Norton Critical Editions - Böcker

"For the classroom and for the general reader, there’s no better way to experience the context in which Jane Eyre was written, illuminating modern commentary, and the novel itself in an authoritative text.” Fred kaplan, Queens College and The Graduate Center, City University of New York

"Backgrounds and Sources" includes relevant writings by Dostoevsky, among them "Winter Notes on Summer Impressions," the author’s account of a formative trip to the West. New to the Second Edition are excerpts from V. F. Odoevksy’s "Russian Nights" and I. S. Turgenev’s "Hamlet of Shchigrovsk District." In "Responses", Michael Katz links this seminal novel to the theme of the underground man in six famous works, two of them new to the Second Edition: an excerpt from M. E. Saltykov-Shchedrin’s The Swallows, Woody Allen’s Notes from the Overfed, Robert Walser’s The Child, an excerpt from Ralph Ellison’s The Invisible Man, an excerpt from Yevgeny Zamyatin’s We, and an excerpt from Jean-Paul Sartre’s Erostratus. "Criticism" brings together eleven interpretations by both Russian and Western critics from the nineteenth and twentieth centuries, two of them new to the Second Edition. Included are essays by Nikolai K. Mikhailovsky, Vasily Rozanov, Lev Shestov, M. M. Bakhtin, Ralph E. Matlaw, Victor Erlich, Robert Louis Jackson, Gary Saul Morson, Richard H. Weisberg, Joseph Frank, and Tzvetan Todorov. A Chronology and Selected Bibliography are also included.

Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler’s edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners’ complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners—"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng.

Herodotus’s history is the earliest continuous prose narrative in Western literature. His long narrative—longer than either of the Homeric epics—continues to hold us spellbound because of the author’s storytelling powers and intelligent curiosity.The perfect introduction to Herodotus, this Norton Critical Edition includes the complete text of The Histories. The translation is fully annotated and is accompanied by an introduction, a chronology of events, and a note on the Persian Wars. Seven maps—all new to the Second Edition—give readers a visual understanding of events and places, 490–479 B.C.E.“Backgrounds” includes a rich collection of historical works by Aeschylus, Bacchylides, Thucydides, Aristotle, and Plutarch. New to the Second Edition are contrasting accounts, by Diodorus of Sicily and Strabo, of the Amazons who were believed to be living in the mountainous regions.“Commentaries” is divided into two sections. Early modern interpretations are represented by Isaac Taylor, John Stuart Mill, and Thomas Babington Macaulay. Seventeen modern assessments—three of them new to the Second Edition—focus on historical origins and backgrounds, Herodotus’s place in history, and central issues concerning both the Persian Wars and Herodotus’s reckoning of them. The new contributors are François Hartog, James Redfield, and Siep Stuurman.A Glossary, Selected Bibliography, and Index are also included.

The authoritative text has been fully annotated and makes available a perennially popular novel, one that has often been mistaken for an actual eyewitness account of the last great plague in England."Backgrounds" encourages comparison of 1665 documents with those of the early 1720s, when England feared a new outbreak of the plague.Included are official government orders and newspaper accounts as well as writings by Defoe, John Graunt, the College of Physicians, and others."Contexts" includes eight comparative pieces united by the theme of a community in crisis.From Thucydides to Boccaccio to modern accounts by Albert Camus, Michel Foucault, and Susan Sontag, this collection represents some of the most celebrated observers and critics in western civilization who have seen what plagues reveal about human nature."Criticism" reprints seven of the best essays on the novel, including interpretations by Sir Walter Scott, Maximillian E. Novak, John J. Richetti, and John Bender, among others.A Chronology and Selected Bibliography are also included.

Study of the genesis of the novel is facilitated by the reproduction of Dickens’ working plans and, for the first time, by some thousands of meticulous textual notes."Backgrounds" offers all of Dickens’ correspondence about Bleak House as well as contextual materials that document the Victorian controversy over pollution, a theme central to the novel, and present contemporary attitudes toward the government, the courts, and the police, to enhance the setting of the story.Also featured are several hundred annotations which fully elucidate for today’s readers the allusions and topical references in this remarkably allusive Victorian masterpiece.Especially helpful is a clear exposition of the nature of law procedures in the Court of Chancery, which is crucial to an understanding of the central action of the story."Critical essays" reprinted here include interpretations by G. K. Chesterton, J. Hillis Miller, George Ford, A. O. J. Cockshut, W. J. Harvey, H. M. Daleski, and Ian Ousby.

This Norton Critical Edition offers one of the largest collections of Middle English lyrics ever made available to the college student.

This translation is for the contemporary reader. Specifically commissioned for stage production, it rings easily on the modern ear and yet remains faithful to Sophocles' original, avoiding the archaisms of other translations.

