byron's writing and life, including assessments by Anne Barton, Donald H. Reiman, Jane Stabler, Jerome J. McGann, Susan J. Wolfson, and James Chandler.A Biographical Register, Chronology, Selected Bibliography, and Index of Poem Titles and First Lines are also included.

The texts reprinted in this new Norton Critical Edition have been scrupulously edited and are from the Westmoreland manuscript where possible, collated against the most important families of Donne manuscripts—the Cambridge Belam, the Dublin Trinity, and the O’Flahertie—and compared with all seven seventeenth-century printed editions of the poems as well as all major twentieth-century editions.“Criticism” is divided into four sections and represents the best criticism and interpretation of Donne’s writing: “Donne and Metaphysical Poetry” includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; “Satires, Elegies, and Verse Letters” includes seven selections that offer social and literary context for and insights into Donne’s frequently overlooked early poems; “Songs and Sonnets” features six analyses of Donne’s love poetry; and “Holy Sonnets/Divine Poems” explores Donne’s struggles as a Christian through four authoritative essays.A Chronology of Donne’s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

It is accompanied by detailed explanatory annotations."Contexts" collects materials that influenced Swift's writing of the novel, as well as documents that suggest its initial reception, including Swift's correspondence, Alexander Pope's poems on Gulliver's Travels, and relevant passages from Gargantua and Pantagruel."Criticism" includes fourteen assessments of Gulliver's Travels by the Earl of Orrery, Sir Walter Scott, Pat Rogers, Michael McKen, J.A. Downie, J. Paul Hunter, Laura Brown, Douglas Lane Patey, Dennis Todd, Richard H. Rodino. Irvin Ehrenpreis, Janine Barchas, Claude Rawson, and Howard D. Weinbrot.A Chronology and a Selected Bibliography are included.

All discrepancies have been checked against the second English edition and the second American edition; the resulting Textual Notes include over 500 substantive changes.The text is thoroughly annotated, and the editor has added a "Glossary of Eastern and Nautical Terms.""Backgrounds" includes the complete text of "Tuan Jim.""Sources" is a special section edited for this Norton Critical Edition by Dr. Norman Sherry of the University of Liverpool, presenting his discoveries about the real-life counterpart of Lord Jim, the incidents described in the novel, and life in the Dutch East Indies in the nineteenth century.  Dr. Sherry is the author of Conrad's Eastern World.Among the perspectives presented in "Criticism" are those of Hugh Clifford, Albert J. Guerard, Ian Watt, Fredric Jameson, J. Hillis Miller, Edward Said, Philip M. Weinstein, Paul B. Armstrong, Marianne DeKoven, and Daphana Erdinast-Vulcan.

The editor supplies explanatory annotations and textual notes."Historical Backgrounds" is an especially rich collection of seventeenth-and eighteenth-century documents about colonizers and slaves in the new world. Topically arranged-"Montaigne on America," "The Settling of Surinam," "Observers of Slavery, 1654–1712," "After Oroonoko: Noble Africans in Europe," and "Opinions on Slavery"-these selections create a revealing context for Behn’s unusual story. Illustrations and maps are also included."Criticism" begins with an overview of responses to Behn and Oroonoko, from learned and popular writers of her time to Sir Walter Scott and Virginia Woolf, among others. Current critical interpretations are by William C. Spengemann, Jane Spencer, Robert L. Chibka, Laura Brown, Charlotte Sussman, and Mary Beth Rose.A Chronology of Behn’s life and a Selected Bibliography are included.

His writings are wide-ranging in form and content, and vast in number. Norton’s long-awaited edition is the most comprehensive and user-friendly student edition available. Supporting apparatus includes detailed headnotes, footnotes (both Coleridge’s and the editors’), biographical register, glossary, and an index of poems and first lines."Criticism" includes twenty assessments of Coleridge’s poetry and prose by British and American authors.A Chronology and Selected Bibliography are also included.

The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations.This edition also includes: biographical portraits of Austen by members of her family and, new to the fourth edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). Also included are fifteen critical essays, twelve of them new to the fourth edition, reflecting the finest current scholarship. Contributors include Janet Todd, Jim Collins, Andrew Elfenbein, Felicia Bonaparte and Tiffany Potter, amongst others. “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, W. H. Auden and others. A Chronology and revised and expanded Selected Bibliography.

This Norton Critical Edition is based on the 1985 corrected text and is accompanied by newly updated and expanded explanatory annotations and an introduction by Michael Gorra.“Backgrounds and Contexts” is divided into three sections, each of which includes a concise introduction by Michael Gorra that carefully frames the issues presented, with particular attention to As I Lay Dying’s place in Faulkner’s literary life. “Contemporary Reception” includes a selection of seven reviews, including those by Julia K. W. Baker, Henry Nash Smith, and Valery Larbaud. “The Writer and His Work” examines Faulkner’s own claims regarding the composition of the novel and his changing opinions over time, sample pages from the manuscript, his Nobel Prize address, and additional writings by Faulkner on Yoknapatawpha County. “Cultural Context” reprints seven essays and advertisements—three selections new to the Second Edition—along with other materials that address questions of Southern motherhood, Agrarianism, and the Southern grotesque.“Criticism” begins with the editor’s introduction to As I Lay Dying’s critical history and scholarly reception. Eleven critical essays are included—five new to the Second Edition—by Olga W. Vickery, Cleanth Brooks, Eric Sundquist, Doreen Fowler, Dorothy J. Hale, Patrick O’Donnell, John T. Matthews, John Limon, Richard Godden, Susan Scott Parrish, and Erin E. Edwards.A chronology and a selected bibliography are also included.

This Norton Critical Edition includes:The 1674 text of Paradise Lost, with emendations and adoptions from the first edition and from the scribal manuscript. Spelling and punctuation have been modernised for student readers.An illuminating introduction and abundant explanatory annotations by Gordon Teskey.Source and background materials, including Milton’s greatest prose work, Areopagitica, in its entirety and key selections from the Bible.Topically arranged commentaries and interpretations—seventy-eight in all, thirty-nine of them new to the Second Edition—from classic assessments to current scholarship.A glossary of names and suggestions for further reading.

This Norton Critical Edition includes:The first British edition of the novel, published in 1886 by Longmans, Green, and Co., the only edition set directly from Stevenson’s manuscript and for which he read and corrected proofs.Deborah Lutz’s thorough introduction and detailed explanatory footnotes to the novel.Seven illustrations.A rich and relevant selection of background materials centered on the novel’s composition, reception, and historical and cultural contexts, alongside seven of Stevenson’s letters.Interpretative essays by Elaine Showalter, Jack Halberstam, Martin Danahay and Stephen Arata.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The 1890 (Lippincott’s Magazine) version and the 1891 (book) version of the novel. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to comparatively read and analyse both texts of this controversial novel.Editorial matter by Michael Patrick Gillespie.“Backgrounds” and “Reviews and Reactions” sections that allow readers to gauge The Picture of Dorian Gray’s sensational reception and to consider the heated public debate over art and morality that followed—including Oscar Wilde’s vehement replies to individual critics.Seven critical essays—six of them new to the Third Edition—that address the novel’s major themes: aestheticism, decadence and vice. Contributors include Joseph Carroll, Nils Clausson, Emily Eells, Michael Patrick Gillespie, Richard Haslam, Donald L. Lawler and Ellen Scheible.A chronology and a selected bibliography.

This Norton Critical Edition includes:The complete first edition (1722) text of the novel.Albert J. Rivero’s revised preface, annotations, and essay on the novel’s textual history.A selection of contextual materials, including documents on convict transportation and colonial laws, contemporary accounts of criminals, and a brand-new selection of Defoe’s own writings on similar issues.Nine critical interpretations—five of which are new to the Second Edition—analyzing important themes, such as economic necessity and gender relations.A chronology of Defoe’s life and a selected bibliography.