Giraldi Cinthio’s story—which Shakespeare used for both the plot and many details of Othello—is included here, as is a generous selection of interpretativeresponses to Othello, new to this edition are those by Stanley Cavelland Lois Potter. Edward Pechter’s theatrical and critical overview has been expanded and the bibliography has been updated.

This Norton Critical Edition includes:The first edition of the novel (1859) accompanied by twenty-seven illustrations, from original images by Halbot Knight Browne (“Phiz”) to cartoons from The Simpsons.An expansive introduction and detailed explanatory annotations by Robert Douglas-Fairhurst.Thematically organised contextual materials designed to promote classroom discussion. Topics include “Dickens on France and the French”, “Revolution and Aftermath”, “Living Graves”, “Learning French”, “The Composition of A Tale of Two Cities” and “Theatrical Versions”.Fourteen major critical assessments of A Tale of Two Cities: five contemporary reviews and nine modern essays.A chronology and a selected bibliography.

This edition also includes: The illustrations printed in the original book; Contemporary sources (1853—62), among them newspaper accounts of Northup’s kidnapping and ordeal and commentary by Frederick Douglass, Harriet Beecher Stowe, and Thomas W. MacMahon; A Genealogy of Secondary Sources (1880—2014) presents twenty-three voices spanning three centuries on the memoir’s major themes. Contributors include George Washington Williams, Marion Wilson Starling, Kenneth Stampp, Robert B. Stepto, Trish Loughran and David Fiske, Clifford W. Brown, Jr., and Rachel Seligman, among others.The 2013 film adaptation—12 Years a Slave—is fully considered, with criticism and major reviews of the film as well as Henry Louis Gates's three interviews with its director, Steve McQueen. A Chronology and Selected Bibliography are also included.

This Norton Critical Edition includes:The First Folio (1623) text of Twelfth Night, newly edited and annotated.Natasha Korda’s expert introduction and list of textual edits made to the Folio text for this edition.“Intertexts,” a rich selection of ancient and Renaissance works in conversation with Twelfth Night’s themes of disguised identity, gender fluidity, and fictive letter-writing.Nine illustrations, ranging from a painting alluded to in the text to photographs from modern stagings.Twenty-three critical interpretations of and responses to the play, tracing its reception and critical history from early performances to modern adaptations.“Adaptations and Appropriations” and “Interviews,” sections that explore the play’s various re-imaginings.A selected bibliography and filmography.

“Mesmerizingly good . . . the best, truest translation of Dostoevsky’s masterpiece into English. It’s a magnificent, almost terrifying achievement of translation, one that makes its predecessors, however worthy, seem safe and polite.” —Steve Donoghue, Open Letters MonthlyThis Norton Critical Edition includes:• Michael Katz’s “superb” (Times Literary Supplement) new translation of the world’s most-read Russian novel accompanied by his preface and detailed explanatory footnotes.• Names of principal characters, a note on characters’ names and a map of St. Petersburg.• Key excerpts from Dostoevsky’s notebooks, letters and his early draft of Part II, Chapter 2.• Twenty-six scholarly essays on the novel from Russian, European and American sources.• A chronology and a selected bibliography.

This edition includes a newly edited text based on the 1902 edition. Textual History and Editing Principles provides an overview of the controversies and ambiguities surrounding Heart of Darkness. Included are background and source materials, and contemporary responses to the novella along with essays in criticism, including a new section on film adaptations.

The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations.This edition also includes: biographical portraits of Austen by members of her family and, new to the fourth edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). Also included are fifteen critical essays, twelve of them new to the fourth edition, reflecting the finest current scholarship. Contributors include Janet Todd, Jim Collins, Andrew Elfenbein, Felicia Bonaparte and Tiffany Potter, amongst others. “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, W. H. Auden and others. A Chronology and revised and expanded Selected Bibliography.

This second edition also includes: revised and expanded explanatory footnotes, a new preface and a note on the text by Leland S. Person; key passages from Hawthorne’s notebooks and letters that suggest the close relationship between his private and public writings, and seven new critical essays by Brook Thomas, Michael Ryan, Thomas R. Mitchell, Jay Grossman, Jamie Barlowe, John Ronan and John F. Birk. A Chronology and revised and expanded Selected Bibliography is also included.

This Norton Critical Edition includes:• The First Folio (1623) text, accompanied by the editors’ preface and detailed explanatory annotations.• A rich collection of source materials by Ovid, Giovanni Pico della Mirandola, King James I, Michel de Montaigne and others centered on the play’s major themes of magic, witchcraft, politics, religion, geography and travel.• Seventeen wide-ranging scholarly essays, seven of them new to the Second Edition.• Nineteen rescriptings that speak to The Tempest’s enduring inspiration and provocation for writers from Thomas Heywood and Percy Bysshe Shelley to Aimé Césaire and Ted Hughes.• A Selected Bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

In both poetry and prose, the editors have chosen selections intended to give readers a clear sense of Adrienne Rich’s evolution and accomplishment. Accompanying this is the latest selection of study on her life and work.