A devotional, literary and philosophical work of unsurpassed beauty and relevance, the universal themes of The Bhagavad Gita—life and death, war and peace and sacrifice—resonate in a West increasingly interested in Eastern religious experiences and the Hindu diaspora. The text is accompanied by a full introduction and by explanatory annotations.This edition presents seminal commentaries on The Bhagavad Gita, including passages from The Shvetashvatara Upanishad as well as commentary by Shankara and Ramanuja, in addition to the writings of Bal Gangadhar Tilak and Sri Aurobindo. Essays by leading Hinduists discuss a wide range of issues related to the text. A bibliography is included.

This Norton Critical Edition includes:The 1896 William Heinemann edition of Wells’s novel—a cauldron of scientific ambition, interspecies conflict, and neocolonial violence—with a glossary of nautical, botanical, and geological terms.A preface with a note on the text, contextualizing headnotes, and explanatory footnotes by Kimberly W. Benston.Eight illustrations, including the 1896 frontispiece and artworks relating to the novel’s context.An especially rich selection of contextual materials, topically organized: “Evolution: Theory, Society, Language, and Ethics”; “Race, Cannibalism, and Empire”; “Animality, Science, and the Vivisection Debate”; and “Wells on Evolution, Pain, Extinction, and Animal Mind.”Fourteen critical interpretations, from reviews upon publication to current critical scholarship.A chronology of Wells’s life and a selected bibliography.

The English rendition of the title of this novel has been problematic since the book’s publication in 1862. In his prefatory note to the Second Edition, Katz explains his decision to return to the original title, the one preferred by the author himself: Ottsy i deti, literally “Fathers and Children.”The novel is accompanied by a rich selection of Turgenev’s letters that illustrate his involvement in the critical controversy that surrounded the publication of Fathers and Children. Four of the most significant critiques of the day—by Dmitry Pisarev, Nikolai Strakhov, Apollon Grigorev, and Alexander Herzen—further enhance the reader’s understanding of this critical firestorm.Twenty-three critical essays—seven of which are new to the Second Edition—are organized around several themes: the issue of translation; politics, including Turgenev’s liberalism, his view of revolution, and his attitude toward nihilism; and various literary aspects, including Turgenev’s use of imagery, generational conflict, the role of women, and the growing impact of science on society.A Chronology of Turgenev's life and work and an updated Selected Bibliography are also included.

"For the classroom and for the general reader, there’s no better way to experience the context in which Jane Eyre was written, illuminating modern commentary, and the novel itself in an authoritative text.” Fred kaplan, Queens College and The Graduate Center, City University of New York

This Norton Critical Edition includes:Dennis Washburn’s acclaimed and unabridged translation of Murasaki Shikibu’s eleventh-century literary masterpiece, widely considered the world’s first novel.Editorial matter by Dennis Washburn.Fourteen background selections—from the eleventh-century The Daughter of Sugawara no Takasue to Virginia Woolf—carefully selected to increase the reader’s understanding and appreciation of this nuanced and vibrant work.Nine critical essays on The Tale of Genji’s central themes.An index of songs and poetry, three chronologies and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

The text here is based on Hershel Parker and Harrison Hayford’s 1967 edition, footnoted to include biographical discoveries. Reviews, letters by Melville and belated praise is collected, and a wealth of new biographical material has been added, while new research is highlighted. Parker also explores what writing Moby-Dick cost Melville and his family.

"Backgrounds and Sources" includes relevant writings by Dostoevsky, among them "Winter Notes on Summer Impressions," the author’s account of a formative trip to the West. New to the Second Edition are excerpts from V. F. Odoevksy’s "Russian Nights" and I. S. Turgenev’s "Hamlet of Shchigrovsk District." In "Responses", Michael Katz links this seminal novel to the theme of the underground man in six famous works, two of them new to the Second Edition: an excerpt from M. E. Saltykov-Shchedrin’s The Swallows, Woody Allen’s Notes from the Overfed, Robert Walser’s The Child, an excerpt from Ralph Ellison’s The Invisible Man, an excerpt from Yevgeny Zamyatin’s We, and an excerpt from Jean-Paul Sartre’s Erostratus. "Criticism" brings together eleven interpretations by both Russian and Western critics from the nineteenth and twentieth centuries, two of them new to the Second Edition. Included are essays by Nikolai K. Mikhailovsky, Vasily Rozanov, Lev Shestov, M. M. Bakhtin, Ralph E. Matlaw, Victor Erlich, Robert Louis Jackson, Gary Saul Morson, Richard H. Weisberg, Joseph Frank, and Tzvetan Todorov. A Chronology and Selected Bibliography are also included.

This Norton Critical Edition includes:The American first edition text, plus the reinstated “raft passage” from Life on the Mississippi (1883), complete with all original illustrations by Edward Windsor Kemble and, for the raft passage, John Harley.Editorial matter by Thomas Cooley.A rich selection of contextual and source documents centred on the novel’s historical background, language, composition and reception, four of them new to the Fourth Edition.Seventeen carefully chosen critical assessments of Mark Twain’s greatest work, ten of them new to the Fourth Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The 1929 text of The Sound and the Fury, corrected by textual scholar Noel Polk to correspond to Faulkner’s original complete manuscript.A reimagined preface, revised headnotes, and expanded footnotes by Michael Gorra to contextualize, among other aspects, racial epithets and biblical allusions.Additional writings by Faulkner, ranging from selected letters to his address upon receiving the Nobel Prize for Literature.Contextual materials illuminating contemporary responses to the novel and the cultural and historical environment of Faulkner’s Mississippi, featuring new photographs of Oxford by George G. Stewart.Over 15 critical essays.A selected bibliography and a chronology.

Written during a time of great political turmoil, social anxiety, and against the backdrop of the French Revolution, Wollstonecraft’s argument continues to challenge and inspire. This revised and expanded Third Edition is again based on the 1792 second-edition text and is accompanied by revised and expanded explanatory annotations.“Backgrounds and Contexts” is also significantly expanded and contains twenty-four works organized thematically into these groupings: “Legacies of English Radicalism,” “Education,” “Wollstonecraft’s Revolutionary Moment,” and “The Wollstonecraft Debate.” Opinions on a variety of reforms that may be compared and contrasted with Wollstonecraft’s include those by John Milton, John Locke, Mary Astell, Jean-Jacques Rousseau, Hannah More, Richard Price, Edmund Burke, Maria Edgeworth, and William Godwin, among others.“Criticism” includes six seminal essays on A Vindication of the Rights of Woman by Elissa S. Guralnick, Mitzi Myers, Cora Kaplan, Mary Poovey, Claudia L. Johnson, and Barbara Taylor.A Chronology of Wollstonecraft’s life and work and a Selected Bibliography are also included.

This Norton Critical Edition includes:The 1818 first edition text of the novel, introduced and annotated by J. Paul Hunter.Three maps and eight illustrations.A wealth of source and contextual materials, thematically arranged to promote classroom discussion. Topics include “Sources, Influences, Analogues”, “Circumstances, Composition, Revision” and “Reception, Impact, Adaptation”.Eleven critical essays on Frankenstein’s major themes, six of them new to the Third Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The first edition of the novel, published by Archibald Constable in London in 1897 and chosen by the editors in order to give readers—insofar as such a thing is possible—a more historically authentic reading experience than has been generally available. Arcane words and usages are footnoted at first appearance.Editorial matter by John Edgar Browning and David J. Skal.Eight background pieces, five of them new to the Second Edition, on Count Dracula specifically and vampires more generally; seven reviews and reactions to Dracula’s publication, five of them new to the Second Edition; and six selections, two of them new to and two others updated for the Second Edition, on Dracula’s many dramatic and filmic variations.Eleven critical essays on Dracula’s central themes, six of them new to the Second Edition.A selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.A Selected Bibliography is also included.