Frederick Douglass’ 1845 Narrative is accompanied by a preface and explanatory footnotes. Included are contemporary perspectives, along with essays, a chronology and bibliography.

This Norton Critical Edition includes:⁊ Sheila Murnaghan's new translation of the great Greek tragedy of betrayal, revenge, and murder, set in Corinth in the fifth-century B.C.E.⁊ A full introduction and explanatory annotations by Sheila Murnaghan.⁊ Ancient perspectives on the unforgettable plot from Xenophon, Apollonius of Rhodes, and Seneca.⁊ Seminal essays on Medea by P. E. Easterling, Helene P. Foley, and Edith Hall.⁊ A Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes: The 1852 first book edition, accompanied by Elizabeth Ammons's preface, note on the text, and explanatory annotations.Twenty-two illustrations.A rich selection of historical documents on slavery and abolitionism.Seventeen critical reviews spanning more than 160 years.A Chronology, A Brief Time Line of Slavery in America, and an updated Selected Bibliography.About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:The American first edition text, plus the reinstated “raft passage” from Life on the Mississippi (1883), complete with all original illustrations by Edward Windsor Kemble and, for the raft passage, John Harley.Editorial matter by Thomas Cooley.A rich selection of contextual and source documents centred on the novel’s historical background, language, composition and reception, four of them new to the Fourth Edition.Seventeen carefully chosen critical assessments of Mark Twain’s greatest work, ten of them new to the Fourth Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This Norton Critical Edition includes:• The first American edition (1889) of the novel, approved by Twain and published by his own company.• All 241 original illustrations, bringing to life Twain’s admiration for King Arthur, Merlin and Camelot as well as his deep interest in time travel, technology and political satire.• Five contemporary critical assessments from American and British sources along with seven recent essays on the novel’s major themes.• A Compositional Chronology and Selected Bibliography.

The 1854 text, edited by Sylvère Monod, is accompanied here by explanatory footnotes. Contextual pieces by critics and theorists of Dickens’ time bring readers examples of their views on industrialism, education and utilitarianism. Included are eight new critical essays.

This Norton Critical Edition includes:Jared Gardner’s insightful introduction and explanatory notes.Generous selections from four of Will Eisner’s major graphic novels and story collections, carefully chosen with student readers in mind.Will Eisner’s interviews and published writing on comics and the graphic novel genre from 1978 to 2000.Thirteen wide-ranging reviews and assessments of Eisner’s works.Critical essays by Andrew J. Kunka, Paul Williams, Jeremy Dauber, Greg M. Smith, and Derek Parker Royal.A chronology of Will Eisner’s life and work and a selected bibliography.

This Norton Critical Edition includes:The 1919 first book edition of the stories, with Harald Toksvig’s original map of the fictional Winesburg.A thoughtful and thought-provoking preface and expanded explanatory footnotes by Marc K. Dudley.Selections from Anderson’s memoirs, two of them new to the Second Edition.Eight contemporary reviews of Winesburg, Ohio by critics including William Faulkner and H. L. Mencken.Nine interpretive essays, five of them new to the Second Edition.A chronology and an updated selected bibliography.

This Norton Critical Edition includes:• The first edition of the novel (1847), accompanied by a new preface and revised explanatory footnotes.• Key excerpts from Emily Brontë’s diary papers and devoirs, along with thirteen of her sister Charlotte Brontë’s letters regarding publication of both the 1847 and 1850 editions, and Charlotte’s notes of introduction to the posthumous 1850 edition.• Thirteen of Charlotte Brontë’s letters regarding the publication of both the 1847 and 1850 editions of Wuthering Heights, along with key excerpts from her diary and devoirs.• Twenty-one of Emily’s poems, including the eighteen selected for publication by Charlotte with the 1850 edition and a further three poems new to this Fifth Norton Critical Edition.• Thirteen reviews of both the 1847 and 1850 editions of the novel.• Five major critical assessments of Wuthering Heights, three of them new to the Fifth Edition.• A revised chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

The text here is based on Hershel Parker and Harrison Hayford’s 1967 edition, footnoted to include biographical discoveries. Reviews, letters by Melville and belated praise is collected, and a wealth of new biographical material has been added, while new research is highlighted. Parker also explores what writing Moby-Dick cost Melville and his family.

This Norton Critical Edition includes:The New York Edition text of the novel—the one that had James’s final authority—newly and fully annotated by Jonathan Warren.A full introduction, compositional history and textual notes by Jonathan Warren.Revised and expanded contextual materials, topically organised to promote classroom discussion: “James, the Ghost Story, and the Supernatural”, “James on The Turn of the Screw”, “Other Possible Sources for The Turn of the Screw” and, new to the Third Edition, “Adaptations and Illustrations”. Thirty-two critical assessments—from early reactions to the present day—sixteen of them new to the Third Edition.A chronology and suggestions for further reading.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.