This Norton Critical Edition includes:Emily Wilson’s authoritative translation of Homer’s masterpiece, accompanied by her informative introduction, explanatory footnotes and book-by-book summaries.Four maps, created especially for this translation.Contextual materials including sources and analogues by Homer, Sappho, Pindar and others. Also included are carefully chosen passages from (mainly) ancient texts that provide insight into The Odyssey and its reception by Plato, Aristotle, Ovid, Pseudo-Longinus, Lucian, Apollodorus, Heraclitus, Porphyry, Proclus, Hyginus, Dante Alighieri, Alfred Lord Tennyson, C. P. Cavafy, Derek Walcott and Margaret Atwood.Nine critical essays addressing key topics—composition; representation of religion and the gods; class and slavery; gender; colonisation and the meaning of home; trickery, intelligence and lying; and more— essential to the study of The Odyssey. Essays by Robert Fowler, Laurel Fulkerson, Barbara Graziosi, Laura M. Slatkin, Sheila Murnaghan, Patrice Rankine, Helene P. Foley, Egbert J. Bakker and Lillian Eileen Doherty are included.A glossary and a list of suggested further readings.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:• The first edition of the novel (1847), accompanied by a new preface and revised explanatory footnotes.• Key excerpts from Emily Brontë’s diary papers and devoirs, along with thirteen of her sister Charlotte Brontë’s letters regarding publication of both the 1847 and 1850 editions, and Charlotte’s notes of introduction to the posthumous 1850 edition.• Thirteen of Charlotte Brontë’s letters regarding the publication of both the 1847 and 1850 editions of Wuthering Heights, along with key excerpts from her diary and devoirs.• Twenty-one of Emily’s poems, including the eighteen selected for publication by Charlotte with the 1850 edition and a further three poems new to this Fifth Norton Critical Edition.• Thirteen reviews of both the 1847 and 1850 editions of the novel.• Five major critical assessments of Wuthering Heights, three of them new to the Fifth Edition.• A revised chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Edith Grossman’s acclaimed translations of The Tenth Muse’s best known works are offered here with introductory materials and explanatory footnotes, along with related additional works and eight critical essays.

This Norton Critical Edition presents a generous selection of William Wordworth’s poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth’s Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author.Wordsworth’s Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author’s evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages.“Criticism” collects thirty responses to Wordsworth’s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O’Neill, and Geoffrey Hartman, among others.The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

"Criticism" is chronologically keyed to Byron's poetry and reprints both classic and recent examinations of Byron's writing and life, including assessments by Anne Barton, Donald H. Reiman, Jane Stabler, Jerome J. McGann, Susan J. Wolfson, and James Chandler.A Biographical Register, Chronology, Selected Bibliography, and Index of Poem Titles and First Lines are also included.

The texts reprinted in this new Norton Critical Edition have been scrupulously edited and are from the Westmoreland manuscript where possible, collated against the most important families of Donne manuscripts—the Cambridge Belam, the Dublin Trinity, and the O’Flahertie—and compared with all seven seventeenth-century printed editions of the poems as well as all major twentieth-century editions.“Criticism” is divided into four sections and represents the best criticism and interpretation of Donne’s writing: “Donne and Metaphysical Poetry” includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; “Satires, Elegies, and Verse Letters” includes seven selections that offer social and literary context for and insights into Donne’s frequently overlooked early poems; “Songs and Sonnets” features six analyses of Donne’s love poetry; and “Holy Sonnets/Divine Poems” explores Donne’s struggles as a Christian through four authoritative essays.A Chronology of Donne’s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

It is accompanied by detailed explanatory annotations."Contexts" collects materials that influenced Swift's writing of the novel, as well as documents that suggest its initial reception, including Swift's correspondence, Alexander Pope's poems on Gulliver's Travels, and relevant passages from Gargantua and Pantagruel."Criticism" includes fourteen assessments of Gulliver's Travels by the Earl of Orrery, Sir Walter Scott, Pat Rogers, Michael McKen, J.A. Downie, J. Paul Hunter, Laura Brown, Douglas Lane Patey, Dennis Todd, Richard H. Rodino. Irvin Ehrenpreis, Janine Barchas, Claude Rawson, and Howard D. Weinbrot.A Chronology and a Selected Bibliography are included.

All discrepancies have been checked against the second English edition and the second American edition; the resulting Textual Notes include over 500 substantive changes.The text is thoroughly annotated, and the editor has added a "Glossary of Eastern and Nautical Terms.""Backgrounds" includes the complete text of "Tuan Jim.""Sources" is a special section edited for this Norton Critical Edition by Dr. Norman Sherry of the University of Liverpool, presenting his discoveries about the real-life counterpart of Lord Jim, the incidents described in the novel, and life in the Dutch East Indies in the nineteenth century.  Dr. Sherry is the author of Conrad's Eastern World.Among the perspectives presented in "Criticism" are those of Hugh Clifford, Albert J. Guerard, Ian Watt, Fredric Jameson, J. Hillis Miller, Edward Said, Philip M. Weinstein, Paul B. Armstrong, Marianne DeKoven, and Daphana Erdinast-Vulcan.

The editor supplies explanatory annotations and textual notes."Historical Backgrounds" is an especially rich collection of seventeenth-and eighteenth-century documents about colonizers and slaves in the new world. Topically arranged-"Montaigne on America," "The Settling of Surinam," "Observers of Slavery, 1654–1712," "After Oroonoko: Noble Africans in Europe," and "Opinions on Slavery"-these selections create a revealing context for Behn’s unusual story. Illustrations and maps are also included."Criticism" begins with an overview of responses to Behn and Oroonoko, from learned and popular writers of her time to Sir Walter Scott and Virginia Woolf, among others. Current critical interpretations are by William C. Spengemann, Jane Spencer, Robert L. Chibka, Laura Brown, Charlotte Sussman, and Mary Beth Rose.A Chronology of Behn’s life and a Selected Bibliography are included.

His writings are wide-ranging in form and content, and vast in number. Norton’s long-awaited edition is the most comprehensive and user-friendly student edition available. Supporting apparatus includes detailed headnotes, footnotes (both Coleridge’s and the editors’), biographical register, glossary, and an index of poems and first lines."Criticism" includes twenty assessments of Coleridge’s poetry and prose by British and American authors.A Chronology and Selected Bibliography are also included.

The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations.This edition also includes: biographical portraits of Austen by members of her family and, new to the fourth edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). Also included are fifteen critical essays, twelve of them new to the fourth edition, reflecting the finest current scholarship. Contributors include Janet Todd, Jim Collins, Andrew Elfenbein, Felicia Bonaparte and Tiffany Potter, amongst others. “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, W. H. Auden and others. A Chronology and revised and expanded Selected Bibliography.

This Norton Critical Edition is based on the 1985 corrected text and is accompanied by newly updated and expanded explanatory annotations and an introduction by Michael Gorra.“Backgrounds and Contexts” is divided into three sections, each of which includes a concise introduction by Michael Gorra that carefully frames the issues presented, with particular attention to As I Lay Dying’s place in Faulkner’s literary life. “Contemporary Reception” includes a selection of seven reviews, including those by Julia K. W. Baker, Henry Nash Smith, and Valery Larbaud. “The Writer and His Work” examines Faulkner’s own claims regarding the composition of the novel and his changing opinions over time, sample pages from the manuscript, his Nobel Prize address, and additional writings by Faulkner on Yoknapatawpha County. “Cultural Context” reprints seven essays and advertisements—three selections new to the Second Edition—along with other materials that address questions of Southern motherhood, Agrarianism, and the Southern grotesque.“Criticism” begins with the editor’s introduction to As I Lay Dying’s critical history and scholarly reception. Eleven critical essays are included—five new to the Second Edition—by Olga W. Vickery, Cleanth Brooks, Eric Sundquist, Doreen Fowler, Dorothy J. Hale, Patrick O’Donnell, John T. Matthews, John Limon, Richard Godden, Susan Scott Parrish, and Erin E. Edwards.A chronology and a selected bibliography are also included.

This Norton Critical Edition includes:The 1674 text of Paradise Lost, with emendations and adoptions from the first edition and from the scribal manuscript. Spelling and punctuation have been modernised for student readers.An illuminating introduction and abundant explanatory annotations by Gordon Teskey.Source and background materials, including Milton’s greatest prose work, Areopagitica, in its entirety and key selections from the Bible.Topically arranged commentaries and interpretations—seventy-eight in all, thirty-nine of them new to the Second Edition—from classic assessments to current scholarship.A glossary of names and suggestions for further reading.

This Norton Critical Edition includes:The first British edition of the novel, published in 1886 by Longmans, Green, and Co., the only edition set directly from Stevenson’s manuscript and for which he read and corrected proofs.Deborah Lutz’s thorough introduction and detailed explanatory footnotes to the novel.Seven illustrations.A rich and relevant selection of background materials centered on the novel’s composition, reception, and historical and cultural contexts, alongside seven of Stevenson’s letters.Interpretative essays by Elaine Showalter, Jack Halberstam, Martin Danahay and Stephen Arata.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The 1890 (Lippincott’s Magazine) version and the 1891 (book) version of the novel. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to comparatively read and analyse both texts of this controversial novel.Editorial matter by Michael Patrick Gillespie.“Backgrounds” and “Reviews and Reactions” sections that allow readers to gauge The Picture of Dorian Gray’s sensational reception and to consider the heated public debate over art and morality that followed—including Oscar Wilde’s vehement replies to individual critics.Seven critical essays—six of them new to the Third Edition—that address the novel’s major themes: aestheticism, decadence and vice. Contributors include Joseph Carroll, Nils Clausson, Emily Eells, Michael Patrick Gillespie, Richard Haslam, Donald L. Lawler and Ellen Scheible.A chronology and a selected bibliography.

This Norton Critical Edition includes:The complete first edition (1722) text of the novel.Albert J. Rivero’s revised preface, annotations, and essay on the novel’s textual history.A selection of contextual materials, including documents on convict transportation and colonial laws, contemporary accounts of criminals, and a brand-new selection of Defoe’s own writings on similar issues.Nine critical interpretations—five of which are new to the Second Edition—analyzing important themes, such as economic necessity and gender relations.A chronology of Defoe’s life and a selected bibliography.

A devotional, literary and philosophical work of unsurpassed beauty and relevance, the universal themes of The Bhagavad Gita—life and death, war and peace and sacrifice—resonate in a West increasingly interested in Eastern religious experiences and the Hindu diaspora. The text is accompanied by a full introduction and by explanatory annotations.This edition presents seminal commentaries on The Bhagavad Gita, including passages from The Shvetashvatara Upanishad as well as commentary by Shankara and Ramanuja, in addition to the writings of Bal Gangadhar Tilak and Sri Aurobindo. Essays by leading Hinduists discuss a wide range of issues related to the text. A bibliography is included.

This Norton Critical Edition includes:The 1896 William Heinemann edition of Wells’s novel—a cauldron of scientific ambition, interspecies conflict, and neocolonial violence—with a glossary of nautical, botanical, and geological terms.A preface with a note on the text, contextualizing headnotes, and explanatory footnotes by Kimberly W. Benston.Eight illustrations, including the 1896 frontispiece and artworks relating to the novel’s context.An especially rich selection of contextual materials, topically organized: “Evolution: Theory, Society, Language, and Ethics”; “Race, Cannibalism, and Empire”; “Animality, Science, and the Vivisection Debate”; and “Wells on Evolution, Pain, Extinction, and Animal Mind.”Fourteen critical interpretations, from reviews upon publication to current critical scholarship.A chronology of Wells’s life and a selected bibliography.

The English rendition of the title of this novel has been problematic since the book’s publication in 1862. In his prefatory note to the Second Edition, Katz explains his decision to return to the original title, the one preferred by the author himself: Ottsy i deti, literally “Fathers and Children.”The novel is accompanied by a rich selection of Turgenev’s letters that illustrate his involvement in the critical controversy that surrounded the publication of Fathers and Children. Four of the most significant critiques of the day—by Dmitry Pisarev, Nikolai Strakhov, Apollon Grigorev, and Alexander Herzen—further enhance the reader’s understanding of this critical firestorm.Twenty-three critical essays—seven of which are new to the Second Edition—are organized around several themes: the issue of translation; politics, including Turgenev’s liberalism, his view of revolution, and his attitude toward nihilism; and various literary aspects, including Turgenev’s use of imagery, generational conflict, the role of women, and the growing impact of science on society.A Chronology of Turgenev's life and work and an updated Selected Bibliography are also included.